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The Values of Japanese Manga and American Comics - Thesis Example

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"The Values of Japanese Manga and American Comics" paper contains a comparative perspective on heroes, their symbolism, and envelopment of an extremely popular art form of modern times which is widely considered as an essential companion for children and teens. …
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The Values of Japanese Manga and American Comics
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Download file to see previous pages  Douglas Wolk observes in this context, “A whole subculture of comics experts spend their time debating what the first comics was, trying to find earlier and earlier examples of the form. One school of thought holds that the nineteenth-century Swiss Artist Rodolphe Topffer was the first cartoonist in the modern sense. Scott McCloud argues in Understanding Comics that the Bayeux Tapestry, which was probably created in the eleventh century, is an example of sequential visual narrative and therefore counts as comics.” I, however, it seems that the audience remains unaffected by such scholarly debate over the inception of comics as a separate art form; rather they are more concerned with deriving the pleasure of reading and involving themselves with the ambiance created through color, expression and beautifully crafted emotions.

Prior to the Great War II, the American comic market was mainly dominated by superheroes. However, the situation started changing gradually since the post-Great War II period, as the Japanese Manga comics first intruded on the market. At the initial stage heroes with human attributes did not have the capacity to combat the superheroes but shortly manga heroes emerged triumphant against American superheroes. Another benefit of these Japanese manga comics was that they were highly appreciated by women and teenage girls in society. David Okum observes, “Japanese manga developed a strong following after World War II. The themes and stories reflect popular culture and national tastes….There is a wide audience of women, men, boys and that accepts comics and animation as just another medium of storytelling. Manga is produced for every possible group and interest.” ii Though we talk about the fact that majority of the audience support such form of comics, our idea regarding the enormity of such ‘huge audience’ does not become clear unless we come across proper statistical data of the existing market condition of manga comics, “The gross sales from publishing in 2002 was 2.3 trillion yen. ...Download file to see next pagesRead More
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