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The Major Influence on Giottos Art - Case Study Example

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The following paper 'The Major Influence on Giotto’s Art' presents Giotto di Bondone who was an architect and painter in the last quarter of the middle ages from an Italian origin in Florence. Giotto’s art was notably biased towards religious subjects…
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The Major Influence on Giottos Art
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Download file to see previous pages Giotto is generally considered as the first in a series of legendary artists who positively contributed to the renaissance in Italy. Religion played an important role in Italy during the renaissance. It was a period characterized by turmoil in the Christian faith especially the Roman Catholic. Renaissance had a profound impact on contemporary Christianity especially in the way people perceived the relationship between God and man. Some more secular aspects of humanism developed against a background of Christianity and art was used to portray Christianity as the true religion. Most of the new art of the time was in dedication to the church or was commissioned by the church.
The self-awareness that the masses developed during the renaissance also influenced art during the period. Architects, artists, writers, and sculptors in Italy were using phrases like “all Romana et all Antica” or “Modi antichi” to show their awareness of the transformations that were taking place during the time. The awareness was not limited to classical antiquity but was also spread to the growing desire to imitate and study nature and portraying scenes from the bible to imitate classical forms.
Renaissance art was distinguished because of its ability to develop high quality and realistic linear perspectives involving nature. Giotto di Bondone was a futuristic artist and the pioneer in applying perspective to develop a trend in arts that moved towards realism. Giovanni Villani, Giotto’s contemporary described him as the painting master who drew all his postures and figures according to nature. Giotto’s mastery of the art is maybe best captured by Vasari Giorgio who described him as the artist who drew accurately from life. He was credited with applying a painting as a telescope into space through the art of perspective. Perspective only came to be formalized much later by Alberti Battista (1404-1472) and Brunelleschi Filippo (1377 -1446) in their subsequent works. ...Download file to see next pagesRead More
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