Beaux Arts as an Architectural Concept - Essay Example

Beaux Arts Name Professor Date Introduction Beaux Arts is a technological concept introduced in architecture to enhance the decoration in structures. Beaux Arts decorator is an innovation which has a long history of improving architecture and has been adopted in many countries worldwide. Beaux Arts technologies were originally conceived in Paris France, and the city also houses the main training institute on the use and application of this architectural designing style to new buildings. Upon the completion of try training, the institute offers competition, through an examination, where all the learners involve themselves in a study to test their skills and compete for the best. Training on this style makes one a great architect. The method employs several decorations from an origin of both France and Italy1. This paper analyses the Beaux Arts, while identifying the impacts the style has introduced to the architectural industry and also giving the differences in its development from the 19th century to the 21st and the current century. It argues that beaux artwork is among the best architectural styles, and one would be justified to apply the artwork style in any building design. Beaux Arts Beaux Arts decoration has been used all over the world to construct prestigious buildings while decorating the already existing ones. The style has been used in some of the major structures recognized in the world, such as the Queen’s Palace in Birmingham, United Kingdom, the White House in Washington DC and the King's Palace in Saudi Arabia. The idea is to make the style useful and impactful in the modern day architecture2. The use of Beaux Arts styles in decorating the already existing buildings and newly constructed buildings makes the style the only concept that the design lacked. With this style being used in almost all the architectural designing in most parts of the world, the Paris-based training institute for the Beaux Arts can boast of its principal progress in impacting the construction and architectures in the world3. Beaux Arts applies the use of decorative styles, the main ones of use being the baroque and the rococo from France and Italy respectively. Ever since the inception of the style in the world, these two have been used in conjunction with other methods to impact on the eyesight of the most prestigious buildings constructed all over the world. The styles also introduce the concept of drawings in architecture4. The aim of these techniques is to improve the beautiful nature of the building and make the design more marketable and presentable. Drawings in architecture through the Beaux Arts enhance the presentation and are used in conjunction with the program, with its specifications making many stakeholders in the industry acknowledge the design. The stylish decoration of Beaux Arts improves presentation in any building, making some differences in the old ways of architectures, where buildings had little to no performance appearances, but rather strong and durable structures. Beaux Arts introduces a drawing application, the Envois de Rome5. This style of drawing is done on building in relations the program construction specification, together fused with rococo and other Irish decoration styles to make dramatic looks on structures. How Beaux Arts has impacted the Modern Day Architecture. Contemporary architecture is presently referred to as the functional design. The technical nature of character gives its life. That is its only useful, but its nature does not give it the required characters and qualities to be a contemporary architecture. The conditions the functional design does not give it an inclusion to the fine arts. Art, which is well manifested in the Beaux Arts, is defined as the real creation of the visual components in appearance6. Beaux Arts creates an art through an intense sensation and perception. The application of sensation and perception makes the art in Beaux Arts expressive. In other words, the styles make the structures more impressive and expressive, in what they stand for. In the art forms of architecture, there have been series of failed buildings in Europe and some parts of Asia regarding their artistic nature. These factors made the Beaux Arts come into the industry and cover up all those non-impressive and inartistic properties of structures constructed in the times. Some examples of art in the current structures make the forms more visual and attractive, earning high places even in present times. This effect is the basis of their success stories achievement7. Surveys stories in the recent past have been done with the architecture in the past years before the introduction of the Beaux-Arts as well as the structures constructed after the opening of the Beaux Arts. These surveys have shown that despite the visual and quality related work, the structures which applied Beaux Arts in their works have attracted more satisfaction in visual and spiritual comfort. These arts have also given some buildings some distinction over others. The application of Beaux Arts was originally used in India, Greek and other parts of Asia. These forms were traditional kind of art which could not be similar to the modern technological and innovated methods of art in a fracture. However, these forms are the main agendas and ideologies which resulted to the emergence of the Beaux Arts8. Most traditional structures in Greek, India and some parts of Asia were found to be more outstanding than their counterparts in Europe and western countries; this manifests that even traditionally art was used to make impressive and satisfactory marks. Beaux Arts has changed the industry of architecture and the designing engineering in greater concepts. The styles have penetrated in most of the western and first world countries where structures have increasingly adopted the use of Beaux Arts in their designs. Those structures with artwork in designing have posed to be satisfactory to clients than their compatriots without the artwork. However, not all buildings can impose the Beaux Arts. The artwork can only be imposed to some style of structures, for instance, little to no artwork is required in official buildings and office towers9. However, these styles are however increasingly being used in residential homes. Their application best suited residential structure. Beaux Arts styles have changed the modern architecture, and also the architects and other designing professionals. The Beaux Arts Training Institute graduates are more marketable to clients compared to other university graduates. The artwork professionals are preferred by different clients for designing due to their competence in Beaux Arts, which has proven to be the next big thing in architecture. Almost all the trainees of the Paris-based institution are becoming more successful than ordinary professionals. Similarly, the structures which have artwork in their designs have shown more satisfaction to their clients. Different factors are connected to the artwork of Beaux today. These factors include, colour, space, form and texture. Artwork performs well if these factors are well fixed to each other to give the best taste of architecture artwork. Different artwork demands in construction require communicated rhythm tensions, morbidity and contrast10. Colour is very crucial in artwork in any architectural design. Artists, architects and other designing professionals are using the Beaux Arts tools to make impressive structures since the device has proven to be the most marketable, applicable and the best appealing in the industry. The language of grammar in artwork and Beaux Arts is universally acceptable in all visual presentations in the designing and architecture. Sculpture, drawing, and painting are established in Beaux Arts as objective on which all the required physical performance is highly met. Beaux Arts is indulged in early designing band architectural work, not only at the brim of the process. This love is meant to make sure that all that requires tensions, grammar, colour and space positioning are based on the physical appearance of the structure11. Similarly, application of Beaux-Arts at the start of designing is more impressive than when it is used as an addition to already designed structure. Evolution of Architectural Competition from 19th to 20th Century In the early 19th century, architecture was referred to as the general movement, in the sense that these architectural structures were constructed following the traditional demands. These versions of structures followed the exact fabric of the earlier structures, with little to no artwork, especially in the United States. In the progress of the 19th century, the industry evolved gradually introducing the usage of several styles in structure, inclusion the artwork12. However, this artwork well started in the Asian countries, especially India and China. The countries fused the traditional artwork with the Greek concepts of the modern’s architectures in the time. In the late 19th century, the eclectic movement reached its revival moment. The artwork inclusion in the industry colonized the earlier forms or architecture, making it essential for almost all the designed structures to earn the artwork in it. Art became a core element in the most structures which were conceived in the early 20th century13. In the mid-20th century, the concept of Beaux Arts was born ns in France the ideas became normality for almost every country, and most architectures started salivating for competence in Beaux and any other form of artwork in design. The late 20th century saw the most advanced architecture of all the era, making the designing more innovative through artwork. Conclusion The argument in this essay is that the Beaux Arts is among the best architecting styles. A designer opting to adopt the artistic work is justified to make quality work. Beaux Artwork is one of the most famous styles of artwork in architecture; the style fuses several elements and styles of art to come up with the best architectural designs. The application of drawing, colour, and texture has made the architectural industry more developed. Beaux Arts make structures more appealing, more attractive and satisfactory to clients. The industry was less developed without these artistic ideologies. Beaux Arts has evolved architecture from the earlier traditional forms to the modernized forms of designing. Notes 1.Bullivant Lakewood, Responsive environments: architecture, art, and design. (London NewYork: V & A Publications Distributed in North America by Harry N. Abrams, 2006) 56. 2. Ibid 3. Bullivant Lakewood, Responsive environments: architecture, art, and design. (London New York: V & A Publications Distributed in North America by Harry N. Abrams, 2006) 56. 4. Braham Albert, the Architecture of the French Enlightenment. (Berkeley: University of California Press, 2009) 67. 5. Braham Albert, the Architecture of the French Enlightenment. (Berkeley: University of California Press, 2009) 67. 6. Berkus Brooks, Architecture, Art, parallels, connections, (Mulgrave, Victoria, Australia: Images Pub. Group, 2008), 73 7. Ibid 8. Matias Mandy, Philosophy, and architecture, (Amsterdam-Atlanta, Ga: Rodopi, 2015), 29. 9. Steiner Richard and Beard Amn, Architecture: an introductory reader (Forest Row: Rudolf Steiner, 2008), 98 10. Horwitz Schwartz, Book architecture: how to plot and outline without using a formula, (Providence, Rhode Island: Book Architecture, 2015), 95. Bibliography Berkus Brooks, Architecture, Art, parallels, connections, (Mulgrave, Victoria, Australia: Images Pub. Group, 2008), 73 Braham Albert, the Architecture of the French Enlightenment. (Berkeley: University of California Press, 2009) 67. Bullivant Lakewood, Responsive environments: architecture, art, and design. (London New York: V & A Publications Distributed in North America by Harry N. Abrams, 2006) 56. Horwitz Schwartz, Book architecture: how to plot and outline without using a formula, (Providence, Rhode Island: Book Architecture, 2015), 95. Matias Mandy, Philosoph, and architecture, (Amsterdam-Atlanta, Ga: Rodopi, 2015), 29. Steiner Richard and Beard Amn, Architecture: an introductory reader (Forest Row: Rudolf Steiner, 2008), 98 Read More