Interior Designs of Museums - Assignment Example

INTERIOR DESIGNS OF MUSEUMS Name Course Professor's Name Institution Location of Institution Date Interior Designs of Museums The museum is an establishment that conserves a group of artistic, historical, cultural, and scientific and artifacts of significance. There exist two categories of archives: public museums avail their items for public showing through the display which may be temporary or permanent. The institutions are in the main towns globally. On the other hand, local organizations occur in smaller towns, cities, and native areas. Museums have different purposes which vary from serving the entire public, specialists to helping scientists. The primary focus is on Centre Georges Pompidou Paris (Renzo, Rogers & Franchini), Jewish Museum, Berlin (Libeskind), Guggenheim Museum, Bilbao (Gehry). The purpose of this essay is to investigate the interior designs of three examples of museum typology through critical thinking and application of skills. Physical Description Centre Georges Pompidou Museum Skeleton of bright colored tubes Molded steel beam The construction of the museum constitutes a framework of metal that has 14 porches with 13 inlets, each with a width of 48 meters and a height of 12.8 meters apart. At the top of each post is a cast steel ray hangers that measure 8 meters in length. Rafters that rest on the beam measures 45 meters long spread the stress upon the posts that balance on cross bars and tie-beams. Every story from one floor to the next is 7 meters high where steel and glass envelope the openings. To increase the interior surrounding of the design, it has an inside out skeleton of bright colored tubes for an automatic system. The building houses children and reference libraries, arts, industrial design and research equipment centers as well as restaurants. It also has a modern art museum where there is a presence of street jugglers and mimes (Ednie‐Brown, Burry and Burrow 2013, pp.8-17). Little carnivals are present in the spring though temporary where a variety of attractions exists such as artists, bands, evening dining tables, and skate activities. The nearby fountain has water spraying statue. In each year there is an organization of the main exhibition on the sixth or the first floor. The new building of the museum has a curving and irregularly shaped roof that has a top made of punctured and spire. Jewish Museum, Berlin Memory void The Axis of Exile and Axis of Holocaust The museum exhibits the cultural, political, and social history of Jewish in exile before and after the holocaust was performed. The building makes the connection of two lines that are between the locations of the historical event forming a zigzag. There is no external entrance to the museum, and one must enter it from Baroque museum located in the underground (Chametzky 2008, pp.216-245). The internal is complex based on its spaces which are empty and results to a dead end which lacks windows and materiality difference. The concrete that makes it reinforces the areas and the ends where the only light of silver enters the place. The structural features that make the museum are visible and others invisible. A void separates the zig-zag design where the exhibitions are. To cross from one side to the next, the visitors require going across 60 bridges opening onto the void which leads to the axial routes which are in the underground. The first way leads to the holocaust tower; the second path leads them out of the museum into the exile garden (Manovich 2006, pp.219-240). The third which is the longest point to the continuity stair then to the spaces of the exhibition of the museum. Guggenheim Museum, Bilbao Dome-shaped hall top Atrium It is a museum of contemporary and modern art found in Bilbao. It consists of joined buildings made of titanium. It is the most significant building of its time that changes people's thoughts about museums. The museum is near a river that runs through Bilbao city to a sea. It is the largest museum in Spain mostly dedicated for exhibition purposes. It is 24,000 square meters (Ashworth 2009, pp.9-22). Besides titanium glass and limestone design the building with a visual impression of an icon of the town. The building occurs around central axis where the hall is 50meters high with space at the top which is dome shaped. Around the building is bridge systems that are curved and so is the elevator and stairs. Inside the hall, the tourists go through the Atrium where the building levels surround. The Atrium is the axis for galleries shaped and classified as irregular and organic. The Atrium is in the form of a flower that crowns the sky light part of the museum. The massive walls made of glass connect the inside and the exit of the Atrium. Also, the museum has an orientation room, an auditorium, and a variety of restaurants and bars. Significance Centre Georges Pompidou Museum The design of the building exposes the tubes which have bright colors since the skeleton got put inside out and it aims at increasing the internal space for exhibition purposes. The museum was continuously transforming changing it from monument meant for elite into the cultural and social exchange in most of its places (Beyerle 2013, pp.147-169). The construction has color coded elements which included blue duct meant to show the control of climate; the plumbers are green for plumbing, the wires are yellow for electrical charges and safety devices such as fire extinguishers are red. Also, the elevators and stairs are gray, and ventilations are white. The Pompidou Centre is for cultural and leisure activities with a high-tech architectural style that houses the largest modern art museum in the Europe continent, and IRCAM is in it as well and it centers acoustic and music research. The Centre design showed the artistic skills of the architectures after their project competition. The Centre handles millions of tourists every day who were majorly foreigners who rode the moving staircases to the top of the building where the outside has attractive sites. The largest museum and library are for the workshop, cinema, festivals, restaurants, and lectures. The structural elements were joint to act as see-saw that balanced the forces. The material used to make the cast steel that carried the weight of other items was essential for ensuring the safety of the building. Jewish Museum, Berlin The building is zigzag in shape allowing much interpretation. The features include the axes on the ground level of the building that shows the historical growth of the life of Jewish people in Germany. The axis of continuity, exile, and the holocaust that lead to the vertical staircase. The axes narrate the stories of Jews persecuted and killed or escaped during the Nazi era. The Holocaust tower ends in a space whose only connection is underground to the Libeskind building. Light enters the tower through a narrow opening in the unheated silo where the wall echoes sound from outside. It signifies oppression feeling while inside the tower. The exile garden way comes from the exile axis. On the slanting ground grows the bushes of olive that symbolizes hope even though the land provides a dizzying feeling to the visitors of unsteadiness (Dogan and Nersessian 2012, pp. 15-27). It meant the instability felt by Jewish caused by the Germans. The voids cut through the building vertically lacking light, heat or ventilation and the walls are black to show the emptiness after the destruction of the Jewish life disappeared. Between the lines exists empty spaces that cut the building from the ground to the roof top making it appear awkward and impossible to differentiate original floors from outside that signifies confusions and disorientation. Guggenheim Museum, Bilbao The museum is designed to demonstrate modernization of Bilbao city. It houses pieces of show casing for both national and global scene, modern art shows which are temporary that inspire with the lines of the museums wall hence a dramatic makeup. By use of computer aided designs scale models made of silver titanium represented their fishing traditions an important part of the city. The building served the shape of a ship on the sea the Bilbao heritage (Müller 2012, pp.178-236). Furthermore, the fish scales are explained by the glistening metal which reflects in the sunlight. The museum located near River Nervion which symbolizes the proximity of the city to the sea. The center Atrium formed by many glass sheets allows a lot of natural light into the museum which by night shows a reflection of a ship in the middle of the sea. The glass materials are used to reduce noise. The interconnection of the buildings with the museum shows the relationship between the architecture collection and art which helps to change the people's way of thinking. The sheets provide organic and rough effects which put additional color changes to the materials based on light and weather condition. Glass and limestone achieve a design of architectural importance which demonstrates an icon of Bilbao city globally. Comparison Differences Centre Georges Pompidou Museum Completion occurred in 1977 by use of a high- tech architectural style to serve a purpose of leisure and cultural functions. It is a multicultural building that unifies literature and arts of the France culture. The museum entails of concrete floors that have steel structures for support. The architecture is upside down to expose its skeleton of more colored tubes. The name imitates after the president of France known as Georges Pompidou. It consists of the largest European museum of modern art and its purpose made through a designer's competition (Holden 2009, pp.1970-1971). The museum was not only for autistics personnel but also a meeting place for the locals. It has a piazza in front of the building that introduces the technological structure of the building to its native surroundings. In approving the museum shows that the traditions and modernity can interact profitably and improve the past cities. Jewish Museum, Berlin It opened in 1933 after an organized government competition for its expansion. The museum represents a life style of the Jews before and after the sacrifices. It shows the feelings they had when in exile and is there for a historical site. The building is a form of connected lines that provide a zigzag shape with no exterior door. It contains titanium zinc. The museum is independent of other structures outwardly, and its form leads to voids which are black and the bridges. On the lower part, three axes are present that symbolizes the history of Jews in Germany. It has 82 steps which end to a white wall front (Giebelhausen 2006, pp.223-244). A tower connects to the building where the light penetrates, but due to the thick wall, the sound does not pass through. Also, the museum has a Garden of Exile where vegetation is out of reach due to its orientation. The museum gives room for many interpretations that leave insecurity and disorganization. The slashes of windows are oblique appearing systematically and making it difficult to identify different floors from outside. Guggenheim Museum, Bilbao The design opened in 1997 where Gehry planned the museum as a dramatic makeup using the glass, titanium, and limestone. It is an art museum developed as part of the understanding of Bilbao city, and the building was known as the most significant construction of its period. The location of the Guggenheim Museum was in a town known as Bilbao in Spain. It has a global reputation for a making a favorable innovative work. The museum has an orthogonal classical plan which can become noted from the external by the finishes made of stone. Also, it has nine of its galleries irregular in shape differentiating it from the rest, and they can become identified due to their swirling shapes. The largest gallery is for the temporary exhibition. Finally, it maintains a beautifully programmed work of art. Similarities The construction of the museums was for a reason which was for tourism activities in both local and international levels. The tourists visited the site to learn the historical, cultural, and theoretical aspect of the native people. They are all made by designers who had great thoughts, experiences, and unique ideas for the construction purpose. The museums represent important functions that try to explain various circumstances in life. Also, the archives hold key artifacts, monuments, as well as exhibits conserved for concern parties. All the museums aim at the competitive advantage and environmental conservation measures. Conclusion Architectural activity requires an in-depth observation of the past and present happenings and seeing beyond what normal eyes can see. Designing of buildings in a unique format signifies the different comprehension of the simple world into a distinctive imaginary picture which is put in paper work and then finally put on the ground as a structure. Distinct in the designs made portrays feelings, viewing a particular outcome in the surrounding. Use of this creativity to determine other people's character and transformation capacity and then acting through the mood to change the environment, people's beliefs about a scenario is fundamental for architecture. References Ashworth, G., 2009. The instruments of place branding: How is it done?. European Spatial research and policy, 16(1), pp.9-22. Beyerle, A., 2013. Agonistic participation: A political and architectural opportunity. Journal of Arts & Communities, 5(2-3), pp.147-169. Chametzky, P., 2008. Not what we expected: the Jewish Museum Berlin in practice. Museum and Society, 6(3), pp.216-245. Dogan, F. and Nersessian, N.J., 2012. Conceptual diagrams in creative architectural practice: The case of Daniel Libeskind's Jewish Museum. Arq: Architectural Research Quarterly, 16(1), pp.15-27. Ednie‐Brown, P., Burry, M. and Burrow, A., 2013. The Innovative Imperative: Architectures of Vitality. Architectural Design, 83(1), pp.8-17. Giebelhausen, M., 2006. Museum architecture: a brief history. A companion to museum studies, pp.223-244. Holden, S., 2009. Megastructure revisited: The Australian entries to the Plateau Beaubourg competition, 1970-1971. In Society of Architectural Historians, Australia and New Zealand (SAHANZ) Annual Conference (pp. 1-21). SAHANZ. Manovich, L., 2006. The poetics of augmented space. Visual Communication, 5(2), pp.219-240. Müller, A., 2012. Übertragung der Erkenntnisse zur identitätsbasierten Markenführung mittels Symbolen auf Stadtmarken. Symbole als Instrumente der Markenführung, pp.178-236. Read More