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Typology, Diagram and Transformation - Essay Example

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A couple references are missing that pertain to information you sent about London and Rotterdam. The titles of the books were not included, nor the authors. I marked places to put reference notes in red. Please include them in the bibliography.
I live in the US and so included information in the conclusion about cities I've been to here…
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Typology, Diagram and Transformation
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"Typology, Diagram and Transformation"

Download file to see previous pages Without discussing typography, the basic element of architecture, and the basis, in his opinion, of all building, then the exclusion of this topic causes all other discussions to be impossible or implausible. But typology is a fairly new notion and has not been introduced into past discussions of architecture. It has existed as an ill-defined concept, but not as the essential building block of architectural theory.
The transformation of port cities in Europe began as soon as they were erected but increased in recent decades as factors such as population increases/decreases, economic events, security events and others have played a role. The transformations of London's port and Rotterdam's port, and the big differences between both, will be discussed.
Also a consideration in those transformations is the diagram, the blueprint, the architect and his imprint upon that city. City councils and planning committees can propose many changes to a city, but without the ingenuity and vision of the architect, only the same type of building will be developed that they were all familiar with, often bringing the same problems, such as its dimension, usefulness or cost. Sometimes the diagram of the building will become a microcosm for a diagram of the city itself.
A definition: a study of types of elements that cannot be further reduced (Rossi), which include the elements of a building or the elements of a city, depending on the scope of the discussion; a constant; a necessity for describing form and function.

Quatremere de Quincy defined the typological category between 1825 and 1832 in the Encyclopdie mthodique and the Dictionnaire historique. In the historical dictionary, type provides a regulative principle governing the formal and practical aspects of architecture, to wit: "The word type represents not so much the image of a thing to be copied as the idea of an element that must itself serve as a rule for the model. The model, understood in terms of the practical execution of art, is an object that must be repeated such as it is; type, on the contrary, is an object according to which one can conceive of works that do not resemble one another at all. Everything is precise and given in the model; everything is more or less vague in the type." Typology is, for Quatremere, "the antithesis of the repeatable object."

The demands of a typological "norm" regulate architecture to achieve concrete forms and specific buildings with design decisions that articulate the model. It was Aldo Rossi who helped make topological theory a reality in his published essays, "The Architecture of a City", written in 1966 (D. Sherer 1966). Rossi incorporated all his thoughts about typology into his designs. But it was in the Baroque age that Borromini brought typology to play when he constructed the Palazzo Carpegna (ca. 1640) and harmonized the geometry of the form with the demands of the site. He also organized the "axiality of his palace around an ellipse which suddenly erupts within its central core" (D. Sherer 1966). ...Download file to see next pagesRead More
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