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Tromp Loeil &the Interior (Renaissance) - Essay Example

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Trompe l’oeil & the interior (Renaissance) Name: Institution: Trompe l’oeil & the interior (Renaissance) If one can deceive the eye, He can deceive the mind. Painting techniques such as spatial illusion came into existence around the seventeenth century…
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Tromp Loeil &the Interior (Renaissance)
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Download file to see previous pages Their creation was art and architecture whose sole motive was to deceive the eye on the reality of a painting. This was to be known as Trompe l’oeil, which in French is literally “to deceive the eye” (Damisch, 1984)1. This trompe l’oeil paintings and architecture have existed since then and are a crucial part of modern art and architecture. Trompe l’oeil is a style of art that was developed and popularized in the Renaissance era (Kristeller, 1965)2. The main technique used by these ancient artists was using perspective manipulations to achieve paintings that were self-reflective. The second crucial technique was in using art to develop deception through double wonderment (Damisch, 1984)3. The principle of double wonderment focused on two perspectives. The first perspective was to make the viewers of these images whether the paintings were real. Second wonder aroused by the painting was the question of just how the artist achieved such an effect The use of oils was another prominent technique used in the renaissance paintings. Oils enhanced representation of distance using a gradation of tones. Light colored oils were used in the foreground picture flame. One of the main techniques of trompe l’oeil was linear perspective. This was a means of representing far away objects to scale with the close objects. Shading was also an indispensable technique for trompe l’oeil. ...
Artists in the Renaissance era used techniques in painting that created a perception of depth. To achieve depth they had to employ a three dimensional perspective. One of the main techniques used by these artists was to overlap objects. When an object is drawn in front of another and overlapping it, the first object appears to be in front. In the Renaissance paintings, overlapping was the strongest indication of distance, and as objects are overridden continually, the perceived distance increases. Another technique used in the trompe l’oeil interiors of the renaissance era was use of diminishing scale. Objects were drawn into scale of size using this technique. Where two objects of the known same size are drawn one bigger than the other one, the bigger image is perceived to be closer. This was used extensively in the renaissance era especially with the Trompe l’oeil interiors (Tzonis, 1986)5. The artists in the renaissance era also used technique of diagonal lines to achieve diminishing scale. Where lines are drawn to narrow as they go further away, they create an illusion of depth. This is perhaps the most used technique in the Trompe l’oeil paintings. Diagonal lines were painted as they moved towards each other creating a perception of depth and diminishing scale. Another technique was the use of colors. A common assumption in art and architecture is that people see bright colors as being close. Such colors such as red and yellow are deemed to be close. The most commonly application of this technique in the renaissance was in drawing and painting of landscapes. For landscapes, to achieve depth, blue is used to haze far away objects giving an illusion of ...Download file to see next pagesRead More
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