Hip Hop Japan Reflection - Essay Example

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Name Surname Professor Name Subject 8 December 2011 Hip Hop Japan Reflection Introduction: Ian Condry in his writing “Hip Hop Japan” reflected the scenario of the hip hops that are prevalent in Japan. The book represents the association of the music and the culture and provides with an overview of how such music is created…
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Download file to see previous pages However the female performers had to struggle to make their position since the males had a dominated place in the hip hop music industry. The different rap music pieces created involved issues like the education, sex, victimization of teenagers and terrorism. Condry had done significant research before he could actually write the book (Condry, 50-205). The present study focuses on different topics of linguistic and cultural anthropology that Condry’s research had presented to the public thereby creating a reflection on his studies. 1. Topics of Discussion: A. Race: The term race clearly classifies the human beings into different groups based on their characteristics, demographics, culture and other associated factors. Race is significant in relation to the research conducted by Condry since he reflected the work of the Japanese musicians in association with the racial meanings. According to the writer, the hip hops of Japan have argued on the significance of any differences among humans based on races. As there have been “debates surrounding the appropriation of so-called black style”, the hip hops presenting clear arguments through their work prove to have significance for the society (Condry, 20). The Japanese hip hops were inspired and indulged in “new cultural politics of affiliation” and the hip hops maintained their “core values” when they named themselves as the “yellow b-boys” (Condry, 20). B. Sociolinguistics: Sociolinguistics takes into consideration any effect that the different aspects of the society might have and the different languages having their impacts on a society. This topic has special significance in the Hip Hop Japan story since Condry reflected the use of the Japanese language in the creation of the hip hop music. The language was not expected to prove to be successful in creation of such rap music. Language and identity has been strongly connected by the works of the Japanese hip hop musicians. Condry through his writing focused on the debated raised and argued by the Japanese in regard to the “English-language and Japanese rock in the late 1960s” (Condry, 21-22). Thus Condry’s research presents a significant association of the story of hip hops in Japan with the topic of sociolinguistics. C. Soft Power: The term soft power would refer to achieving or obtaining something without the use of any hard power or force or exertion. This term has an association with the study of the hip hop Japan conducted by Condry. The success of the hip hops in Japan followed a story of struggle that reflects the soft power of the rap musicians in gaining the audiences “over time” (Condry, 20). The hip hops of Japan had to make the audiences understand and realize the meaning of ‘hip hop’ before they could actually accept them. Once they overcame that phase, the next stage was to respond to the question “What makes hip-hop Japanese?” (Condry, 20-21). Thus there were issues of debate in this context as presented through the writing of Ian Condry. D. Globalization: Globalization strictly declares the relationship between different people, different businesses, and different industry fields spreading across the globe and not staying restricted to a local region. The hip hop Japan written by Condry significantly presents the concept of globalization being a part of the rap musici ...Download file to see next pagesRead More
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