Saatchi Gallery Post Pop - Article Example

Saatchi Gallery Post Pop Introduction A latest visit to the Saatchi Gallery in London was as exciting as it was expository. The exhibition entitled Post Pop: East meets west brought together more than 110 artists displaying more than 250 of their finest works. Just as the name suggests, the exhibition brought together artists from the former soviet union, china, Britain, Taiwan and the United States. Such was a cosmopolitan exhibition that created a conducive platform for the east to meet the west in a display of the extent of pop culture and pop art in their respective blocks.

In their original and creative works, the artists displayed various works that brought the natural similarities and differences in the prevalence and effects of pop culture in their respective countries as capture by the unique art. Pop art is a contemporary arts movement that began in Britain and the United States in the 1950s. The movement sought to liven arts by infusing various literary techniques such as imagery in such popular culture as mass media, advertising and news among many others.

Pop art artists often remove materials from their known context, isolating them or combining them with other unrelated materials in an attempt to create an original work (Livingstone, 1990). By doing this, pop art movement encouraged the portrayal of the attitudes of the artists instead of the actual art. Post Pop: East meets the West was not any different. The exhibition comprised of various renowned artists and some of the vintage collections from the early and mid-1950s. Post Pop: East meets the West sought to celebrate the creation of unique arts and the spread of pop art to the four regions.

The works on display covered themes including celebrity and mass media, sex and the body, advertising and consumerism and art history. The art movement provided the artists with the freedom to use popular visual imagery and connect with the public by addressing various common materials especially those fronted by the media. The exhibition was a place of glamour and grandeur as the various artists compared their works. Paul McCarthy’s Spaghetti Man was one of the most exciting works at the exhibition.

The work was a conglomeration of the various themes as the artists used familiar materials to develop a unique artifact that extends various cultures. The spaghetti man is a statue of a man with a rabbit head. The life size statue has a long penis that curls up into a heap beneath him. The man’s penis is so long that it becomes useless. Different artists exhibiting their works at the gallery endowed their various works with some of their most prevalent obsessions. Even though the various artist at the exhibition came from different cultures, their use and portrayal of common features of the commercial advertising was common.

McCarthy for example sought to use spaghetti, a consumable product often advertised in both the western and the eastern media. In retrospect, the exhibition featured works from various artists such as Glenn Brown and Tim Head from the United Kingdom, Ai Weiwei from China and Daniel Arsham from the United States among many others. The exhibition sought to increase the awareness of pop art throughout the world.ReferenceLivingstone, M. (1990). Pop Art: A Continuing History. New York: Harry N. Abrams, Inc.