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Van Goghs The Starry Night - Assignment Example

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The research “Van Gogh’s The Starry Night” delves on viewing one Museum art piece. The research delves on interpreting the museum’s and painter’s reasons for displaying and creating the chosen art masterpiece. Art Masterpieces include the painter’s historical information and feelings…
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Van Goghs The Starry Night
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 Van Gogh’s The Starry Night Introduction Art criticism entails the public’s reaction to a painting or art object. The research delves on viewing one Museum art piece. The research delves on interpreting the museum’s and painter’s reasons for displaying and creating the chosen art masterpiece. Art Masterpieces include the painter’s historical information and feelings (Elkins 2007, 13). Body Paintings represent life in the eyes of the painter Museum of Modern Art, New York. The Museum of Modern Art is strategically located in New York City New York. The exact address is 11 West 53 Street, New York, New York. In addition, Howard Greisdorf affirmed that the real Van Gogh painting, The Starry Night, is located in the Museum of Modern Art (2008, 157). Description of the painting. The picture appears in the beginning as one of the top museum paintings. The Van Gogh signature draws the multitude of museum visitors to ensure they revel in the painting’s exquisite painting craftsmanship. Initially the painting shows its oil painting story in a very moving way. The painting deeply moves the audiences to understand why Van Gogh is such a genius in the painting genre. The painting’s well guarded museum location captivates the hearts and minds of the museum viewers. The symmetrically changing color hues complement the other colors and color metamorphosis concept of Van Gogh. Initially, the painting sparks the audiences’ curiosity to learn more about the painter’s hidden and obvious messages. Research affirms the above discussion. Fred Orton reiterated that Van Gogh created the painting as a depiction of the Gethsemane Garden consolation. Van Gogh’s deeply religious Netherland upbringing precipitated to the creation of the painting (1997, 327). Van Gogh incorporated the Agony in the Garden bible story in the creation of the painting. The Starry Night, by Vincent Van Gogh. The museum curator has very favorable reasons for displaying the Van Gogh painting, The Starry Night, in the current Museum of Modern Art location. My visit to the museum indicated that the art piece, The Starry Night, is very old. The museum staff informed me that the 1889 painting was done by the world famous artist, Vincent Van Gogh. Observing the painting, the art piece is on display in the Museum of Modern Art. The art is classified as on canvas type. The masterpiece is 29 x 35.75 inches (74.7 x 92 cm). The painting shows a blue night sky. The sky is littered with bright yellow stars. The picture shows san entire community of houses basking in the bright full moon’s serene night light. A church steeple formidably rises over the entire town to indicate that the community members are composed of religious families. The painting is Vincent Van Gogh’s active impression of community life. The painting’s thick brush strokes create harmony and cooperation between the upper night sky and the happy families living in the town. The picture shows the high mountains shield the tow from any hurricanes or cyclones. The church was painted by Van Gogh to proudly display the religious upbringing of Van Gogh’s native land, Netherlands. The Museum of Modern Art staff mentioned to the museum audiences, including myself, that the above painting, The Starry Night, was done by Vincent Van Gogh in Saint Remy one year before Van Gogh’s death in 1890 (www.Moma.com). Van Gogh was born in 1853 in the painter’s homeland, Netherlands. The Starry Night (Vincent V. Gogh) Function/Purpose. The museum staff mentioned that the artist, Vincent Van Gogh, uses the painting, The Starry Night, to espouse the Netherland community culture of his time (www.Moma.org). The painter aims to integrate the Netherland culture into the other cultures of Europe and other global cultures. The painter takes pride in describing the many advantages of incorporating the Netherlands culture into the world’s cultures. The painter effectively uses the diverse oil colors to advertise the quiet, peaceful, lovely, and revitalizing benefits of living life the Netherlands way. The Museum of Modern Art offers masterpieces from different time periods. In addition, the museum displays art masterpieces of different countries. The museum’s main objective is to display a detailed but very understandable history of modern art. To achieve this goal, the museum includes art masterpieces from our historical past. Included in the museum’s display is the Van Gogh masterpiece, The Starry Night. The focus of the museum is change. Change concepts can be easily understood when the museum viewers compare the art masterpieces of the prior time periods and the current modern era (Lowry 2005, 10). The Museum of Modern Art Metropolitan art’s objectives include grouping together the art masterpieces from many countries around the world. Likewise, the same museum envisions including the masterpieces from different time periods in its museum display areas. Often, many of the Museum of Modern Art’s visitors are too engrossed in one or more of their favorite masterpieces. Consequently, the same visitors have no more time or energy to view the other masterpieces within the museum’s territory (Burn 1997, 6). Modeling. In addition, the museum theorized that the painting vividly shows the transition from the busy, complex, noisy day life to the quiet, dark, simply sleepy, restful night time. The painter exhibits excellent modeling strategy. In addition, Van Gogh’s use of the stars in the painting depicts eternal life. In addition, the painting includes the religious Garden of Olives Jesus Christ story. The painting’s large foreboding dark Cypress Tree creates an eerie funeral or death concept (Giddings, 2011, 10). The lights coming from the homes indicate a warm and loving family life. The landscape’s towering mountains indicate an organic whole of the painter’s segmented painting. The painting’s stars indicate life and, divine love, and energy insisted that landscapes are popular oil painting objectives. The swirling clouds represent the balance of energies, a union of opposites (Maurer 1998, 91). Style. The museum staff also described that the painter, Vincent Van Gogh, used the oil painting on canvass to communicate his inner feelings to the painting’s viewers. Oil painting is definitely more expensive compared to watercolor painting. Another art expert insisted that Vincent Van Gogh’s painting style includes imprinting his often sad and lonely feelings into the paintings. In fact, Vincent Van Gogh only painted for 10 long years. The painting, The Starry Night, was created when Van Gogh was nearing the end of my earthly life. While Van Gogh was alive, he was only able to sell only one art work. After Van Gogh’s death, there was an increasing demand for Van Gogh’s paintings. Van Gogh made 150 paintings during 1889 (including The Starry Night). In 1890, Van Gogh died in Auvers Sur Oise, France (Klein 2006, 4). Another art theorist proposed that the painting falls under modern art. Van Gogh’s conceived firmament of the Starry Night painting’s predominantly using both blue and yellow colors, captivates the long gaze and admiration of the painting. The painting evokes unending mystery that contributes to each serious art viewer’s growing interest in Van Gogh’s self-critical hidden culture-based message. The painting’s long continuing circular brush strokes gives an impression that Van Gogh’s temperament included having a progressive and changing interpretation of life (Thomson 2008, 4). Symmetry. The museum staff also reiterated that the entire painting is includes bilateral symmetry. All the stars show equal position relative to the church that is centrally located on the center of the entire painting. The people’s homes are strategically in symmetrical balance to the centrally constructed church (Klein 2006, 4). Visual Space. The museum staff agrees that Vincent Van Gogh easily assures the painting viewers that painting is equally limited to both the night sky and the community space. The painting shows the viewers that the community space ends when the sky space starts. Substitution. Scrutinizing the painting, the painting shows the lower brightness of the moon. The painting shows that the stars are visible to the naked human eye when the sun’s bright light does not mask the stars’ nightly burning magnificence. The painting reminds the painting viewers that there many advantages of using the light of either moonlight or sunlight (Klein, 2006, 4). The Van Gogh painting, The Starry Night, is a cultural artifact. The art painting was done with the painter painstakingly putting into timeless canvass the painter’s life in Netherlands. The painter also pegged the quite favorable life of the people living within the painter’s community, Netherlands, for eternity (Klein, 2006, 4). There are different agencies aided in allowing the display of the Van Gogh painting, The Starry Night. The Museum of Modern Art is the agency is the foreground of the successful display of the Van Gogh masterpiece. The other agencies include the local New York government and the Federal Government. Specifically, the Lillie P. Bliss agency donated the painting to New York’s Museum of Modern Art (www.moma.com). Summarizing the above discussion, art criticism includes comprehending the painting or artwork viewers’ reactions. The Museum of Modern Art offers the historical and cultural history of Netherlands, with the display of the Van Gogh’s The Starry Night masterpiece. The museum gives high importance on the painter’s cultural reasons for creating the painting masterpiece. Evidently, incorporating the painter’s historical information and feelings raises the quality level of the Van Gogh painting, The Starry Night, and how the viewers interpret the art work contribute to the creation of a masterpiece (Elkins 2007, 13). References: Burn, Barbara, Masterpieces of the Metropolitan Museum of Art (New York: Metropolitan Museum of Art, 1997), 13. Burn, Barbara, Masterpieces of the Metropolitan Museum of Art (New York: Metropolitan Museum of Art, 1997), 6. Elkins, James, The State of Art Criticism, (New York: Taylor & Francis Press, 2007), 13. Giddings, Anita, Oil Painting for Dummies. (New York: J. Wiley & Sons Press, 2011), 157. Greisdorf, Howard. Structures of Image Collections. (New York: Greenwood Press, 2008), 157. Klein, Adam, Vincent Van Gogh (New York: ABDO Press, 2006), 4. Lowry, Glenn, The New Museum of Modern Art, (New York: Museum of Modern Art, 2005), 10. Maurer, Naomi, The Pursuit of Spiritual Wisdom: The Thought and Art of Vincent Van Gogh (New York: University Press, 1998), 10. Maurer, Naomi, The Pursuit of Spiritual Wisdom: The Thought and Art of Vincent Van Gogh (New York: University Press, 1998), 91. Museum of Modern Art, The Collection, Retrieved November 25, 2012 from Orton, Fred. Avant- Gardes and Partisans Reviwed (New York: University Press, 1997),327. Thomson, Richard, Vincent Van Gogh: The Starry Night. (New York: The Museum of Modern Art, 2008), 4. Read More
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