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Van Gogh’s Starry Night Before his death, Van Gogh created a Starry Night while staying in asylum in France. Incontext, Starry Night showcases a view of Gogh’s bedroom window in asylum. The sky created by Van Gogh had energy that contrasted with the village below it (CED 00:01:32). In fact he depicts an invented town while the church brought aboard the Netherlands, his homeland. Further, Van Gogh uses a cypress tree to connect the sky and the other and reflect about his thoughts regarding death.
The cypress tree has associations with mourning and is often found in cemeteries. Indeed, the Starry Night depicts Van Gogh’s concern of death and the actual afterlife. Via the Starry Night, Van moves away from a traditional impressionist that connects nature. Instead, he adopts an impatient feeling. In his Starry Night, Van Gogh brings aboard the theme of poverty and religion. Indeed, he wanted to help the people of the land but he was in asylum. Additionally, his presence in asylum depicts the captivity of the populace that he represented.
For instance, he fled his home country and could often get concerned of death and about the afterlife. The ideas of moving away from the connection between the traditional impressionist and nature is a clear indication of new ways that Van wanted to use in addressing the issues that faced the people. However, he ends up killing himself barely a year after creating Starry Night. Van also used swirling brush strokes that gave an impression of constant movement to the painting and indicated a more vibrant palette than the early works (CED 00:6:03).
However, being in asylum when creating Starry Night has left the creations open to the interpretation of the populace. The interpretations are in terms of significance and meaning. Work Cited Canal Educatif à la Demande (CED). ArtSleuth 1 : VAN GOGH - The Starry Night (final version) – MOMA. . You tube Video Clip. 2013. Web. November 12, 2015. Retrieved from https://www.youtube.com/watch?v=48v5YUTaiVU&feature=youtu.be
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