Georges Seurat's Art - Movie Review Example

In color science and art, Seurat had a great interest in dividing color into its components. Seurat understood that mixing colors would be imperative in producing natural colors. The idea of mixing colors relates to an optical mixture of techniques that has the capability of producing the original color of natural objects. Seurat achieved optical mixture by designing sketches that he finally used in painting the final picture.

Sunday on La Grande Jatte art represents the impression of Seurat's painting style. The art has an illusion of space through, which Seurat carefully manages between his objects in the art. Receding diagonal lines within the art depicts the illusion of space within Seurat paintings (Smarthistory 3:20). In addition, Seurat art represents classical, traditional painting with alternating shadows and light that gives the illusion of space. However, Seurat’s painting style represents the ambiguity of class and time that existed in France.

Ambiguity in Seurat’s painting of Sunday on La Grande Jatte was his idea to mix various social classes within the same art. Mixed class in the art results from the difference in the quality of clothes (5:30). In addition, Seurat’s painting was different from what other artists believed in mainly due to his objects that never interacted within the art (Smarthistory 6:00). However, the classical and monumental nature of Seurat’s Sunday on La Grande Jatte's painting received support from various artists and viewers.

Discussion 2
Sleuth discusses Van Gogh's paintings, his life, and presumed madness in the art. The discussion presents Van Gogh’s art in three main parts. The first part of the discussion explores whether the art represents the spontaneous product of madness. Van Gogh’s night landscape dates from 1889 when astronomy attracted enthusiasm. The spiral nature of the sky in Van Gogh’s starry night resembles a factual nebular as outlined in ancient astronomy papers. In addition, Gogh’s nature of painting the Venus, moon, and landscape in his art shows how he viewed it from the window of his prison cell (CED 5:00).

Due to the limited horizon of nature from Gogh’s window in prison, he invents a landscape separated by sky and land characteristics. He represents the earth with a curved solidity and the sky with a wave-like dynamism. Such representation explains the inherent difference between earth and the sky. The second part of the discussion explains danger and deliverance within Van Gogh’s paintings. In normal scenes, painters design night arts depicting pictures of resting persons after exhaustive work. However, Gogh’s painting represents mixed types of rest in the night with some arts showing people drinking and dancing while other pictures depict a family engaging communal meal.

Most importantly, Gogh’s second part of paintings depicts the inherent discovery of light illusion in paintings. The third part of the discussion explores the night strike back through the beauty and sublime of the sky (CED 10:00). Gogh’s paintings treat stars conventionally and give them elemental power. It is imperative that Gong’s representation of sky and earth explains his extreme artistic madness in painting excellent landscapes.