The researcher of this essay gives a critique on "Michael DeNotto’s Street Art and Graffiti". More than just explaining, he has enumerated other sources of information on this topic for further and deeper study for those interested. …
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DeNotto then goes on to identify sources, where articles, essays, photos and interviews of artists can be found so that those interested can look into it for further study. He believes that the value of street art has become greater nowadays due to its emphasis on scholarship and vulnerability to eradication or vandalism, thereby erasing the potentially significant message it wants to impart. Hence, it is important to document it as they still exist. De Sotto provides a clear explanation of the evolution of graffiti and street art as part of popular culture. He has opened the minds of people to alternative perspectives, and explained that it is a viable outlet of self-expression and dissemination of a message intended for society. The initiative to provide additional sources of information is also commendable so people gain a broader understanding of graffiti and street art and why artists resort to creating it so that people get to understand their messages better. Graffiti used to be viewed as something unpleasant especially if the owners of the walls intended for it to remain spotless. Vandals have exploited such immaculate walls to maliciously destroy its façade as a canvas for their rebellious messages. Now, as prominent artists have recognized the power of graffiti to elicit such strong responses from the public, they have utilized this medium to spread more positive content and instead of destroying the urban environment with ugly public textual and graphic messages, they created street art.
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Graffiti is experiencing a new high because of the coming of age of one infamous, anonymous graffiti artist under the pseudo name Banksy, whose works have been fetching astounding prices, and are being sought by art patrons and celebrities alike. Banksy has made it possible to lead graffiti into mainstream art.
A report on the topic “scrutiny of “Envirocrime” was set out on April 2003, by the committee made under the British Parliament following the London Act 1999. The committee was prepare to scrutinize the issues that are being the cause of environment hazards and needed to be legally dealt under the ‘envirocimes’.
Graffiti is also defined as a composition of pictures or words sprayed on a wall. The word graffiti is derived from an Italian word “groffitia” meaning “scribbling” or “inscriptions made on wax tablets using a stylus”.
When one thinks about various art forms it turns about to be quite astonishing how art has transformed itself during the ages. One of the major transformations in the field of art is how it has spread beyond the boundaries of galleries to streets and urban areas. Graffiti is an art form which was not primarily accepted in the past.
This essay outlines that human beings as individuals have no validity. Feelings and emotions are forbidden. The notion of ‘love’ is laughable: it undermines the State’s power. Winston Smith and Julia know this. They do not accept it, however, but pursue a forbidden relationship; they deny submitting to the State by submitting to each other.
. . . Graffiti art is free for all to come and view-no one can own it, it belongs to all of us"1. The opposite view in presented in the words of Gary Doyle from Public Works Officer, Nuisance Crime Abatement Unit, Oakland, California, who said, "I think graffiti is vandalism, pure and simple.
Many people have different opinions about graffiti. Some think it is artistic expression, others believe it is a form of vandalism. Partly this is because graffiti takes many different forms. Some of it shows a lot of artistic merit while other stuff is just a bunch of scribbling. There is one thing that usually unifies graffiti as a category.
Graffiti, largely identified as an illegal art, has been used by artists as a means of expressing resistance to the hegemonic definition of formal art in numerous countries around the world. The definition of graffiti changes depending upon who is providing the definition. Other than the illegal act of painting on an unsanctioned public or private property space.
Street art and graffiti are often tied with each other and are just the few of arts’ popular forms. The popularity of the two may have influenced a lot for the growth of arts in visual culture. With such, this paper is made to present and analyze the growth of the two and how both directed the concept of occupying visual space.
Street art is any form of visual art created and strategically located in public spaces to pass specific messages. The various types of arts in the streets include graffiti, sticker arts, sculptures and wheat pasted posters among many others. The streets of Berlin have numerous forms of art. Arts in the streets of Berlin are an integral aspect of the city.
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