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The Gamble House (Greene and Green) is a historical landmark located in Pasadena, California. It was designed by Henry Greene and Charles Greene who were architects in the Greene and Greene architectural firm. The landmark was constructed between 1908 and 1909 and was a home to Procter & Gamble’s David B. Gamble (The Gamble House in Pasadena, par 1). The three story building stands out as an American art masterpiece. It portrays some form of the traditional Japanese architecture aesthetic juxtaposed the Californian spaciousness.
The artistic style that was used in designing and building the Gamble House emphasized on aesthetics, craftsmanship, attention to details and the use of natural materials in all areas. Perhaps the most outstanding aspect of the Gamble House is the interior. Multiple kinds of woods were used in the interior. The builders placed maple, teak, oak, mahogany and cedar surfaces in an artistic sequence to create a welcoming tone and contrast the colours. The decision of the Greenes to work with experienced local builders and contractors on the Gamble House project allowed them to obtain high quality wood working and furniture for the house.
In most of the rooms, the inlay in the furniture matched the title mantle of the surrounding space. At the main stair case, the interlocking joinery was conspicuously left exposed. The low horizontally shaped rooms, the wooden interior and the natural light that moves across the house portrays a traditional building plan in which majority of rooms are organized around a central main room. Gamble House mood and symmetries tend to be different from other spacious contemporary buildings that were done in the 1900s.
It has a casual mood that matches its localized symmetry. A very good example of the localization of symmetry in the masterpiece is the symmetrical organization of forms and spaces in relations to one another. In the three floors, the celling heights are different. The first floor ceiling was the lowest while the den ceiling was the highest. Throughout the building, the scales and the forms shift constantly as one move from the interior towards the front and rear areas. The inclusion of the Gamble family attic in the third floor helped in making it a billiard room.
A family crest, trailing rose and a crane were artistically integrated in many locations (The Gamble House in Pasadena, par 3). Gamble House outdoor also symbolizes the historical building plans used in America during the 1990s. Outside the second floor bedrooms are exterior porches that could be used for entertainment or for sleeping. The main terrace of the building was strategically designed and built to be privately beyond the back of the residence (The Gamble House in Pasadena, par 4). It had a patterned paving made of bricks and a large curvilinear bond.
Clinker boulders garden walls were also included to decorate the rear facade. The paths in the compound were made from stones forming a running brook across the lawns. The landscape and the garden elements were integrated in the required proportions and details. The Asian and Japanese influence on the stricture can also be seen in the leaded glasses and the pine motifin on the front door. Work Cited The Gamble House in Pasadena. Gamble House, 2015. Web. 16 October 2015.
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