Horror Films In American Cinema: A Brief Peek Into History Using The Evil Dead Franchise - Movie Review Example

It is evidently clear from the discussion that horror movies are an all-time favorite for those looking to learn from the world of an unknown that surrounds us. Although most of the movies are fictional stories with fictional depictions, the research that goes into developing the story and the screenplay rely vastly on real-life incidents and imaginative capacities of the production team. Although the 1890s was when horror movies began in cinematic history, it was not till epic creations like Frankenstein, Dracula, Dr.

Jekyll & Mr. Hyde and movies of the 1920s which took over the horror film industry, which had thrived on petty popularity till then, and comprised of vampire, monsters and ghost stories. Fables that had witches and angels fighting over the safety of human life were also created during this age (Petridis 2014, p. 79). Prominent movies that dotted the timeline till 1920 include the Hunchback of Notre Dame in 1911 (French), The Vampires 1915 (German), The Vampire in 1913, A Fool There Was in 1915, and so many more.

While these films were mostly silent and marked the explorations of imagination by directors of the silent era, prominent movies started emerging with better-defined screenplays and images after the year of 1920. The 1921 European movie The Death of Dracula and the 1922 German movie Nosferatu, A Symphony of Horror were prominent creations that rocked the American movie industry, owing to the creation and growth of Hollywood the ultimate American movie industry. Although Hollywood had a long time to grow, there were other movies like the Frankenstein films like the 1915 movie Life Without Soul by Joseph Smiley and the 1910 movie Frankenstein by J.

Searle Dawley. These movies would be of variable length and would be of historic importance to students of cinema making one day, but at that point in time, these movies were various adaptations of the novels that inspired them and were more of a pre-film idea of how to adapt the story to the screen effectively.