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A Woman Saving the Nation, from the series The Taiheiki Chronicle - Essay Example

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The Japanese art includes several separate manifestations of workmanship. The country has a rich, tasteful craftsmanship from the beginning with the hints of some remote impacts in their specialty. The historical background…
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A Woman Saving the Nation, from the series The Taiheiki Chronicle
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A Woman Saving the Nation Introduction Japan is popular for its rich cultural craftsmanship. The Japanese art includes several separate manifestations of workmanship. The country has a rich, tasteful craftsmanship from the beginning with the hints of some remote impacts in their specialty. The historical background of Japanese craftsmanship is long and has experienced a few separate stages. For example, at one time the Japanese workmanship was under a substantial impact of remote thoughts while, at the other, the fine art was simply because of their local contemplations and thoughts with no outside impact.

That is to mean that the ideas expressed using the art was meant to discuss the culture and political, social, and religious setting of the country. 1The Japanese customary craftsmanship is very rich as accessible in a few separate structures. A few different mediums of the declaration have been utilized by Japanese specialists to express their thoughts. The Japanese cultural art includes the beautiful artworks, stoneware, the Japanese Sculptures and the most unmistakable structure that include the plan of blooms.

That refers to Ikebana and obviously Origami, the work of art identified with collapsing paper. As a result, the art used different forms to express these ideas. 2Some of the most commonly used forms include the use of paintings. A Woman Saving the NationA Japanese artist did the piece of work, by the name Yoshitoshi Tsukioka, who lived between 1839 and 1892. The art is believed to have been designed and produced in 1886, and it is available in the form of a woodblock print. The Collection Phoenix Art Museum contains several pieces of these paintings.

It is Gift of Susan Julia Ross and Dr. Gary L. Waddington under the order number 2011.118.A. As such; one can access the art using these details. 3Source: emuseum: http://egallery.phxart.org/view/objects/asitem/4517/0/title-asc?t:state:flow=8175058b-41dc-48fd-b071-beb19aef7167.DescriptionIn the extravagant inside of collapsing screens and veneer furniture, the Shogun (military ruler) Tsunayoshi is sleeping soundly. He is longing for his most loved mistress, Oyanagi no Okada who is demonstrated superimposed over the scene and filling the right board.

Behind him on the left board his wife Osame holds a knife. The Shogun is ignorant that his courtesans father Yanagisawa, the Lord of Dewa, has been plotting to topple him. His wife has found the scheme and is bravely waiting to murder the courtesans father and after that execute herself, keeping in mind the end goal to spare the country and her spouse.4DiscussionThe piece of art illustrates the role of women in the fight for freedom, justice, equity, growth, and development in the Japanese culture.

It also shows that the power and independence for the women were limited to household matters. A male family head spoke to the family to the outside world and controlled its open activities. At the home, his wife could practice extraordinary control in dealing with the usual operation of the family. Changes in family structure subsequent to the end of World War II have disintegrated the patriarchal mastery of families.5Some of the men misused the powers of the state authorities. As depicted in the art, some of them indulged in social evils like adultery and forgot their state duties.

ConclusionThe painting has a political meaning. The military ruler represents the leaders of the nation. His wife represents the mother nation, Japan. The concubine represents the other nations to which the ruler has leaked the secrets of Japan. The woman represents the patriotic citizens who would lay down their lives for their country. The act of the woman attempting to murder the husband is an illustration of the elimination of social evils in the society. Further, this indicates the role of the women in the liberation of the country.

BibliographyAshkenazi, Michael. 2003. Handbook of Japanese mythology. Santa Barbara (Calif.): ABC-CLIO.Deal, William E. 2005. Handbook to life in medieval and early modern Japan. New York, NY: Facts On File, Inc. http://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=202565.Kojima Hōshi, and Helen Craig McCullough. 1959. Tha Taiheiki: a chronicle of medieval Japan. McCullough: Columbia University Press.Kraft, Kenneth. 1992. Eloquent Zen: Daitō and early Japanese Zen.

Honolulu: University of Hawaii Press.Kuba, Sue A. 2011. The Role of Sisters in Womens Development. Oxford: Oxford University Press, USA. http://public.eblib.com/choice/publicfullrecord.aspx?p=68930.Sosnoski, Daniel. 1996. Introduction to Japanese culture. Rutland, Vt: Tuttle. http://www.contentreserve.com/TitleInfo.asp?ID={B44BF2A1-0F48-4F41-BEC8-98D048BF3C7E}&Format=50.

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