Download file to see previous pages...
Art allows artists the freedom to exercise with just any material to express their creativity. In the recent past, artists have taken this freedom to higher unique levels and have been using elemental materials such as humidity, water, air temperature, and light to come up with unique pieces. One such artist is Danish-Icelandic artist Olafur Eliasson. Olafur Eliasson transforms the perception of reality by inserting massive installations of nature into public spaces as this research study will reveal.
To create The Weather Projectin London’s Turbine Hall, he made a large circular disc using multiple monochromatic lamps to create a sun radiating yellow light. Additionally, he created artificial mist in the hall using humidifiers casting a mixture of water and sugar then finished it by covering the ceiling with a large mirror1. The installation comes off as a large sun casting yellow rays into a dense mist. Visitors lie on their back and see themselves as tiny black shadows immersed in an ocean of yellow light. The purpose of the installation is to create an artifice of the sun, allowing visitors to “engage” closely with nature2.
The New York Waterfallsinstallation at the New York harbor is a composition of four gigantic [artificial] waterfalls ranging between 90 to 120 feet high3. Eliasson created the project to allow people in the city to experience and appreciate their relationship with nature of immense nature. The size of the installations, which rise high above eye view creates an enhanced feeling of rare experience that the townsfolk are rare with. In this case, he brought the perception of reality (waterfalls) into a public space (New York City), allowing people to familiarize with the proportion of such occurrences as they are in nature without visitng them4.
The Infinite Staircase in Munich, Germany, is yet another of Eliasson’s unique perception of reality in a public space. It
...Download file to see next pagesRead More
Cite this document
(“Installation art of Olafur Eliasson Research Paper”, n.d.)
Retrieved de https://studentshare.org/visual-arts-film-studies/1676720-installation-art-of-olafur-eliasson
(Installation Art of Olafur Eliasson Research Paper)
“Installation Art of Olafur Eliasson Research Paper”, n.d. https://studentshare.org/visual-arts-film-studies/1676720-installation-art-of-olafur-eliasson.
The rationale behind taking any research subject for the purpose of study is the context in which the research has been taken and also the significance of the research work under consideration for the current contemporary period and the future period. In the current period the overall world is affected by the burglary activities.
The street art is not entirely an act of vandalism because it is different from the traditional graffiti because the latter relies strongly on the premise of hurting the cause of the society while street art aims to inculcate a sense of belief and hope within the people at large that all is not lost and there is still some ray of light left within their domains.
The common human senses have varying degree of perceiving stimuli of the diverse nature. The frequency at which any individual stimulus is perceived by a human sense varies regarding the sense and stimulus. Throughout the installation arts, the prompts attributed to by perceptions from sensations decide the urgency of the body response.
The research essay "Islamic Art" gives a profound analysis of islamic architecture. This paper undertakes a profound analysis of the processes by which the Selimiye Mosque was built, the driving forces that underpinned its construction, the technological advancements that were required for its implementation.
It will also examine the works of Russian painter Andrei Rublev and why his works best represent this era in Russian art in terms of paintings.
For a millennium beginning with the 9th century conversion of the country to Orthodox Catholicism, up until the 19th
It may be a technique of decorative art, an aspect of interior decoration, or of cultural and spiritual significance as in a cathedral. Small pieces, normally roughly cubic, of stone or glass of different colors are used to create a pattern or picture.
aboration of the two artists were developed through the help of the Spanish architect Antoni Gaudi’s, who used strings to create three-dimensional plans of his architectural designs. Combining all these three significant individuals’ contribution to art, Shin and Ripel were
f a comparative analysis of two works of ancient art found from any of the museums to include relevant terminologies and concepts learned from the module, including materials used, style, meaning, symbolism, and any other aesthetic issues. Finally, the third part would provide