Reading Response to Quotes - Assignment Example

number 25 January Reading Response to Quotes Reading Response to Quotes This quote makes one think about the way artists use imagery to communicate their ideas and emotions. Abstract images incorporate some elements of realism and defy others mainly because such images are created not to convey the world we live in but to contemplate the way we interact with it. For instance, in the painting titled as Not to be Reproduced by a famous surrealist artist Rene Magritte a reflection of a man in a mirror gains new existential perspective, which has nothing to do with reality that someone who actually looks in the mirror is confronted with.

Abstract imagery is often described as trickery because images like that are not intended to show the world the way it is, but rather give us a perspective from which an artist looks at it.2. This quote touches upon perspective as the way to both actualize an artist in the imagery he or she creates and accentuate something he or she wants viewers to contemplate again. Many photographs like Nicholas Prior in his Conspiracy of Silence project, where he uses a dirty window between a camera and an object of photography, tend to play with codes of photographic truth to make viewers think metaphorically when they see visual images.

All in all, a visual image has always been a powerful tool of communication between those who create an image and those who look at it.3. It is quite an interesting quote to think about. Visual images, whether it is photography, painting or movie, help us grasp changes that either the world we live in or the inner world of a certain artist go through. In my opinion, when it comes to such an important visual system as perspective it may symbolize the anatomy of impressions and reflections an artist has at certain point, which often directly correlates to perspectives with which he or she chooses to look at the world, objects and events.

Work CitedSturken, Marita, and Lisa Cartwight. Practices of Looking: Introduction to Visual Culture. Oxford: Oxford University Press, 2009. Print.