How Artist Responded to the Profoundly Changed World in the First 15 Years Following World War Il - Assignment Example

Using at least two different examples (one American, one European) describes how artist on either side of the Atlantic Ocean responded to the profoundly changed world in the first 15 years following World War ll. How are these responses similar in what important ways do they differ? After the World War II, artist in New York had the belief that art should mirror the times. This led to the development of new artistic ways that reflects their feelings in post World War II in the American Society.

The artist felt that the world was a more horrific place than before the war as atomic bombs had been dropped in Japan. A perfect example was in 1947 in America by Clyfford Still. In Europe, there was “Popular Art” that was started in the early 1960s by Lichtenstein, Hamilton, Ramos and Indiana. The movement also was too elitist and celebrated the postwar consumer culture. An example in Europe was Lichtenstein, Drowning Girl in 1963. The responses by the artist in Europe and those in America are similar as the world is viewed but they differ a bit in their expression. 2. Using at least two examples, discuss the way in which the word "freedom" figured for American modernist artist, and critics after 1945, and how this might be understood to compromise these artists identification with the avant-garde.

Draw on at least two specific examples in your discussion. Freedom being the state of doing according to one’s wishes was clear in American modernist artists. It is evident that after the World War II in 1945, artist used the freedom they obtained to express their work in a new creative way. This was clear in New York where artist who were freed from Europe came to practice their work. A perfect example was Going West by Jackson Pollock in 1934-5 in America. Another example of works in America at this time is The Betrothal II by Arshile Gorky in 1947.

The freedom of expressing art in this era made artist to start portraying the forbidden pictures in the society. This is because of their compromise to the avant-garde. An example in Europe is the forbidden pictures: Homage to Otto Dix by Larry Fink in 2001. Bauhutte- is a construction site hut or storage shed where artist kept their tools. An example was Still Life by Charles Jeanneret in 1925. Un canny- it is a strange way the artist expressed their art. Examples of strange art are the Woman I by Willem de Kooning in 1950 and Pasiphae by Pollock in 1943.

Action painting- it is a style of painting where the paint is smeared onto a canvas by the artist. One of the images that action painting is the Photograph of Jackson Pollock Working by Hans Namuth in 1950. Also, Pollock did another art work by the name One (number 31) in 1950. Neo-dada – was a visual art movement that had similarities in the method and intent of the earlier Dada artwork. One example is Erased de Kooning Drawing by Robert Rauschenberg in 1953.