An Evaluation over the Movie V for Vendetta - Essay Example

V for Vendetta, set in the landscape of totalitarian Britain against its future, is a story that narrates about a young mild genuine woman Evey who was saved by a masked man named as ‘’V’’ from a situation that was between life and death which include rescuing her when she was about to be raped. Due to ‘’V’’ unbeatably compelling and wildly talent in the skill of trickery and battle, V conducts a rebellion by insisting residents to challenge domination and dictatorship. After Evey discovered that V was taking lives of officials of the government, she is requested to kill a priest who was a child molester, by dressing like a school girl until he is killed by V. When Evey reveals the secretive background of V, she realizes her own face and she rises as V’s doubtful friend at the peak of his scheme to convey fairness and freedom to a society oppressed with mercilessness and dishonesty. ‘‘People should not be afraid of their government, governments should be afraid of their people,’’ was a slogan continually cheered throughout the rebellion. I oppose the say since worry should not be the motivating power or factor at the back of anything. In reality, the government and the people should be at peace altogether (Moore). Hence, the government and its people should possess a shared attribute rather than fear. Allowed the continuous mentioning propelled me to reconsider ‘’V for Vendetta ‘’ since it was not the disagreement neither the relationships in both the government in the film and the previous regime. In the film, we are familiarized to a man known as Guy Fawkes. On November 5th of the very year, he attempted to bring down the house of parliament. Fawkes is found and before the public, he is almost hanged. We find a tremendous approach of gunshot by furious crowd beckoning their hands into the air. The gunshot from above enabled the spectators view these people metaphorically and accurately. Fawkes is putting on a shirt that is white signifying his innocence (Moore). He looks for his sad loved one who is in the middle of people who are angry. In the end, when we see his loved one, the shot is not from a greater angle denoting that she is the only one blameless there. There after, we find her closing up her eyes as tears run down her cheeks. Close up has been used as it claims and suggests a response that is emotional from the spectator. The man is hanged as the camera slides slowly from head to his kicking body. The figure rises as the camera moves down inside the frame to symbolize the expression of a man who is dying and going up to the heavens. Through vigilant checking, motivated by montage theory, we observe two scenes edited together. They match one another and ultimately both subject come together in the same frame. V wears his mask and Evey is in front of a mirror and started making up herself. When Evey puts off her TV, V does so. The action of the mirror points that both are travelling to the same direction (Moore). When they finally meet at the same path, V saves Evey from government officers trying to rape her. The same montage is viewed after V rescued her against the rapist. After they are separated, she reports her duty at work place, which happens to beware V; attempts to address the country live on TV. The montage sequence mirrors reflect the former with close ups. In the end, when their paths meet the second time, it is Evey saving V. Not all mirroring shots happening in the picture are between Evey and V. The V shots addressing on TV indicates the chancellor speaking to the nation. Conversely, both are deliberately differently taken. When V speaks to the nation, he addresses powerfully leaving the screen well balanced and clean. On the other hand, when chancellor sends his people, the shots are close-ups demonstrating worn out face and wrinkles, which signify the blemished old government he rules. Besides, his shots are displayed over and over from the angle that is lower to indicate that the camera was showing the subject (Moore). As such, it was planned to give his intimidating manifestation significance and a sense of power. The film is a political tool that can be used by current leaders to assert and learn. The leader is a dictator who does not condone any rival and is determined to silence anybody or anything that wants to ruin their mission to rule. He fronts himself to point of death in order to make the nation believe the government of the day is wrong in its dealings (Moore). Evey never believed or trusted him from the onset. It takes time and well calculated steps from V to make her aware of the mission he was pursuing and join the conquest. V's utilization of the Guy Fawkes cover and persona works as both functional and typical components of the story. He wears the veil to shroud his physical scars, and in clouding his character, he turns into the thought itself. Note that the film's story and style mirror components wear veils to shroud his distortions, control others through the point of interest of his creative impulses, have appalling posts and are inspired by requital. V and Evey's relationship likewise parallels a number of the sentimental components show in affection stories where it starts start doubt and finishes with accept and some of the time lead to marriage (Moore). As a film about the battle in the middle of flexibility and the state, V for Vendetta takes the symbolism from numerous exemplary totalitarian symbols both true and anecdotal. For instance, Adam Sutler principally shows up on vast feature screens and pictures in individuals' homes, both basic peculiarities among present-day totalitarian administrations. The motto Quality through Unity is available in the film and at the outset appears a far experience yet finally comes to be fulfilled. Solidarity through Faith is shown noticeably crosswise over London. Flexibility from subjugation is the key thought passed forward by V to his companions and the swarm he figures out how to accumulate. There is additionally the state's utilization of mass observation, for example, shut circuit TV, on its nationals. In addition, in one of ‘’V for Vendetta’’ theme of the historical thought, Chancellor is depicted comparable to Hitler and his deeds similar to that of Holocaust. These implications are showed in keen adequately designed shots that look like photographs of that era. The officials of the government are walking around and wearing a badge that has a sign that signify their government. In the film, costumes represent an important factor. Similarly, the uniforms of the military, has the perception of V’s mask. In the beginning, V remarks that at the back of the mask is a man who does not material, it is the reason he attempts to inform what is important to his followers. Nevertheless, another tricky costume design use is when Evey is putting on as a cheerleader schoolchild paying a visit a child mistreated by the priest. In reality, Evey is a grown up woman and cannot be identified in a costume that is single, viewers mind are bound with thoughts of sexual and pedophilia abuse (Moore). However, the priest portrays the entire cover concept since he appears to be a priest from the outside yet his inside is full of a child molester. The priest, like the V, is putting on a mask yet he is walloping a soul that is full of sins. His unfaithfulness to his religion is seen when he tried to rape Evey who is saved by V. The priest, who had hid his gun inside the bible, removed it. When Evey realizes that V is torturing and imprisoning her in order to assist her, overwhelms the fears she possesses, she gets out on the roof and decide to stay in rainy weather. As from this day, Evey is reborn and the rain signifies her baptism. Similarly, V’s rebirth is symbolized by fire that made him a new man. In the film, we find a sight of childhood for Evey (Moore). In that memorable scene, we can see her mother being beaten brutally, and she is arrested as she hides under bed. As she sees her father being beaten and arrested, the view reflects another. Apparently, in ‘V for Vendetta’’ most shots are mainly extreme close ups, close ups, medium shots, three shots, two shots, but hardly any full shots. I conclude this was planned since most scenes happen at the back of the bars, inside walls of the prison cell, and rooms restricted with people. The views suggest awareness of oppression, which the government insists on its citizens in the film. When people are freed by V, we find full shots of photograph, which are beautiful. The viewer is no more surrounded within the limitations of the frames as the cinematographer and director releases the viewer’s eyes to focus full shots (Moore). V attains to achieve what Fawkes never achieved many years ago, and in the end, all people removed their masks. Through combination of editor’s work, designers, costumes, cinematographer, musical composers and the director, we are offered with successful cinematically instances of dependable mise-en-scene to express visually the film’s inner message, liberation and freedom. Works cited Moore, Alan. V for Vendetta. Ed. David Lloyd. New edition . London: Vertigo, 2008. Read More