It is possible to note that funerary traditions can reveal certain secrets of life and death and people’s attitudes towards these two extremes. For instance, it is possible to consider the funeral mask of…
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The mask depicts a face of a young and good-looking man. It has been acknowledged that the mask has little to do with actual facial expressions of the king (Renfrew 164). It is a perfect mask of a perfect face. This perfection is achieved through proportionality and, of course, materials used. The eyes are highlighted with the help of lapis lazuli and there are two symbols of the king’s power (cobra and vulture) on the mask.
Admittedly, the mask reveals the power, wealth and glory of the king. More importantly, the mask stands for the divine nature of the pharaoh. According to Ancient Egyptians’ beliefs, pharaohs stopped their earthly existence and turned into gods. Gold was the symbol of this transformation. Therefore, after his death, Tutankhamen was no longer a mortal but became a god and the mask depicted the divine features of the deceased. The major purpose of the mask was to stress the divine nature of the diseased or rather his transformation into a deity.
As far as Lord Pakal is concerned, he was buried in 683 CE (Carrasco 113). Unlike Tutankhamen’s funeral mask, Lord Pakal’s funerary mask is not made of gold. It is primarily made of jade with the use of albite, conch shell, veined quartz, stucco and obsidian. The mask is a mosaic of perfectly fitted stones. Just like the mask of the Egyptian king, the mask of Lord Pakal can be regarded as quite a schematic representation of the great warrior’s face. More so, the prolonged nose (that starts on the forehead) can hardly be a facial feature of the Mayan king.
Again, the mask is not aimed at depicting the actual man but rather the king who transformed into a deity after his death. Precious materials are used to reveal the divine nature of the king. More so, the mask was a symbol of transition from life to death and back as it was a symbol of eternity (Sharer 453). Notably, the elaborate mosaic could also embody another important belief of the Mayas. The people of Mesopotamia believed in
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[His Lordship then stated the facts set out above and continued:] In his amended plaint dated July 24, 1953, the plaintiff alleged that the decision of the commission of inquiry was null and void for a number of reasons. He claimed that the decision was contrary to the principles of natural justice on five grounds, two of which consisted of allegations of bias or disqualification against Professor Mylvaganam by reason of his alleged relationship to Miss Balasingham and Mr.
Due to the many rumors that were whispered about the true identity of the man who bore the mask at the time of his imprisonment, it is now impossible to distinguish fact from fiction. Rather, one can only read through the various mythologies that have evolved from the constant retelling of the story in order to come to an unofficial conclusion about who the man truly might be.
Everybody wears mask. We tend to be an amalgamation of different versions of ourselves that vary in different situations, time and in front of different people. It is an inherent attribute of a person to be multi-dimensional in a sense that we cannot truly be monotonous or at least not without being boring.
According to one source, he ruled for around ten years in 1300 B.C. There has been a speculation regarding the cause of his death since the time his body was found in the year 1922. There have been a number of theories about the death of King Tutankhamen including murder, epilepsy, fracture etc.
The Chinese culture in particular is incredibly serious and profound in regards to how they deal with death, and using art as a form of consideration and memorializing is truly one of the most sacred parts of this process overall, and in fact, Chinese funerary art dates so far back that "Neolithic cultures produced many artifacts such as painted pottery, bone tools and ornaments, and jade carvings of a sophisticated design.
The major themes of the novel are the opposition of civilization and brutality, reason and impulse, order and chaos, loss of innocence and desire for aggression and power. Golding himself believed that man is inherently evil, and the beast inside him cannot be permanently
And most of us actually like to believe in it. So ingrained it is in our minds that it reflects in our fiction and films. For there we love to see the heroine as the petite, pretty and feminine creature in contrast to