Prehistory, the First Civilizations, Greece and the Roman Empire - Essay Example

Early civilizations were figured by ancient nations like Mesopotamia, Egypt, India, and China. The quintessence of early civilizations, chiefly the “river civilizations”, was the overwhelmingly potent political power. Also, the civilizations were laddered and followed through a hierarchy. The kings called for extending their territories, hence, subsequently formed a territorial organization that guaranteed their ascendancy and supremacy. The early civilizations expanded to the following civilizations with the emergence of Greece which greatly influenced the Roman Empire that survived for roughly 1,300 years.

Prehistoric civilizations have also endeavored on their own artworks that would resemble some of the olden traditions and cultures. Three of the most historically significant artworks [Last Name] 2 recovered are the Warka Vase, the Mycenae, and the Capitoline Wolf. “The Warka Vase or alternatively called Uruk Vase is a carved alabaster stone vessel found in the temple complex of the Sumerian goddess Inanna.” It is deemed to be one of the oldest extant works that were believed to have predominantly existed from 3,200 to 3000 BC. It was carved with symbolical details like some cultivated grains, oxen, and nude males that implied thievery and renewal. The second artwork is the Mycenae which is an archaeological spot in Greece. It is located about 90 km southwest and is bounded by two Greek cities: Argos in the south and Corinth which is 48 km towards the north. Its name, Mycenae, was actually a re-enacted name for its ancient name Mukanai.

Albeit it was erected by the people of Greece, its name was taken from some pre-Greek settlers. The third and last artwork is the Capitoline Wolf. It is one of the most symbolic artworks of prehistoric times. “It is a 5th century BC Etruscan statue that is made of bronze cast in the lower Tiber valley.” On it is a female wolf “suckling a pair of human twin boys, representing the legendary founders of the city of Rome.” All three artworks were identical in motive, that is, essentially symbolical in nature that depicts supreme powers as well as exploitation and an accompanying reformation of the ancient civilizations.

Nevertheless, unlike the Warka Vase and the Capitoline Wolf, the second artwork was just a plain representation of protection and resistance to preserve its surge of power rather than purely symbolically in character. Mahonri M. Young Right to the Jaw, 1926Bronze35.6 x 49.1 x 24.1 cmBrooklyn Museum Another magnificent piece of art was made by Mahonri Young.

The geometry of the sculpture is rather consolidated because it uses human figures to convey its message. It is quite difficult to display an overwhelming geometrical clarity or symmetry when using human figures. The color is highly saturated. It stresses the boldness of color that corresponds to the nature of the sports being depicted. Not much contrast in color is shown on the sculpture. It is small in scale. It has a very smooth texture and is even all throughout. Perhaps, it is because of the material being used.

There is a subtle connection between the color and the description of the sculpture. It portrays a bloody sport, which is, boxing. Its use of a duskier shade somehow unveils the concealed meaning of the artwork. Moreover, the definite muscular physique suggests not just a simple association with the bloody sport, but also, implies a novice in skill. The whole concept of the sculpture was already clear to me the first time I saw it. The sculpture depicts a sport that has long been banned until recently. I think the sculpture has a very good motive for conveying the message that it tries to put across. Its unique combination of tone, color, geometry, and other elements passes a strong significance to the history of the sport.