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She is very appealing with her nipples erect and fixated on her chest due to her laying position. She covers her genital area with her left hand just by a glimpse of her fingers. On the right hand, she is holding a cluster of red flowers and one flower fallen on the bed cover. She lies sensually with her legs crossed. A dog is sleeping on the edge of the bed on the covers. At the end of the room are housemaids, one is kneeling down with head inside a suitcase and the other standing beside her.
This painting falls in the category of fine arts. The painting has aesthetic qualities; conceptual qualities of viewing art object as being beautiful and having a good taste. Venus has qualities that are capturing and enlightening to the viewer to judge the painter of having a good taste. This quality differentiates it from popular arts.
The Venus of Urbino painting portrays private and domestic function of a woman as a sexy goddess who is appealing to her husband. It also portrays the need of a woman to remain seductive and appealing to her husband. (Lazzari, Schlesier 22-25) It is for marital significance for the eyes of the husband only. The painting is intended for personal and private use of the owner.
The line element portrayed on the crisis folding of the covers gives textural contrast of the cover. Line element reveals the well-defined body mass and volume of the woman. The floor patterns outline line element as a well coordinated and liberate space to show the harmonization of the room and social class taste of the residing people.
Light element is used to demonstrate the illusion that the nude Venus is appearing to closer people than people behind (Lazzari, Schlesier 22-25). The dark wall behind her is able to bring contrast between the woman and the wall clearly to portray her body structure and formation without straining. It also brings emptiness on the dark background. On the window, light element is used to portray the
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In this work Mandela Artscape stands as an example of positive regenerative work that benefits the cityscape in which it is located as well as residents in multiple ways: aesthetically, socially, educationallyand environmentally. The underlying element of engagement makes Steinman's work unique and powerful.
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