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Triumph of the Will absolve Leni Riefenstahl from responsibility for its Nazi Propagandist impact - Essay Example

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Among the many existing disputes and controversies underlying the roles of art is the production of materials which are termed to be propagandist by the audience and analysts. More often than not, creators of art find themselves in the middle of great turmoil of controversy…
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Triumph of the Will absolve Leni Riefenstahl from responsibility for its Nazi Propagandist impact
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Triumph of the Will absolve Leni Riefenstahl from responsibility for its Nazi Propagandist impact

Download file to see previous pages... This paper aims at reviewing this movie in light of the historical and philosophical context as far as the propaganda in it is concerned.
To begin with, the proposition that this film absolves Riefenstahl from the propagandist role that this movie plays can be historically challenged. Even though Riefenstahl is in denial of having well understood the heinous nature of Adolf Hitler, history has its own reservations on the same. As such, her excuse can be dismissed as a simple and odd escapist’s excuse since someone with the creativity and originality akin to Riefenstahl’s is expected to see better, especially on an obvious issues such as the activities of the Nazis and create a film which opposes rather than supports such a movement.
As it would be expected in a natural societal setting, Riefenstahl defends herself that she is not a propagandist and blames it all on her naivety and lack of knowledge on the real identity of Adolf Hitler and Nazism when she was forging out this piece of entertainment. On the contrary, one may find it necessary to argue out that this is just a way of freeing herself from the imminent guilt that she compromised truth so much in order to making money and gain fame using this film rather. Praising someone who is not humane might not trace one to a direct injustice but is tantamount to praising Satan, which does not leave him or her innocent anyway. As such, much as the content and style of this book might be delineating Riefenstahl from any form of propaganda, the historical and philosophical reality of the Nazi movement are in contradiction to what she presents.
The fact that one of the major characters in this movie is Hitler himself leaves no doubt that Riefenstahl deliberately understood what burden of blame there was to carry as she produced this movie. In fact, this movie is a ...Download file to see next pagesRead More
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