Although it had to play a few times for the details to be noted, this was an overall fascinating movie. The Chauvet Cave located in France was beautiful with crystal formations, wall drawings, and secrecy surrounding the whole…
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The bison, deer, and other animals looked almost like charcoal drawings. Not only animals were depicted, but scenes of animals and hunting. Other images were not as easy to determine. It was like a collage of animal and hunting scenes. All types of images mixed together with some recognizable, while others were not. This could be because of the age, or the rock drawing. The second main point was the security. Instead of an open cave opening, a steel door that is locked has been placed at the opening. The door served another purpose than just keeping people out. This door is to keep the climate the same in the Cave. The archeologist made sure that the cameras, ropes, lights, and people did not touch anything that was not necessary. No one but those authorized by the French government can access this Cave. This film crew had to receive permission first. The security goes high tech in preserving the site. Thin films of sediment are removed to show the cave drawings below. The French government really wants to preserve this site for future observation.
Finally, this film speculated on the people that lived in the cave. What is known can be deduced from the Cave and surrounding areas. Since bones and weapons have been found, the cave dwellers were likely hunters. The reasons for the paintings are less obvious. Some theorize that they are religious or spiritual, others simple records. A comparison with Aborigines in Australia showed that a spirit guided the rock drawings. The humans that lived there adapted to their environment and gave an account. In the film the cave drawings are compared to the capturing of this film on camera. No doubt more research needs to be done on the Cave, but the overall movie was fascinating with possibilities of the past.
A footnote was added. A nuclear plant is twenty miles away. Since the water used to cool the reactors is heated up, the environment is changing. The
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In other words, he is saying that it is bewildering to receive new knowledge that changes one’s outlook on life, but it is also bewildering to try to live as you did in your old life while trying to ignore the newly gained knowledge. I feel this is a quote that applies to my life.
The artists in both setups try to bring out the historic aspect of the human race (Bradshow, 1). Those in Cave of the Forgotten Dreams lived in the early days, and they did their painting and art on walls of caves while those in Style Wars are the New York youths who used walls of structures to showcase their art talent.
The author used many symbols in his writing such as the cave, shadows, game, escape, and return. Each of these symbols enhances a deeper meaning of the theory. For instance, the cave is a symbol that represents the category of people who think that knowledge is attained from what we hear and see in the world (Plato 22).
During winter time, at the end of the year everyone makes himself a survey and sees what was wrong and right, and what he would have wanted to live or to have. Now the most interesting and unexpected dreams are born.
There are some proven facts about dreaming, such as the idea that dreams take place when we are in the REM (Rapid Eye Movement) stage of sleep, that our larger muscle groups are temporarily shut down during this phase of sleep and
To gain an understanding of what these variables might be, two hundred and seventy two male students answered a questionnaire containing thirty-three questions about their sleeping habits and patterns. This method is considered to be a factor analysis
f art, Herzog makes the viewers ponder as to whether art pursued a linear evolutionary course over the ages, or whether, as suggested by the cave pictures, human consciousness since times immemorial possessed an inner eye for beauty and awe, and the so called evolutionary
ived more than 100, 000 requests to remove certain search results that have led to the periodic or perpetual stigmatization because of the performance of a specific action in the past (Mantelero, 2013:232). Due to the nature of such a concept, in terms of practical approaches,
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