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The Sphere of Digital Videography - Essay Example

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The author of the current essay "The Sphere of Digital Videography" points out that each year, many independent films are created and the vast majority of such films make use of digital cameras. Some years back, the process was impossible because of the quality cost of the 35-millimetre cameras…
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The Sphere of Digital Videography
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DIGITAL VIDEOGRAPHY Each year, many independent films are created and vast majority of such films make use of digital cameras. Some years back, the process was impossible because of the quality cost of the 35 millimeter cameras, which were extremely expensive in terms of editing equipment. Presently, each person can make a high quality film with around 1000 dollar camera. Such set ups enable films to be shot as well as edited with remarkable effects, and unimaginable CG sequences in professional film studios in the past 20 years. In the past century, motion pictures have been used by the masses and allowed people to have a glimpse of life happening in the large screen (Bayoumi & Mashali, 2006, p 345). The majority of these films used a similar digital technology that is associated with photographic cameras. Technology often seems to take over the film industry as it seems prepared to be the next target. As digital picture acquisition proves to get better each day, movies are starting to be shot the digital way. There are various plusses as well as minuses in shooting videos digitally but the process is soon bound to replace many productions of films. The past 30 years has seen progress in technology with tremendous benefits from 80’s camcorder, which   was a cat size to the present ones that are small. The creation of digital cameras and digital filmmaking is quickly transforming everything on filmmaking. Professionals or amateurs who are observe considerable advancements in various elements of the industry are working hard to make quality productions. In addition to the innovative production advances, various distributions have been attained, as well. The past ten years saw the venue for an independent film being the film festivals together with private screenings (Davenport 2008, p 453). Presently, a person can create a film and have t viewed by many people. Video seems to be the most convincing elements of communication in this era. At the same time, the past five years has seen a gradual shift from analog all the way to digital. The technology has not only enhanced the capability of visual communication media in data distribution. Manipulation of data has led to quality images being distributed as digital videographer plays a crucial role in image manipulation, which has surpassed powerful technological advancements (Davenport, Schisgall, Mohmed & Mirowitz, 2007, p 5) The objects or people in a video in most digital video images might be edited, and at times edited while the image is being broadcasted without the smallest glitch to indicate that some changes have taken place as everything looks real. The advantages associated with technology gives way for media extension. Different sectors already recognized the usage of digital video technological inventions. Sports, military and entertainment, seem to be the main forerunners in video manipulation usage technologies. Movies such as Forrest Gump together with Wag the Dog had their movie producers make use of reality twisting in more technological terms and pixel manipulation of various images (Fitch & Anderson, 2001, p 9). The process has created many real effects in the movies. Many broadcasters in sports have made use of video manipulation invention enhance peculiar effects in sports broadcasts like virtual insertions involving advertisements together with superimposition of virtual objects in a video image to modify the broadcast. Disadvantages of Digital videography On the other hand, the high cost as well as sophisticated devices makes use of video manipulation which tends to be restricted to a few individuals. Developers of such a technology mainly targets the fall in production coupled with product minimization complexities. The technology has increased the chances for video manipulation as suggested by other research work leading to a rise in the diffuse usage of the technology. The likelihood of less reputable usage of technology has also increased proportionally with the capability to influence video data opening a chance for exploitive opportunity. This means that the less reputable consumers, as well as the various unethical issues linked to the technology have mounted with rising availability. Nearly any piece of video recorded might be used as clip art, which digitally sculpts individual video productions. Digital video has given broadcasters and producers a chance to delete objects and people from a live video and insert pre-recorded individuals in the live broadcast scenes. The situation has made the form of technology among many people as it is losing credibility and legitimacy with each passing day. Another pressing issue apart from authenticity involves the degree of harm that can arise from distribution of some derived and deceptive information arising from manipulation (Mohmed & Mirowitz, 2007, p 5). Television broadcast, which is not the only sole distributor for digital data has seen broadcasters being the main culprit of a similar issue. Actual occurrences of real-time manipulations of videos, outside those extensively found in sports, as well as entertainment, offers pointers to the high prospect of ethical issues occurring through the spread such technology. There seems to be little documentation on copyright legitimate use cases, which deals with issue relating to this technology. The reason for such a scenario is that the technological invention seems to be in its early phases of exposure. The analysis of the past cases in courts that focuses on fair usage of doctrine predict the probable analysis courts, which would be undertaken in cases associated with the technological application of copyright works. Even though, there has been noteworthy progress in digital cinematography equipment in the last century, many veteran filmmakers have stuck to analogue files because of the disadvantages of the new invention (Ferrari, Beusekom & Lepage, 2009, p 13). The main problem associated with digital recording remains light response as there are various film stocks with their individual characteristics. Filmmakers often understand what they are working on, and that help them accurately predict the outcome of the picture. In digital video cameras, the sensor influences the end product of the picture in terms of light and color. Each camera boosts of a different sensor, so a person has to be knowledgeable on the specifics of the camera being used. All these elements scare many people from using the digital cameras to make videos. The capability of digital video to manipulate digital data results to generation of ethical and social issues making the technology unpopular. On the ethical aspect, the invention remains controversial on integrity and authenticity of the visual communication in the media. Personal views Despite the various issues linked to the technological invention, the advantages associated with digital video surpass the advantages discussed. The technological developments in past years show that there has been immense growth in the function and data accessibility. The reporting capacity of digital systems makes information accessible by the click of the button. As the compact discs have displaced cassettes tapes in the contemporary world, digital video threatens to surpass analog video, which has been a mainstay in many households for a long time (Kim, Pyeon, & Lee,1998, p 12). Improvements made in digital technology as well as price drops has made digital video cameras attractive to a normal person. Even though, most advances, presently, favor digital video systems ownership, analog video still retains a noteworthy market share associated with its tried and proper nature. Even with the infringing digital age, analog video is evident and remains alive. Analog video is known as VHS video with a format of linked to analog video being 8mm, Hi-8, SVHS as well as VHS-C. The videotape players presently mostly use the VHS-C format. The analogue video works by capturing still images as heads found on the video player and recorder can write and read still images of magnetic mediums. It is relatively cheap and easy to use as analog video still has a noteworthy following as many households do not have access to computer invention. The trend associated with video enthusiasts is now moving towards digital world. Just like in analog systems most digital video comprises of reading and writing in a magnetic medium. The magnetic medium, which is mostly the found on the computer hard drive can also be placed on magnetic tape (Janssen & Niehsen, 2004, p 8). Digital video might capture still images as well as images that are in motion. Digital technologies are gradually phasing out analog technologies as retailers carry limited VHS titles. Even with reduced sales, analog video currently retains numerous advantages against digital video. Analog video is currently in use because it has demonstrated that is dependable and does not abruptly crash. The reason has resulted led to many businesses backup being magnetic tape. As much as the invention has been there for decades, the cost of ownership seems to be good. It is cheaper to purchase VHS video players together with recorders than purchasing digital camcorder. The disadvantages of analog systems are that editing seems impossible and poor in comparison to digital systems. Digital video is not deprived of its own advantages. Digital video cameras are mostly connected to computers as images can be downloaded and edited easily from the computers. Digital videos are attuned with all computer platforms and, therefore, images might be downloaded to computers using the Linux operating process. Digital technologies have higher resolutions compared to analog video and makes the quality of the picture to be clean, crispy and well defined as digital video do not degrade with time, on the other hand, analog video degrade (Ferrari, Beusekom & Lepage, 2009, p.13). Many recordings are possible with digital, but not with analog video cameras. The equipment seems light, compact and small. Finally, the falling prices in digital technology have amplified its popularity with consumers. Conclusion The investment of a digital video camera seems to be a good choice as the digital invention has better resolutions, feature rich models, large storage capacities and edit capabilities. All these aspects make buying digital systems an advantage. However, better capabilities are associated with the problem of what happens when technology fails. Digital systems are often susceptible to crashes in instances that the hard drive found on the computer fails or battery-life on the camera becomes short, as images can be lost with any editing done on those images being forfeited. Downloading and digital video editing are time-consuming and costly. The usage of digital video for a long time means having satisfactory memory to support that there are limited memory images lost. The video systems feature an increase in complexity of equipment that needs additional time to decode and run the machines. Finally, owning a digital system does not make sense with limited access to computer with the present low-tech feel that has retained analog video makes sense. All these media are used in the media industry despite few VHS video systems that are sold. It has continued to be a media choice by many industries for backup purposes. The developments made in, digital technology, and cheap prices make digital an essential for many video enthusiasts. Digital technology will continue to be a mainstay in various homes as analog systems were considered in the past. Digital cinematography and equipment have been advanced in the past century as broadcast television programs are shot digitally. Major motion pictures have been shot, distributed and shot digitally. Many theaters have switched to digital projectors associated with higher quality digital video cameras, which have become available as traditional film recording method is slowly becoming outdated. Bibliography Bayoumi, M. A., Ling, N., & Mashali, S. A. 2006. Special issue on digital and computational video. New York: Cengage Davenport, N. 2008. Operation: filmmaker. Canada, Distributed by Mongrel Media. Virginia: SAGE Davenport, N., Schisgall, D., Mohmed, M., & Mirowitz, S. 2007. Operation filmmaker a film. Brooklyn, N.Y., Icarus Films. New York: John Wiley & Sons Ferrari, P., Beusekom, M. V., & Lepage, R. M. 2009. Capturing reality the art of documentary. , Mongrel Media. New York: John Wiley & Sons Fitch, G. M., & Anderson, J. E. 2001. Use of digital multispectral videography capture environment data sets for Department of Transportation. Transportation Research Record. 87-93. New York: Cengage Janssen, H., & Niehsen, W. 2004. Vehicle surround sensing based on information fusion of monocular video and digital map. 2004 IEEE Intelligent Vehicles Symposium. 244-249. Kim, Y. I., Pyeon, M. W., & Lee, B. G. 1998. Methodology of integrating video image into digital map for ITS and GIS. Proceedings of the 1998 IEEE International Conference on Intelligent Vehicles. 1. Lanzmann, C. 2004. Shoah. [Korea], Premier Entertainment. Macdougall, D. 2001. Renewing ethnographic film: is digital video changing the genre ? Anthropology Today.New York: Cengage Monk, M., & Killacky, J. R. 2007. Interview with filmmaker Meredith Monk. [New York, NY], The House Foundation for the Arts. Schwiesow, D. 2005. Psychology digital video library 2.0 handbook. New York: Cengage Sey, J. (2002). Masjien 01: digital video compilation. ArtSouthAfrica. 1. Sheppard, R. 2011. Digital photography simplified. Indianapolis, IN, Wiley Pub. Sluder, G., & Wolf, D. E. (2003). Digital microscopy: a second edition of video microscopy. Methods in Cell Biology. --. 72. Sumner, D. 2003. The ListD -- A first for Pentax - The ist is Pentaxs first digital SLR, aimed principally at existing Pentax u Dawn Sumner, herself a Pentax user, puts the camera to the test against the MZ-5. CAMERA TEST. The British Journal of Photography. 20. Wood, A. 2008. Encounters at the interface: distributed attention and digital embodiments. Encounters at the Interface: Distributed Attention and Digital Embodiments. New York: John Wiley & Sons Read More
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