Relationship between Shapes, i.e. line towards Wellbeing - Essay Example

Relationship Between Shapes Through centuries, even back to the time when the earliest of civilizations were built during the ancient period, men have long since found a great deal of interest and purpose in shapes. Nature, however it takes course, reveals itself in the language of shapes and sometimes, one only needs to look into different forms and structures to understand the world and how it speaks of wonder in a way no words can fulfill. Heretofore, shapes are an ever present entity and much as humans are bounded by natural law by which morality is shaped, shape itself is boundless, existing in various forms that do not merely appeal to the sense of sight and touch for it could be perceived beyond the physical realm.

Minds have shape and so do emotions and these two unseen parts of human being are themselves shaped by knowledge and experience so that it makes sense to ponder that while shapes widely exist in several regions of the earth and universe, it would bear less to acknowledge them apart from the essence of relations. In the field of art, shape proves to be an essential component that constitutes any piece of creation with a defined boundary. Its non-static property allows it to establish dynamic and flexible connection with other visual elements such as lines, curves, texture, and color (Definition of Shape – Art History Glossary).

If not, how is it possible to imagine random lines or figures spread in space toward shapeless construction? Whether something is identified as regular or irregular, there certainly is a sensible ground of opting to view and feel what proceeds as definite rather than to dwell at the sight and thought of absence in dimensions which is as good as non-existence. Dealing with shapes means evolving with them in several aspects of life for they embody both the origin and shadow of form in everything at all times.

Mathematicians have been able to synthesize concepts through Euclidian geometry, discovery of conic sections, and other relevant areas which to this point are of huge advantage due to man’s fundamental learning of shapes. Likewise, it has sparked the interest of humanity to examine graphical theories in order to grasp the symmetry and orientations that extend their significance to musical dimension where the shape of rhythm is comparable to a curvilinear flow that sculpts and refines manner of appreciative listening.

Thinkers and composers can be naturally observed to have become unified by virtue of artistry in the process of shaping symphonic orchestration, literary endeavor of writing poetry or colorful stories, as well as philosophical and scientific works. By the principle of craftsmanship present in disciplines as such, the resulting society serves as the collective shape bordered by the reflections of individual potentials and cultures of men which inevitably develop the history of human growth and cultivation.

Apparently, shapes may not be confined in a single domain. On account both of concrete and abstract contexts, humans are drawn to spontaneous association with shapes. In the clothes worn, house dwelt in, road walked on, toys played, mountains climbed, person loved, and even in gods or spirits worshipped, shapes prevail. Objects that appear with complexity to look at can be represented by basic shapes and the commonalities that emerge from the basics are highly influential that majority of nations around the world are disposed to label them by instinct and universal encounter.

Just as lines bring out the contemplative well-being of one who is exposed to socio-cultural and religious values of Thai art via sacred statues and other creative pieces that depict Sukhothai tradition, shapes communicate to perception and cognition which enable a rational human to combine feelings and mental capacities in expressing oneself and relating to the world in plenty of beautiful ways. ReferenceDefinition of Shape - Art History Glossary. 2012. Definition of Shape - Art History Glossary.

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