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Sculpture and painting are both beautiful forms of expression that have enchanted the viewers for centuries. However both are different in the ways they are created by the artists and perceived by the viewers. Personally I prefer that both have equal merits and one should not be held above the other. Painting involves colors, light, shades which provides more meaning and life to the artist’s idea. As opposed to painting, sculpting is done on something much more substantial than a canvas and therefore it has a greater presence and feels much more real to the viewers. Also the sculptures are three dimensional which give them power and make them appear more realistic. Even though the lack of dimension is considered a demerit in painting, the effect is quite easily achieved by ‘relievo’ which can be done through adequate modeling and shaping. Both are equally expressive and it only depends on person
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When Caravaggio painted Penitent Magdalene, he depicted a woman who sat weeping on the floor and his critics missed the aesthetics of understatement in it because the Roman style prevalent in those times was one of overstatement (Warwick and Caravaggio, 94-95).
The importance of these three works will also be discussed in order to present Michelangelo's status in the world of Renaissance Art in terms of being a polymath and an inspiration to many other artists, contemporary or not. Experts say that Michelangelo could be considered the archetypal Renaissance Man due to his mastery in several fields of art.
In examining the details of Rogier van der Weyden’s paintings, Michelangelo’s assessment lacks substance. Weyden’s works show both devotion to God, complexity of intentionality, and technical skills that create realism and compositional perfection. Because of the examples provided by Weyden to the skill and meaning within Flemish art, Michelangelo’s assessment of Flemish art is both unfounded and in error.
This essay discovers Michelangelo Buonarroti's and Leonardo da vinci's art. Michelangelo tried to give new structure to the existing sculptures he has observed and has largely succeeded in doing so. His painting use to depict the human emotions. Buonarroti art mainly concerns with the spiritual excellence and the human inference with the religion.
Born in 1475, his mother died when Michelangelo was very young. After his mother's death Michelangelo struggled against his father's objections to become an artist in Florence, Bologna, and Rome Italy. Michelangelo's dark and brooding nature would gain him a reputation as a moody and melancholy loner, an image that persists today.
ause this cultural revival, which happened roughly between the years 1400 and 1600, had its start earlier than other countries in Western Europe within the major city-states of Italy. “The term ‘Renaissance’ might now be defined as a model of cultural history in which the
Meanwhile, some people enjoy spending most of their time in art galleries just staring at each unique creation. What is even more surprising is how affluent men and women are willing to dispose tons of their cash just to bid on particular
The marble had been exposed to the weather for over 25 years (Sullivan). This made the marble smaller than the committee envisioned. David stands only 13’5”. David was intended for “one of the buttresses of the Duomo, it was placed instead in the plaza outside
childhood young Michelangelo was drawn to arts, but his father discouraged him from this, considering such activity to be below his family’s social status. Nevertheless, at the age of 13 Michelangelo was apprenticed to Domenico Ghirlandaio, who was the most well-known painter
His family social and financial position was seriously compromised when he was born but despite the harsh conditions, he rose to be a significant person in the western society. As a young man, he was sent to study grammar in Florence.
At the time, the
2 Pages(500 words)Essay
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