The art beautifully reflects the end walls of Santa Maria delle Grazie. Additionally, it constitutes renowned paintings of the high Renaissance. The portrait has a well displayed explicit painting technique, through…
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Notably, the portrait reflects an emotion wave that sweeps through the apostles regarding Christ’s statement. Actually, the photo practically portrays an expected scene.
The statement, from Christ is reflected by the art as triggering independent reaction among the apostles. This scene is displayed by the portrait, which shows more actual drama expected in the real scene. Furthermore, Christ’s head is placed centrally in the architect and the frame depicts an architectural opening that seems to be “halo like”. Through these scenes, the photos clearly depict an expectation that is surprising to the apostles. The disappearing head of Christ form a perspectival projection that gives the portrait a more architectural setting coverage. Judas, being the betrayer is separated out of the rest to emphasize the lack of “unity” between him and the rest of the disciples. Generally, the photos communicate a lot of issues, which relate to what actually transpired during the last supper (Da Vinci & Cremante 209).
Leonardo paintings are oriented more to religion, which classically reflect the fading face of the ancient Christianity. These features and architect are not only with Leonardo, but also with other ancient artists. Leonardo’s architects, portray the church as a building of uniform interior that formed the structure of all other Christian churches. Leonardo, through his art, aimed at bringing the humanity and nature together. Leonardo, combined both Christian and classical elements in a symmetric plan, in an attempt to synthesize on knowledge and tradition in a more harmonious and natural way. In conclusion, many scholars have tried to conceptualize Leonardo’s techniques of painting (Da Vinci & Cremante
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Giorgio Vasari's sixteenth-century Lives of the Artists was the primary source of information on the life of Leonardo, long before it was available in French translation (Nicholl 15-35). In Vasari's biography, Leonardo's life and work reconciled three major oppositions: in Leonardo's creations, art merged with science, serious pursuits coexisted with follies, and unfinished works achieved an importance equaling or surpassing that of finished works.
The above illustration is by Leonardo Da Vinci, and it is called Study of a Womb, circa 1489. Da Vinci lived in Florence from 1452-1519 (Gombrich, 1989, p. 220). Da Vinci was interesting to me because of he is a clearly a “Renaissance Man” – in addition to painting what is, perhaps, the most famous painting ever, the Mona Lisa, as well as what is, perhaps, the second most famous painting ever, The Last Supper, Da Vinci was also a genius in science and was an inventor.
It is generally believed that Leonardo da Vinci happened to be a self taught genius (Clark 3). He had access to a very basic formal education and was through with it at a very nascent stage in his life (Clark 3). His genius was the outcome of an insatiable yearning of the spirit to aspire to know about everything about art and nature.
Leonardo da Vinci is primarily known for his paintings and is the most revered artist of all ages. Some of his most popular paintings were Mona Lisa, Madonna of the Rocks and The Last Supper (“Leonardo da Vinci: 1452-1519”, ) This paper explores the life of the great painter Leonardo da Vinci with emphasis on his artistic facet.
Leonardo da Vinci was born on 15th of April 1452 in a small town called Vinci in Italy. Even though, not much is known about Leonardo’s family, his parents never married each other; therefore Leonardo spent most of his time with the father’s family. Leonardo lived with his grandmother for many years.
Naturally, in that era of classical revival, he was often compared with the great scholars of ancient Greece, with Archimedes, Pythagoras, and most of all, perhaps, with Plato, whose figure in Raphael's famous painting of the School of Athens is generally believed to be modeled on the venerable Leonardo.
This essay discovers Michelangelo Buonarroti's and Leonardo da vinci's art. Michelangelo tried to give new structure to the existing sculptures he has observed and has largely succeeded in doing so. His painting use to depict the human emotions. Buonarroti art mainly concerns with the spiritual excellence and the human inference with the religion.
His greatest work is often portrayed as The Last Supper or Mona Lisa. However, Leonardo was much more than just an artist. He was a writer, a philosopher, religious thinker, inventor, musician, painter, architect, and scientist. During his time, he was one of the world's foremost authorities on almost any subject that he engaged himself in.