Art Leonardo - Essay Example

The most intriguing masterpiece of Leonardo is the last supper. The art beautifully reflects the end walls of Santa Maria delle Grazie. Additionally, it constitutes renowned paintings of the high Renaissance. The portrait has a well-displayed explicit painting technique, through which walls are painted in layers. Furthermore, this masterpiece displays a more dramatic narrative that is supported by subtle pectoral illusions. Leonardo focused on the moments immediately after Christ and told his apostles that among them there was a betrayer. This continues with the illustration of the Eucharist. Notably, the portrait reflects an emotional wave that sweeps through the apostles regarding Christ’s statement. Actually, the photo practically portrays an expected scene.

The statement, from Christ, is reflected by the art as triggering independent reactions among the apostles. This scene is displayed by the portrait, which shows more actual drama expected in the real scene. Furthermore, Christ’s head is placed centrally in the architect and the frame depicts an architectural opening that seems to be “halo-like”. Through these scenes, the photos clearly depict an expectation that is surprising to the apostles. The disappearing head of Christ forms a perspectival projection that gives the portrait a more architectural setting coverage. Judas, being the betrayer is separated from the rest to emphasize the lack of “unity” between him and the rest of the disciples. Generally, the photos communicate a lot of issues, which relate to what actually transpired during the last supper (Da Vinci & Cremante 209).

Leonardo's paintings are oriented more toward religion, which classically reflects the fading face of ancient Christianity. These features and architecture are not only with Leonardo but also with other ancient artists. Leonardo’s architects portray the church as a building with a uniform interior that formed the structure of all other Christian churches. Leonardo, through his art, aimed at bringing humanity and nature together. Leonardo, combined both Christian and classical elements in a symmetric plan, in an attempt to synthesize knowledge and tradition in a more harmonious and natural way. In conclusion, many scholars have tried to conceptualize Leonardo’s techniques of painting (Da Vinci & Cremante 209).