The Nightmare by Fuseli and Death of Marat by David - Essay Example

Fuseli’s Nightmare in of the Romanesque/Romantic/Gothic style. As expected of many paintings produced in Romantic style, the Nightmare portrays some level of sexuality. In fact, this painting is cloaked in mystery yet dripping with scandalous sexuality. Romanticism involves the use of decorations, light colors, and smooth surfaces. These features are brought out well in the Nightmare. The woman is depicted as wearing a white, light nightdress and has a smooth body (Detroit Institute of Arts).

    In this piece of art, it is evident that the movements and the gestures of this figure are exaggerated. Fuseli produced this painting as a reaction to the rejected marriage proposal. He wanted to marry a woman called Miss Anna Landholdt. Fuseli, therefore, presents himself as the demonic incubus perched on the woman's chest. This was a great expression of jealous and emotional revenge. The Nightmare exemplifies Fuseli’s style and romanticism in general by bringing out elements of passion and lust.

This is evidenced by the type of dressing the woman is wearing and the blood red curtain behind the scene. These features create a light contrast which intensifies the woman’s eminent glow. The woman also lies in a vulnerable position. In this painting, Fuseli has also used chiaroscuro style to add to the effects of the contrast created by dark and light colors. This has given the scene an eerie glow (Detroit Institute of Arts). David’s work, the Death of Marat, drew from Neoclassicism.

This style emerged as a result of the reaction of artists to Rococo style. The style was meant to do away with Rococo features which included being gaudy, cluttered and over-decorative. The painters were also receiving inspiration from the archeological digs of Pompeii and Herculaneum. In terms of theme, paintings produced under neoclassicism typically presented a narrative with a flair for the dramatic (Berghe and Plesca 97). Neoclassicism uses styles and subjects from the past and applied them to the current situations for every theme ranging from decoration to propaganda.

This feature made David’s Death of Marat one of the most instrumental commentary and propaganda during the French Revolution.