We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.
Nobody downloaded yet

Marcel Duchamp and Dada - Article Example

Comments (0)
This paper aims to explore the dada movement and Marcel Duchamp. The artistic endeavors of Marcel Duchamp have the ability to both compel and repel; they are fascinating both what they contain and what they comment upon about the unpleasant aspects of the society that created them. …
Download full paper
Marcel Duchamp and Dada
Read TextPreview

Extract of sample
Marcel Duchamp and Dada

Download file to see previous pages... The paper "Marcel Duchamp and Dada" discusses dada movement and Marcel Duchamp. What Duchamp hoped to accomplish artistically with ready-mades was to literally call into the question the cliché that beauty rests entirely within the eye of he who beholds it. Another ready-made of interest was a work that consisted of a bicycle wheel mounted upside down on a kitchen stool titled simply “Bicycle Wheel.” The very fact that such an exhibit would lead to questioning whether this qualifies as art at all. Question such as those were the primary component that drove Dadaists and it was such a Such were the questions raised by the concepts of Dadaism; this was an innovative step that even today, nearly a century later, the same questions are still capable of being raised. Duchamp and the Dada movement had the purpose of art being viewed from an intellectual perspective as well as a purely visual one; the idea was to confront traditional ideas about the truth and nature of aestheticism. Duchamp further defied the traditions of aesthetics and the nature of what qualifies as art with what may be his most famous Dadaist work ever, “L.H.O.O.Q.”. This takes the iconic image of Leonard Da Vinci’s Mona Lisa, perhaps the epitome for most people of the concept of what a work of art is, and transforms it by committing the anti-art act of graffiti upon it in the form of a drawn mustache across the La Giaconda’s enigmatic smile. While the immediate reaction might be that such an act is intended to mock Leonardo himself. and the Mona Lisa specifically. From a Dadaist perspective, however, "L.H.O.O.Q." isn't even intended to an indictment of the work of art that it apparently slanders, but is designed to be a larger attack against such things as how society positions art, as well as how art can exist in a society that has also produced such atrocities of the human condition. A deeper insight into what Duchamp may be saying could be society needs to be more vociferous in their acceptance of artworks that aren't conventionally beautiful. To take this idea to its logical conclusion, of course, would to say that "L.H.O.O.Q" also asks society to look at itself more closely in determining what is beautiful and what is ugly.
Dada's confrontational techniques consistently ask the viewer to look more closely as how the works of Duchamp might be appealing even if they are not conventionally compelling. Despite what contemporary society may appear to say, this question is hardly answered to satisfaction. In recent decades, the ideal of beauty has shifted to include any number of unconventional concepts of beauty. Duchamp and the Dada movement asked that the intellectual element of an artwork reach as high a level of importance of visual beauty of it. One fan of art may look at the Mona Lisa's beauty marred by a mustache as distasteful, but that criticism is not just acceptable to the Dadaists but vital. Art should not be judged exclusively on the basis of aesthetics, but from an intellectual perspective as well that takes into consideration such things as the socio-political value the work of art has. What kind of comment does it make on the world that has shaped the artist who created, as well as the opinions that viewers engage when they critique it. Judging a work of art simply through its visual merits result in a self-imposed limitation on the enjoyment and experience that is possible. Equally true would it be limiting to confuse art with beauty and beauty with art. Ponder this quote from Duchamp himself, "Art may ...Download file to see next pagesRead More
Comments (0)
Click to create a comment
Contemporary communication
35 ft 1/8 in) Philadelphia Museum of Art, Philadelphia Essay 2: Duchamp & Semiotics In Marcel Duchamp’s paintings The Bride Stripped Bare by Her Bachelors, Even [The Large Glass] (1915-23) and Nude Descending a Staircase, No. 2 (1912), the manner in which the artist creates meaning in the works through the combination of visual and conceptual aspects can be seen as an example of the importance of critical methodology in social semiotics.
8 Pages(2000 words)Essay
Marcel Duchamp
The paper discovers the art of Marcel Duchamp. By a relatively young age, he was well-schooled in the both the history and the techniques of a variety of fine art genres and styles or movements. It can be said that his early maturation was one where the whole idea of modernity was being formulated and shaped.
7 Pages(1750 words)Essay
Modernist artist Man Ray and the Dada movement
1Fine arts comprise of performing and visual art forms such as collage, assemblage, music, dance, theatre, sculpture, painting, calligraphy, film, photography, installation and conceptual art. Art, therefore, combines both purity of work and the level of refining to fulfill a given intended function and desire (Miller 3).1 In both film and visual arts, the development of creative thinking and imagination is crucial for ease of assembling reflections and developing new work.
5 Pages(1250 words)Research Paper
Marcel Duchamp Prefigure Walter Benjamin's Thesis
This paper explores Marcel Duchamp in the context of Walter Benjamin's thesis. Art is unique. If for nothing at all, it could be appreciated that it is not all people who possess artistic characteristics and talent and those the few who do are highly praised and revered. It is however important to point out that whether a person is an artist or not.
9 Pages(2250 words)Essay
Modern Artists Joan Miro and Marcel Duchamp
This paper will analyze Marcel Duchamp and Joan Miro, famous modern artists and their artworks. Marcel Duchamp majored on synchronized artwork that appeared like machines such as satellites and magazines. Joan Miro was born in 1893 and died in 1983 after reaching great heights in his career as an artist.
6 Pages(1500 words)Essay
Life of Marcel Duchamp
The paper explores Marcel Duchamp's life and works. This anarchic, controversial artist had very revolutionary views and maintained that art relates more to the artist’s intentions than to anything he created with his hands or how he felt about beauty. It was thus that the avant-garde movement that defended concept and meaning.
8 Pages(2000 words)Essay
Alleviating Problems in Police Agencies
In recent months, as the media and the community have complained of excessive force by local law enforcement officials, the definition for democracy appears to have been covered by the need to protect the public from police misconduct. Overall my concept of assessing question requires the discussion of the notion of the Rule of law and how it has developed within and through the Western Notions of freedom and democracy.
85 Pages(21250 words)Article
Contemporary Art and Marcel Duchamp
This essay analyzes Marcel Duchamp and his influence on the contemporary art. He associated with various art movements like Surrealism, Dadaism and Fauvism but never identified himself with any of those. His art works are of a huge range and comprise of more than just paintings. He was interested in ideas, not merely in visual products.
3 Pages(750 words)Essay
Dada Arts influence on later 20th Century Art
Dadaism contributed a unique influence on the 20th Century art form. The Dada Art movement did not want a change within the society of its founders. Instead, the Dada artist wanted more. The Dada movement leaders espoused the complete overhaul of the established society, including the prescribed popular art genres.
7 Pages(1750 words)Research Paper
The Dresden Triptych and Marcel Duchamp
This paper discovers a clip of Marcel Duchamp and The Dresden Triptych. I would like to concur with the assertion that Dix was a realist. He made paintings that mainly centered on the theme of horror. As seen in the clip, Dix was interested in portraying horrific paintings of the war. Most of the paintings shown in the clip were taken during World War I.
1 Pages(250 words)Coursework
Let us find you another Article on topic Marcel Duchamp and Dada for FREE!
Contact us:
Contact Us Now
FREE Mobile Apps:
  • About StudentShare
  • Testimonials
  • FAQ
  • Blog
  • Free Essays
  • New Essays
  • Essays
  • The Newest Essay Topics
  • Index samples by all dates
Join us:
Contact Us