Weeping Woman 1883 by Vincent Van Gogh - Essay Example

Weeping Woman 1883 by Vincent Van Gogh Vincent Van Gogh was born in the 1853 by his mother Anna Cornelia Carbentus and father Theordorus Van Gogh, who was a reverend at a protestant church. Vincent Gogh lived and grew up at his place of birth in Holland. He grew up religiously due to the influence by his parents, as they were ministry leaders. Vincent had two brothers, Cor and Theo and three sisters Wil, Anna, and Elizabeth. During his early life, he did not give any consideration on concentration on artwork. In fact, he spent a quiet life without a niche and undeniable artistic professionalism. This paper provides a discussion on the “Weeping Woman 1883” by Vincent Van Gogh. He went through a sketchy educational array since 1870 and due his completion; Vincent got an employment at the Hague gallery governed by French artist (Wildenstein & Company 204). The French artist regulated all the artwork in their company led by Goupil. Goupil transferred Vincent Gogh from The Hague to London in 1875. He later moved to Paris. Owing to this relocation, he lost the desire to work as an artist although he loved and enjoyed his work. Vincent returned home and started theology classes. He was passionate and enthusiastic to proceed to Couple programs; he failed in his exams. His personality, was composed of intelligence and multi-lingual speaker, he did not see the importance of considering Latin as the language to use in preaching to the poor (Wendy 34). He proceeded to a community that mined coal where he started his missionary work. In this coal mining community, he lived with hard working but poor common people where he developed his profession as a preacher. He gained a big interest for people who lived around him. This big interest influenced him to the artistic career, which was enveloping. Theo, his brother, pressured him to join the artistic word. He also had a big urge to leave the miners with something that was greatly required by human kind. Vincent Gogh underestimated his abilities having gone through only part of his training as an artist. His family pushed and encouraged him to clinch on and move forward as they provided financial support, something that helped Vincent become a master of the art (Wendy 59). At the age of twenty-seven years, Vincent Gogh fell in love with painting and artwork. This was after he got into the school of Beaux-Arts located in Brussels, Belgium and relocation to Amsterdam in a period of fall of winter. In 1882, he was fully devoted to painting where he lived frugally and studied the theory of color. At this stage, he created the Potato Eaters as a major work having been inspired by Peter Paul Reuben’s artwork. Vincent painted peasants in the rural landscapes by use of the dark earth tones. He incorporated impressionism, which involved vivid colors. Vincent adjusted his paintings to a style that made his work generate fame on to people he lived with (Wendy 94). This happened after he relocated to Paris. His fame projected as a result of using bold brushstrokes with thick application of paint on his art work. Vincent Gogh started a colony of artists composed of the most interactive and intelligent artists who had the passion for creating arts in the most productive way. Formation of this group took place in Arles, in France. Artist like Gauguin joined him and created artwork like the sunflower. However, his successful progression in this period came in with mental disorders declining him some physical capabilities, an illness composed of epilepsy, delusions and psycho attacks that brought great turmoil to Vincent and his family. The effects of mental illness brought episodes like mutilation of his ear and offering it to prostitutes as well as, extensive threats to Gauguin (Wildenstein & Company 212). In the year 1883, he created the figure of a weeping woman, a paint that brought transition for Gogh and the inhabitants of the areas who were under the French laws. The paintings helped the natives to rediscovers the essence of tourism especially in heavily loaded areas where Vincent Gogh’s work was done. His discovery of oil paints gathered him more devotion to paintings. With the help of oil paints he drew Sien, his wife who had two of Vincent Gogh’s children, seated down on a basket. The woman seemed to be sobbing. The articulation of the image brought Vincent’s master skills to portray quiet domesticity and an underlying feeling of despair having lived with Sien for nineteen months. Their relationship grew when Vincent met her in The Hague. Despite the emotional setbacks in Vincent’s life that trended from financial struggle to mental illness. Sien got into deep love with him, they both hoped for a pleasant life. The engagement brought tension to his father who took it as a personal interest to keep encouraging the couple of his good will for their progress in prosperity. Vincent admired greatly the watercolors made by Mauve. He followed Mauves instructions in painting by the use of watercolors and incorporated the oil color he had devised to make a colorful image of a woman representing his pregnant wife. Vincent frequently worked on refining his art, which showed a remarkable trend of progress and advancement. However, his feelings for Sien did not grow as much. In fact, their relationship deteriorated much during the many times he spent more time in his artwork. His passion was neither in the foods his wife cooked nor in other family concerns. He lived a nomadic and isolated life, most of the time refining dozens of drawings. As a result, his heart and desire for recovering and rebuilding his friendship with his wife was not available. This made the couple to separate ways. Vincent left for Drenthe, an isolated rural land in the desolate western location of the Netherlands where he continued to live a rather nomadic life. Vincent did his paint for the weeping woman to portray sympathy in the concise plight of poor and the downtrodden not only in the issue on family affairs, but also in the operations of the society and the revolutionary government primitive activities that had been on the peak. The shift in color in the paint on weeping woman creates the impression of physical pressure against the poor by the lucrative individuals and a symbolic nature of turmoil and hardships in women. Vincent Gogh used ancient lithography in his artwork. This medium included sketches that had etchings. He also involved that graphics combined with lithographs to bring out a piece of paint that entrenched in the people’s thoughts and earned him more a broader audience in his attempt to create wealth for Sien and live a better life (Wildenstein & Company 256). Gogh’s letters to his brother Theo and to the people who were close to him gave more detailed aspect and artwork utility to those whom he dedicated the letters to. The letters contained information on artwork, designing and refining a graphic. The letters immensely inspired other artisans especially when he described his nature of thoughts. The portrait of a weeping woman was composed of yellow colors with outlined reflects and palettes clinched on the naked body influenced the moods of abandonment and restricted bounds for relationship handling in the figures of women. This aspect is induced to the viewers by an introspective method that had helped Vincent Gogh to earn a name for his artistic skills. This paint instilled a tremendous and critical thematic aspect including the continuation of tragic events experienced by Vincent Gogh (Wendy 114). The paint was also important to the artists as is showed a glowing attitude for the refining of their art to enhance creative ideas depicting the feelings, opinions and critical aspects of the social life and individual personality case. The paint did not only portray the feelings of human thoughts and heartfelt pains at the disposal of a rich society but also enhance the unutilized potential in the society during the Spanish civil warfare. The artistic work of Vincent Gogh reveals a corresponding performance in the artistic skills and experience ranging from zero to a huge number of positive advantages when artisans view the application of expertise in Vincent Gogh’s artistic career. Nevertheless, his work had had imposed threats from different varying forces until a point by which he committed suicide. This shows that life is full of brief encounters, like relationship, that mark the beginning of a changed life (Wendy 127). The most critical effect in Vincent Gogh, artistic life, is the emotion in the weeping woman is the moral sentiment in the episodes of love and relationship affairs expressed not in dialogue, but paintings and carvings. Works Cited Libby, Wendy. M. Using art to make art creative activities using masterpieces. New York: Delmar Publishers, 2000. Print. Wildenstein and Company. Master Drawings from The Art Institute of Chicago. New York Prime Press, 1963. Print. Werness, Hope. B. & Vincent, van Gogh. Vincent van Gogh, the influences of nineteenth century illustrations : the University Fine Arts Gallery. Florida: Tallahassee and Fine Arts Gallery, 1994. Print. Read More