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Hollywood draws its actors from different races and nationalities, with talent being the qualifying factor. However, there are other cinemas in the world, which, despite not being as big and profound as Hollywood, play a significant role in the film industry. These are non-Hollywood cinemas, which hold close responsibilities just like Hollywood in their own capacity. National cinemas play a major role in providing a means of identifying, assisting, legitimizing, polemicizing, projecting, as well as creating space both nationally and internationally for non-Hollywood filmmaking activity. Discussing these important roles of these cinema industries, this essay will draw specific reference to the Australian film industry. National film industries, despite not sharing similar popularity as Hollywood, play a big role in non-Hollywood filming activities; their tools and equipment could not match up to that of Hollywood (Yecies, 2004). The industry, though having a low capacity and low investment capital has high levels of creativity, providing hopefuls with an opportunity to display their talent to the world (Ward, 2004). Most of the national actors exhibit high levels of acting skills at the national cinema industry. National film industries, despite not sharing similar popularity as Hollywood, play a big role in non-Hollywood filming activities; their tools and equipment could not match up to that of Hollywood (Yecies, 2004). The industry, though having a low capacity and low investment capital has high levels of creativity, providing hopefuls with an opportunity to display their talent to the world (Ward, 2004). Most of the national actors exhibit high levels of acting skills at the national cinema industry. ...
ction crew, production fees as well as casting fee and marketing expenses are part of the costs that movie producers and makers incur in the business. As these activities require a lot of capital, for any successful film industry, investors should show readiness to finance (Hoskins, et al. 1999). Some of the national investors show readiness in investing in the industry, with some financing even some of the films fully. Other financiers offer grants to film producing companies in order to promote proper filming in the country. The US studio New Line partly financed The Dark City (1998), despite being an Australian movie, directed by Alex Proyas. These are activities, which take place at the Hollywood movie industry too. Polonsky, et al. (2002) agree that since overhead production costs for a movie are relatively high, companies seek for financing from different sources, which they later repay from sales and loyalties rom the movie. Confidence in the sector is one of the main reasons why such investors heavily invest in the Hollywood film industry. They are sure of receiving back their invested capital from the film, if sales for movies such The Matrix (1999) is anything to go by. This film received an international audience, topping the international charts, and thus put its director, Andy on an international map. While the Australian film industry is yet to reach at such great standards, some movie ideas are worth the risk. Some of the most successful films in the Australian industry cost a fortune, which necessitates financing. Additionally, the growth and potential of the industry encourages investors, as they are optimistic in the success of the film industry. The fact that most of the Australians watch films produced at the national levels is proof enough that
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Indian National Cinema. Cinema, since its evolution, has emerged as one of the most stimulating means of influencing the human race. Whether it provides entertainment or knowledge, or a combination of the two, motion pictures have grasped the attention of every individual regardless of race, culture, religion and language.
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Business section has the subsections day to day banking, finance$loans, Investments, Insurance, International trade, life stages, insights and service centre. The readers can visit each section and subsection with minimal distractions and they are self