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Modern and Contemporary Asian Art:Argument - Essay Example

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Name: Tutor: Course: Date: University: Modern and Contemporary Asian Art Introduction The Asian art industry has grown significantly since the 1990’s. This can be attributed to the emergence of regional biennials as well as putting up of world class art museums in Asian countries…
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Modern and Contemporary Asian Art:Argument essay
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Modern and Contemporary Asian Art:Argument

Download file to see previous pages... The Asian modern art was more of a borrowed western art style than it is a history based on local experiences. This paper will seek to discuss two modern Asian artists. These artists are Rirkrit Tiravanija from Thailand and Mariko Mori from Japan. While comparing and contrasting their artistic work, this paper will try to capture their achievements, as well as contributions to the modern Asian art. Mariko Mori Marko Mori was born in 1967, in Tokyo Japan. Her father was an inventor and real estate manager. On the other hand, her mother was a historian of European art. Mori started working as a fashion model in 1980 while studying at Bunka Fashion College in Tokyo. She later on moved to London to study at the Chelsea College of art and design. She studied there until 1992 when she moved to New York and took part in the independent program at the Whitney museum of American art. Mariko currently resides in New York and Tokyo. In 1996, Marko Mori released a video titled, link of the moon. In the video, the five aspects of humanity get clearly illustrated (Bailey 2000, p.4). These are birth, death, love, sex and beauty. The video uses DVD on five screens to display the movements involve in martial arts. In the video, Marko Mori holds a crystal ball which symbolizes transformation and transportation. There are curious passers-by who seem less concerned with Marko Mori. They pass by her. The passers-by can be symbolized in the capsule as colorful distortions. Marko Mori started her large scale self portrait in the mid 1990’s. She used multimedia techniques to establish herself with performances and videos of the traditional Japanese rituals. Her themes illustrate everything in the modern Japan while showing the trends in fashion experienced in Japan. One can hardly point out on a style used by Mori. Hers is a collection of many styles blended together. Her belief, which is neither Buddhist nor Shiro, comes out clearly in her art works (Smith et al 2008, p.6). Her belief seems to stem from technology. Technology in some aspects can be described to be Mori’s religion. Her use of technology in art work is quite well blended. She manages to integrate the two, technology and art, to bring out the ideas she wants to express. In nirvana, which got released in 1997, Mori transforms into a flying divinity. This can be said to have been borrowed from the Buddhism religion. She, however, does not recreate a symbol with this art. She rather manages to express a divinity of the future. This is the extent to which Mori manages to use technology in her artistic work (Wu et al 2010, p.1). Mori’s portraits are equally engaging. She manages to use Japan, not as her audience but her subject. She expresses foreigner’s perception of Japan as well as how Japan herself perceives itself. She uses less of her personal transformations and more of the ability to express the cultural perspectives and desires (Wu et al 2010, p.3). In one of her earliest self-portrait, birth of a star, released in 1995, a teen rocker gets depicted dressed in pop music fashion. While looking silly, the colorful work manages to express some sexual undertones to the viewer. Mori also uses her artistic works to express the role of women in the society. In her work, tea ceremony, which got released in 1994, Mori tackles the controversial issue of the role of women in modern Japan. Mori depicts herself as a Japanese woman serving tea to a male office worker. There are two men ...Download file to see next pagesRead More
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