We use cookies to create the best experience for you. Keep on browsing if you are OK with that, or find out how to manage cookies.
Nobody downloaded yet

Critical Response - Research Paper Example

Comments (0)
Summary
Name: Instructor: Course: Date: Critical Response Paper Maddison (265) includes an exceptional moment in which feminism is openly articulated in a movie by Pedro Almodovar: the central character, Maria Cardenal, who declines to personify femaleness, attached to the maternal and visualized as hopeless and marked off as a trouble for feminists…
Download full paper
GRAB THE BEST PAPER
Critical Response Paper
Read TextPreview

Extract of sample
Critical Response

Download file to see previous pages... This fresh replica of 'mothering' might be assumed by everyone, not only by women; hence, Todo Sobre Mi Madre/All About My Mother demonstrates an 'ethics of care', to remind people that compassionate concern is generally a human need, advocating for a universal human response (Garlinger 100). This paper will give a three page response to the film with regard to some of the cinematic aspects discussed in class for instance the use of sound, color, performance and genre, but mainly discuss the cultural differences that may be found in an engagement with the content of the film. The film talks about complex issues that are affecting our society such as AIDS, transvestitism, homosexuality, existentialism and faith (Garlinger 100). Pedro Almodovar's work has been despised as misogynous, as well as celebrated as a feminist film. In essence, this schizophrenia might be because of critics' tendency to center selectively on specific works. Almodovar's movie also seems to connect directly with current debates in feminist and gender theory, sometimes in unsure fashion (Martin-Marquez 498). ...
y, the legal representative, Maria Cardenal, takes on the case of a disturbed young man, Antonio Banderas, who acts as Angel, who has turned himself in to the police for serial murder and rape. As one of his likely rape victims watched the news, a female anchor reported that Angel is in police custody, and that Maria Cardenal, a woman, had taken on his case. One, as expected during that time, would wonder why a woman has chosen to defend a man who made their lives hard for them. As expected, numerous prominent feminists were annoyed that their fellow woman opted to defend such a monster (Martin-Marquez 502). Miss Cardenal provoked people by stating that, according to the law, every citizen (Spanish) has the right to а lawyer, reveling in a truthfully frightening sarcasm. However, Maria can be perceived as the most feminist person in Almodovar's oeuvre. Maddison (267) proposes that, as a serial murderer herself, who opted for male victims entirely, Maria inflicts on men what she considers to be the greater law of a very radical type of feminist justice with regard to women's history of oppression. The tone of the film has the heart-on-the-sleeve emotions of soap operas; however, it is entirely truthful and, by no means, camp (See 60). Contained in this vital judgment of Almodovar’s turn emotion is the equation of insincerity with camp. If the film captures the attention of someone, it is apparently because they were overwhelmed with the happenings of the film. The vital consensus appears to be that the producer has matured profoundly as a filmmaker. This is because it seems as if he was surpassed in early days of camp frivolity, but matured enough to grant emotional gravities in his film (Garlinger 109). This movie shows that the producer went through some form of ...Download file to see next pagesRead More
Comments (0)
Click to create a comment
CHECK THESE SAMPLES - THEY ALSO FIT YOUR TOPIC
Critical Response: Paper 3
They have discussed the period of 1945-61 which pertains to Vietnam and how varied aspects of its domains were highlighted in essence. The authors have also emphasized a great deal on the way under which the Japanese played their part at capturing Indochina so that the will of the Vietnamese could be exerted in essence1.
1 Pages(250 words)Essay
Critical Response Paper 2
Further, the fact that this activity was more of an entertainment one makes the subject even less critical, as Frederick has been given the benefit of the doubt and is told to be free as of today (Burns & Peyrot, 2010). He cannot be ruled upon until and unless the school authorities tell him clearly the division between the right and the wrong, which in this scenario was not to be.
2 Pages(500 words)Research Paper
Critical Response Paper 1
In addition, it shows the manner in which they are represented in the cinemas that were prepared under their influence. This paper focuses on Frantz Fanon: Black Skin, White Mask as a contemporary variation of Third Cinema, and The Battle of Algiers as a film from Third Cinema’s first wave.
5 Pages(1250 words)Research Paper
Critical Response
The shooting style of Dunye in Watermelon Woman is witty, and boppy, dexterously managing to shoot and justify two narratives at one go, the one hovering around the search for the enigmatic ‘Watermelon Woman’, a pretty and undocumented actress from the 30s and the central character’s personal life, working at a video store.
5 Pages(1250 words)Research Paper
Critical Response Paper
State legislatures have been deeply involved in the public debates about how to define marriage and whether the official recognition of “marriage” should be limited to relationships involving one man and one woman or that same-sex couples should also be entitled to “marriage.” State legislatures have gone both ways in this debate: either enacting “defense of marriage” laws and constitutional provisions or, going the opposite direction, adopting laws allowing same sex marriage (NCSL, November, 2012).
5 Pages(1250 words)Research Paper
Critical Response Paper I
The story itself passes itself off as a study in the way that society views 4 types of women: a self-sacrificing Negro woman (during a time when it was still socially acceptable to call the African American such a name) and her half-breed child, and a White woman who did not have too much time to care for her own child because of the demands of her own career.
5 Pages(1250 words)Research Paper
Critical Response Paper
At its core, La Ley del Deseo tells of a gay love triangle but veers off from conventional representations of gay people in the film. La Ley del Deseo is presented in a manner that embraces culturally touchy issues with a hint of humor and comedy. One of the primary issues tackled in the movie is homosexuality, which is a sensitive topic even among the most enlightened people in the society.
3 Pages(750 words)Research Paper
Critical Response Paper
The ingredients that made the movie a major eye candy are the awesome camera angle, natural emotions, attractive costumes and the way color intensity picked and dropped along with the fluctuations in the story and the emotions (Vernon 145). The most important and enthralling element was the sound and the music that played.
3 Pages(750 words)Research Paper
Critical Response Paper
Intense desire, love, betrayal and revenge are central to the movie which powerfully presents the raw emotions of the characters. Almodovar fuses intense erotic excitement and the violence of a cliff-hanger into an explosive drama of feverish emotionality.
3 Pages(750 words)Research Paper
Critical Response Paper I
The Dark Habits reveals a lot about the people who are conventionally considered as religious and sinless. The movie is accompanied with a number of cinematic effects as well as musical and dramatic colors which give it disturbing baroque atmosphere.
2 Pages(500 words)Research Paper
Let us find you another Research Paper on topic Critical Response Paper for FREE!
Contact us:
+16312120006
Contact Us Now
FREE Mobile Apps:
  • About StudentShare
  • Testimonials
  • FAQ
  • Blog
  • Free Essays
  • New Essays
  • Essays
  • The Newest Essay Topics
  • Index samples by all dates
Join us:
Contact Us