Literature has stood out for a long time as the only source of entertainment among various communities in the world. Literary usage has a long evolutionary life right from the early Greek philosophical period…
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This transpired till the dawn and development of the early English writers such as Shakespeare, McOpollo among many writers of the times. This period was dominated by fictional narrative based on romance hence its renowned name, the romantic age. This period was referred to as the romantic age by most writers since love and romance formed the central theme in these works. Examples of such writings include Shakespeare’s works such as Othello, Romeo and Juliet, Merchant of Venice among other renowned Shakespearean book (Winston). Shakespeare’s writings however dominated the scenes in most theatres and public performances at the time that it was referred to by literary writers as Shakespearean age. This paper will look at the differences and points of convergence between fictional narratives and documentaries based on certain pertinent factors. This shall be done with close examination of the works of Michel Braunt. As can be seen, fictional narrative was the dominant genre during the early ages. Fictional works are those that do not actually express the true meaning of what is presented but remains to serve al purposes of the literary functions such as the informative function of literature. Fictional narratives are based on the need to entertain and inform the society on the past as well as the looming dangers just as the other literary genres do. (Winston) defines fictional narratives as a branch of narrative literature which is composed from an informed background after the writers has closely scrutinized all the requirements and the structural components of the society which he or she reflects in the composition. This he relates to a number of issues such as their performance, functions as well as its composition in the literary world. The writer has certain things to consider in his or her composition such as the humor, informative functions as well as the use of other literary devices necessary to qualify the work of fiction as a recognized genre in literature. The later ages experienced a shift in the forms of literary works which were recorded during the time. The Romans period, then the dominant period with more emphasis being laid on the documentaries as the aspect of writing dominated the global atmosphere. Roscoe and Hight notes the Romans age was more leaned towards power and governance, the need to keep the documentary accounts of wars and kings dominated the literary forms (Roscoe and Hight). Besides, works of explorations and trade among various communities were as well written down as a reminder for these inquisitive ventures. Various accounts were recorded and kept at this time informing the world populations of the various activities which dominated both the societal as well as the ruling atmospheres at the time. Documentaries are very different for fictional works even though some common features are alike. For instance, all being literary forms, they tend to share certain literary devices and functions which groups them together as forms of literature. Rosen notes that while fictional stories are not true accounts, documentaries are true accounts of events which took place sometime in the past all organized into a single piece of work (Rosen). The convergence point between the two forms of literature has made it rather difficult and confusing. Most writers have in many occasions have borrowed fictional traits into the documentaries as well as those from documentaries into the fictional works (Riis). Examples of such works which have merged fictional features to create documentaries are the works of Michel Braunt and Menschen am Sonntag in Pour la
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