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There are several deliberations of how female characters are being depicted in the films. Currently, they have begun assuming more dominant roles in films. Some male film directors use female characters only to provide something against which to express masculinity to male relationships. They are self reflexive for men who design them, as they mostly act as mere guardian spirit for a male protagonist. Often times, they exist as characters to push the storyline along and create some balance instead of getting up on feet on their own. For instance, in Japanese video games Persona 3 where they overtly rent women to draw up the female characters. But this may not be the case for all male filmmakers. For instance, when watching Les Rendezvous D’Anna, you could not imagine a male director design such a female protagonist (Grundmann, 2010). The general observation on female film producers observes women characters for their own interest instead of being a channel to an ideological end. Female characters designed by women may have scanty clothes that tend to be more real and relaxed looking. They also have petite eyes, sexy features with a maturity on facial expressions. There are fewer women that design action-based films or movies. They mostly make dramatic, comedic, films related to family stories and others that lean more towards an emotional arc. This may be as a result of having little attention on the action-oriented films or the postulation that the target audience wouldn’t put so much interest in them (Walsh, 1986). There is also the issue of the deepness and vigor of female character. One may ascertain the director, but there is also the genre, writer and actress to consider in such cases. Many films made by women have a more exhaustive evaluation of character that is notwithstanding the gender of the directors. In the same way, there are actresses and writers who can yield more dense characters than customary. For instance, Barbara Stanwyck hardly inhabits a character that is not considerably well grasped irrespective of the script or director. The issue involving Godard stretches beyond him as you will find some directors such as Joseph Mankewiecz making films where the actresses appears far more authentic and vivacious than the males. In spite of the themes of the film, they have an unattractive meaning linked to the women’s actions (Callahan, 2012). Other male directors seem to introduce depth in the roles of women. However, that raises eyebrows as to whether those roles are being viewed as another category of male illusion or imaginations. One that originates from a diverse and good direction yet still somehow off the mark likened to the exact experiences of women. The feminist movement relentlessly battled for women’s rights and equality so as to position women on equal grounds to men in the society. This uprising has since been taken forward in the film industry as women also play prominent and conspicuous roles in films. This which was a sharp disparity in the past where women only played domestic roles in the society (Callahan, 2012). At the same time, there are some films that portray women as morally superior and perfect. Dreyer’s Gertrud is an example of such films that convey strength, liberation and empowerment of women. We also have sturdy, irrepressible, self-determining and plausible women in so many films directed by men. This is without indulging in either male fantasies of femaleness or direct sexual appeal (Power, 2009). The role of women in films has since surpassed the traditional feminine characteristics. Women are no longer being portrayed as one-facet who acts stereotypical female traits. In addition, today men are unlikely to measure up to the conventional form of masculinity though they may still
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efore getting the blow on the head and being identified with the “free spirit” Susan, played by Madonna, Roberta is actually hit within, her inner world is in turmoil and she is extremely fed up with her life and she turns to adventurism.
Susan Seidelman makes the move
Pulkit Datta conducted the opening presentation.
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