The aim of this paper is to carefully analyze the ways in which the cinema evolved from the popular forms of visually-based entertainment. The chosen time period for this paper is the nineteenth century. …
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Furthermore, in order to understand the ways that helped the evolution of cinema, an in-depth discussion will be undertaken. Considering the technological advancement in bring the motion to the pictures, the history of cinema beholds the usage of the magic lantern. Filmmakers made use of different slides which obviously changed the way cinema projected and presented the subject matter. It should be noted that the usage of the magic lantern as the technological aspects was the major tool during the 16th century. However, by the nineteenth century, the Lumiere Brothers used the slide projection of the films with the aid of photographs. Audiences were quiet aware of the ways the films were being projected. The penny arcades seemingly gave a way to the filmmakers in order to understand a concept which was out of the box. It was then the technological aspects of the filmmaking needed a larger screening idea (Popple and Kember). The need of the larger screen was because the filmmakers wanted to grab a larger number of audiences. In simpler words, it can be said that the technological innovation in the cinema was noted when audiences were given more preferences. Obviously, at this point, the size of the audiences was center of focus. The filmmakers including Edwin S. Porter worked marvelously regarding the idea of different scenes in the movie to catch attract attention of the crowd towards the films. It will not be incorrect to state that film ultimately became a way to gain money. This was later given the position of an industry in the late nineteenth century. Thus, it will not be incorrect to state that it was the aid of business that was being cashed and ultimately led to the evolution of the cinema from the popular means (Popple and Kember). Followed by the need of gathering audience for business purpose, the technological innovation that enthralled the cinema was the innovation of stroboscope. Later on, a number of experiments of the photographic methods were undertaken merely to find the best position. Since the cinema was now an industry, each filmmaker wanted to achieve a better position in the market. In a simpler manner it can be said that the competition was another way which helped cinema to undergo evolution (Popple and Kember). In the late nineteenth century, it was found out that the idea of using 24 cameras in a row helped in taking photographs of a horse running. This helped the directors to find out a new dimension. Thus, the popular culture of having a scrolled photo graphic plate was now changed into a spectrum of moving picture. Throughout the later years of the 19th century, it was found out that this idea was being amended by different innovators in the field of filmmaking. At the same point, people noted that they could use a number of subjects of matter through the films as the motion picture was brought to life. By the end of the 19th century, it was observed that the movies were not just the scenes of the moving objects but also a presentation of the communication between two characters. This enabled the production department to come to life since the characters were showing real communication between the individuals. It can also be marked that the objects in the background also got great significance during this time. In this way, cinema changed from a nickel based viewing concept to cinema (Popple and Kember). Luckily, 19th century was the era when the cinema brought the combination of sound as well as visual scenes together with the help of Kodak still cameras and Thomas Edison’
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