Social Issues in Thank You for Smoking, Young Adult, and Juno - Essay Example

Social Issues The film Thank you for Smoking is not an out-and-out habit of its Like cigarettes this strand of a film just only offers some transitory pleasure from its apparently equal opportunity political skewering. Young Adult, on the other hand cloaks its luminous, valiant and breathtakingly pessimistic heart in the phony insipidness of commercial comedy. Next, Juno is a film that openly does not respect the eccentricity of its lead characters by embellishing them and holding them up for derision. But for this paper, the various cinematography techniques that are of essential significance to any filmmaker as they assist tell the tale of the film in the most effective way possible (Long 1-2). I. Thank You for Smoking At times, the feelings that sound produces is so compelling that albeit it contradicts we understand to be scientifically true, we hold to it anyhow. Although we understand, for instance, that since space is a vacuum sound cannot be transmitted in it, we are entirely obliged by the sounds of intergalactic battle or only spaceships travelling at perverting speed in almost every space. Conversely the explosion of a gunshot never sound as enjoyably long or loud in actual life as they do in Thank for Smoking Again with the bass cranked way up. Ultimately, in many of those great Hollywood musicals, the greatest songs are not really performed by Audrey Hepburn, but by little known singers like Marnie Nixon, whose faces and statures don’t seem as attractive on-screen a those of the key stars. The director of Thank you for Smoking was keen on resounding applause for Nick Naylor huge sum than the real viewers of extras is able to offer. Thank you for Smoking has sound tracks that augment sounds that are not effortlessly available as ambient noise. At times, sounds can be amplified to a film from the annals of sound effects. There is also sound prop, including the floor, which has offered different forms of footfalls. Thank you for Smoking rolls on the screen, and the sound artist has matched the type of sound the filmmaker wanted to the images projected (Leo 1). In some scenes the images changes from solid, sprightly colors that bounce off the screen to a darker, grainer, more dark and dowdy, less colorful appearance when the lead character is away from Loring’s. In general, the contrast works perfectly well, and the image actually appears its best whereas the setting is at the Loring household. The episodes, such like as standard shot of Juno after the start of the movie, appears exceptionally soft. A Reddish tint appears to find its way in at times, noticed frequently in skin tones. All the colors are a bit dreary, certainly on the end of the spectrum and entirely opposite of Thank You For Smoking. Better yet, it is effectual and establishes the mood of the movie. The lighting Juno however will quite never be reference grade material on Blue ray, the lighting is definitely a plus, and recreates the mood of the movie with a laidback authority (Leo 1). The editing of the film Thank for Smoking has both its strong and weak points. But the continuity editing errors seem to surpass the editing strong points. For instance, in the last dinner meeting of the Merchants of Death, the gun lobbyist gets a share of pie with cheese on it. He takes a small bite; consequently the alcohol lobbyist assaults it with her fork for a bite, hauling all the cheese off and tumbling the little American flag in it. The next continuity mistake is shown in the subsequent shot; a lock up of the dessert, all the cheese is back on it and the flag is vertical again. Finally when they are editing their last dinner, the cheese atop the apple pie becomes unmelted and then melted continuously between shots. The other editing error that is seen in the movie is during the Subcommittee Hearing episode. The person slumped on the seat comfortably behind Nick Naylor, on the left, transforms repeatedly between scenes. Right before he is requested to come forward, the seat is taken by a certain lady in a blue shirt. When he plops down, man is occupied it. Instantaneously after one of the senator’s enquires about the children, the woman is back, just only for a few seconds. Factual error is spotted after Nick Taylor visits the captain in Winston-Salem who in the movie in chauffeured. In one scene, mountains are visible in the backdrop. Nevertheless, they are tanned and bleak, like the mountains in Southern California, which is likely where the shot was cast. Next, during the episode in the hospital refectory, when Bobby is attempting to hand Nick the gun, his finger bounces from within to the outside the trigger guard between shots (Dargis 1). II. Juno The film Juno incorporates numerous songs staged by Kimya Dawson in her singly, Antsy Pants and The Moldy Peaches pretexts. This was as a result of suggestion by lead-character Ellen Page. Juno has re-record instrumentals, which have integrated humming over lyrics of the singers songs. Also, the sound of the film has been produced through an instrumental score that has replicated the recordings quality, tone, feel and innocence of the composer’s song. The director has carried out an acoustic guitar feel that is rattled and is actually loose, like just the movie. Experimenting with the diverse guitars, the sound effect that rolls on the screen is really tinny, not perfectly in tune. This somehow leant a new take to the film cinematic inferences. In some instances, the sounds in Juno could be dismissed as being too inauthentic as opposed to being really and authentic. Nevertheless the incorporation of the song Superstar some evidently defines Juno. The erotic Cinemax soundtrack in Juno is meant to titillate, the inclusion of the punk rock is devised to impress the viewer, whereas some psycho sound effect are meant to set the viewer on edge from the onset of the famous showers scene. In fact the photography in this film is very thrilling, but the mood has greatly being enhanced by the musical accompaniment. The lighting to the accompaniment of the film also sets up the mood that film is currently in. When watching a film the introduction can evidently tell what the film is all about. In Juno the form of lighting has set up the design of the film all through the film. Juno has both closed space and open space since there is an episode where she is standing before a chair which the viewer can in addition view the backdrop scenery of the horizon and it zooms to Ellen Page’s face and she sips her drink and talks form her point of perspective that the viewers can hear. Dynamic frame is included in this movie because the frame regulates our thinking of the world inside the movie (Lyon 2) The composition of Juno was done with the view to visualizing into practice such like utilizing deep and flat space. When the lead character Juno and her best friend Leah slumps down on a bench sipping a smoothie conversing about what she can do to establish a resolution of the circumstance of the baby, when the camera depicts an article in the penny saver of the couple that can imitate. Thus when Juno and her paternal father go to see the couple and there a crack of gunshot of the van heading through the estate’s vicinity with equivalent buildings, are examples of flat space. Additionally the images in the film seemingly brighten up Juno meets up the adoptive parents for the first time. As the alternates back and forth from the world of the lead characters, the shift in contrast is evidently brought into focus. At times, the images seemingly alter from one happiness, bright and natural lightning. Conversation and music and integral to the telling of this legend, and both are well detonated and well re-created here. Generally, the viewer will get used to the folky music that has immensely been integrated is an accompaniment to the story, though it absolutely difficult to being capable of correctly categorize it beyond that point. It sounds pretty, although a huge chunk of it has a rough periphery, about it. Rather it is a product of the technique and undeniably not of the sound mix (Lyon 2). The theme in the film Juno is overwrought with the subject of feminism. Ironically it rather asks the question: are men necessary? The lead character Juno is pregnant; the condition that she is in is what feminists have a propensity for calling an unplanned pregnancy after an incident of a loveless one-night stand with a classmate names Paulie. After the sex ordeal, Juno overlooks Paulie and treats his as a complete irrelevancy. The pregnancy has rendered Juno speechless. However the first reaction she offers about her pregnancy is to terminate it. However, she thinks otherwise after passing past a pro-life lobbyist carrying a leaflet and when she is told the baby has fingernails (Lyon 2). III. Young Adults The composition of Young Adults film was done with the view to visualizing into practice such like utilizing deep and flat space. The sound of the film has been produced through an instrumental score that has replicated the recordings quality, tone, feel and innocence of the composer’s song. The director has carried out an acoustic guitar feel that is rattled and is actually loose, like just the movie. Experimenting with the diverse guitars, the sound effect that rolls on the screen is really tinny, not perfectly in tune. This somehow leant a new take to the film cinematic inferences. In some instances, the sounds in Young Adults could be dismissed as being too inauthentic as opposed to being really authentic. Nevertheless the incorporation of the songs some evidently defines Young Adults. The erotic Cinemax soundtrack in Juno is meant to titillate, the inclusion of the punk rock is devised to impress the viewer, whereas some psycho sound effect are meant to set the viewer on edge from the onset of the famous showers scene. In fact the photography in this film is very thrilling, but the mood has greatly being enhanced by the musical accompaniment (Long 3). Work Cited Long, Mike. “Movie reviews: Thank You for Smoking, Young Adult and Juno.” Sleuth 13 March 2012. Print. Leo, Vince. “Thank You for Smoking.” Qwipster’s 26 March 2006. Print. Lyon, Heather. “Movie reviews: Juno.” Helium 5 Feb 2008. Print. Dargis, Monhola. “Thank You for Smoking.” New York Times 3 Dec 2012. Print. Read More

 

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