Slumdog Millionaire. World and Independent Cinema - Essay Example

SLUMDOG MILLIONAIRE (2009) Introduction Slumdog Millionaire is not a Hollywood movie but an Indo-British joint production – the director Danny Boyle is a British playwright. Hollywood scripts treat Slumdog Millionaire as an American film, putting it in Oscar under the primary category rather than categorizing it as a foreign movie like other Indian set films. The movie is a non-Hollywood production because it is casted in Indian origin. Slumdog Millionaire drama is in the category of Indo-British productions, not a strictly British drama. Discussion Slumdog Millionaire by Danny Boyle is a movie so upbeat and fascinating that, as one shares its infectious tone of optimism to colleagues, he could forget that the movie features orphans, slaughter, poverty, oppression, organized crime and policy hostility in its crowd moving repertoire of pain and renewal. In fact, the move culminates with and stand-up-and-dance mood. Produced purely in India and high on location, the film fabric is captivatingly rational. The story featured in the film is a pure fantasy motivated, in part, by Celador’s, co-producer, motive to enshrine its victorious innovation, the game show “Who wishes to become a millionaire?” in a film (Bloese and Shipton, 2010, p.42). Additionally, Boyle manages to leave these scary starts behind to produce a movie characterized by creativity and humanity and always looks on the attractive part of the tragedy. The play is a comprehensive conceit: Simon Beaufoy, the writer has split up the novel by Swarup Vikas and translated it into rags-to-riches yarn regarding Dev Patel or Jamal, a juvenile slum-born grown-up in Mumbai who presents such a fabulous presentation on ‘Millionaire’. This surprising accomplishment encourages envy on the creepy show host (Anil Kapoor), who calls the police to detain, interrogate and torture him. This interrogation provide memories of episodes in the life of Jamal that disclose the astonishing origins of this knowledge, and offer Boyle the convenient structure of a child growing to adulthood irrespective of the challenges that are transforming by the hour, but still detrimental for any child on the loose. Accused of deception and eager to prove his virtuousness, an 18-year-old teen orphan from Mumbai slum reflects back on his turbulent life while struggling to gain twenty million Indian rupees on Boyle stirring file of “who wishes to become a Millionaire.” Malik Jamal does not have a coin of his own, but he believes that this could change in a transform immediately. He is just a question away from winning the key prize on the most popular TV game show, in India, but as with all previous experiences in life of Jamal, this is not going to be possible (Bloese and Shipton, 2010, p.48). Detained by police under mistrust of deception, Jamal is questioned by authorities. In fact, the police cannot imagine that a mere “slumdog” could have the knowledge to attain such success in the game. Therefore, in a bid to convince the police of how he earned the knowledge, Jamal starts flashing back on his earlier life as a child. As a small boy, Jamal lived in shabbiness, and lost his mommy in a mass violence on Muslims. Consequently, Jamal and his brother Salim were force to depend on their wits to live, the desperate boys ended up in petty crime, ultimately befriending lovable yet gutsy teen Latika as they searched for shelter and food on the intolerant Mumbai streets. Although street live was never smooth, Jamal experiences eventually imparted the expertise required to answer the challenging questions asked to him on the show. Although Jamal makes a persuasive argument for himself, a substantial question remains, why would a teenage with no clear need for riches or recognition be so strong-minded to earn large sum on a national television game? Slumdog Millionaire film is core authored by Caledor Movies, directors of the original television show rights, and so it acts works as a character-length product placement for the project, whose apotheosis happened when aspired cheat popular Charles Ingra attempted to swindle the question in 2001. Subsequently, all he received was a suspended detention, a fine and a trivial hero status, and the film earned a mouthwatering publicity. Similarly, in the movie, desperate Jamal is suspected of wrongdoing, tortured to a pulp by authorities and terribly tormented with electrodes. Fortunately, afterwards Jamal manages to get to the studio extremely fresh like a daisy. Of all the substantial contributions of Boyle, from the Shallow Grave assurance to the Millions discomfiture, and the current Sunshine experiment, his present movie mainly resemble Trainspotting. This where in the movie he composed energy, irony and affability in the blankness of addiction of heroin, he assumes the advanced life of a teen Indian and slants it into distracting fairytale saturated in the sounds and sights of the present India. Before Jamal gets the girl – eventually it is a romance- and all the people are patting their feet, the viewer will have realized that one of Jamal’s young colleagues was sold to prostitution and another blinded. The viewer may also forget a number of the plays wilder shifts and highly erratic jumps at time. In the real sense, Boyle plays around with practicality but never entirely gives in to it. Boyle is increasingly concerned with maintaining the attitude light and the fury of the pace. He is an ostentatious playwright sometimes, but the main saving power of the movie (Slumdog Millionaire) is how Anthony Mantle, the cinematographer and Boyle reach extreme and attractive extents to soak up locations, audience and colors in India. The theme of the film – that difficult obtained street knowledge can be highly useful as traditional education and, although barely original, the later accomplishment can overwhelm the former difficulty – are fascinating if one is willing to bite his tongue at a positive air. Irrespective of the extravagant performance and various illustrations of the barbarity meted out street children in India, this is a charmingly unchallenging and unreflective drama with a dream of India that, if not crowded, is mainly an outsider’s perspective; it relies for its complete enjoyment on being taken lightheartedly. Slumdog Millionaire is increasingly peaceful compared with other Danny Boyle’s popular films (Bloese and Shipton, 2010, p.49). The movie is extremely attractive and has a highly fascinating touch. Dev Patel performs the key protagonist and has a performed captivating work. The film takes viewers to the poorest parts of India and indicates the degree of paucity and human sufferings that is nearly beyond viewer’s imaginations and yet highly persuasive that many audiences seem to believe in it, as constant fact. The film reveals education as to how Indians live their lives in their country. The tale is about two slum boys – Jamal and his brother Salim- in the early stages of their development. It reflects about the life of the two boys in Mumbai slum and their tough work experiences in life from earning an Amitavh Bachchan autograph, losing their mommy in Hind-Muslim clashes to oppressive begging mafia imparting substantial lessons to them. Lucky enough, destiny of just a perceptible coincidence Jamal manages to take part in “Who wishes to become a Millionaire” game, and he is equipped with required answers for questions asked, courtesy of his life experiences. Various people think that there are various Bollywood films increasing productive than Slumdog Millionaire film, yet few of such films hardly win Oscars. This may be because all these other films competed in the popular foreign movie group but not in the Hollywood group, where a film can compete for additional Oscars. The key lesson for filmmakers in India should be - trade the N American rights of distribution to a United States studio that will promote films at the Oscars. As popularly known, Oscars are not concerned with having better products but about how better one markets his products to the judges. Concerning the Slumdog Millionare, the million-dollar concern persists – why do people in India mind so much about Oscars anyway? In fact, Oscars are, on the basis, just a grant ritual for Hollywood films, never mind their signs to foreign movies with one category. If so, why does Bollywood Indian Movies require approval from Hollywood? In fact, Bollywood (as well as Teluge and Tamil) films, with their melody and disco formalities have their own global appeal in some parts of Europe, Middle East and Africa. The world has witnessed tales of popularity of Russian Raj Kapoor and Japanese Raj Nikanth. Therefore, if Hollywood exemplifies the western culture and region, Indian films exemplify the East. Thus, Indian Movie Industry is as large (or, based on the sheer percentage of annual movies, larger) than Hollywood. Additionally, in most regions of the world, slumdog Millionaire and other Indo-British movies are even increasingly popular than some Hollywood Films. Conclusion The movie makes its viewers reflect about orphans’ life who wander on streets, which many people pass by and ignore in their routine lives. Similarly, even though people realize the pain and challenges in growth and maturity of orphans, they all ignore thinking that orphans have no alternative. After watching Slumdog Millionaire, it touches viewer’s heart and arouses emotions buried inside their hearts (Bloese and Shipton, 2010, p.52). In addition, at a tender age, Jamal and his brother set an example of how people (orphans) struggle for survival or existence. It revealed how the two used their intelligence and wits for survival – it revealed their enormous dream in different parts of life. Finally, the movie makes it viewers feel different emotions such as love, pity, angry, empathy and embrace, which took the central part in the popularity of the movie. References Bloese, J. & Shipton, P. (2010). Slumdog millionaire. London, Scholastic. Read More