Marlon Brando earned his first Academy award nomination for best actor through this movie. This movie was his big step that made his face familiar all across America. Brando clearly incorporated method acting in his role as Stanley. …
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Stella is married to Stanley played by Marlon Brando and they are expecting a child. Stanley and Blanche are the two central characters of this movie. The story gradually becomes interesting as friction begins to develop between Stanley and Blanche. Stanley being an uncouth, randy, sweaty and rough character does not like Stella very much which ultimately leads to immoral and violent depictions in the movie. The movie received a lot of criticism upon its release regarding the vulgarity and decadence depicted in it. Brando’s performance as Stanley is hailed as one the best performances in the history of American cinema. Brando was able to represent the exact nature of Stanley in front of the viewers. Stanley had to be uncouth yet attractive to women and Marlon Brando was just the man for that. This paper will analyze Marlon Brando’s acting skills in this movie. Later on, these skills and tools will be associated with the method acting presented by Uta Hagen in her book Respect for Acting. Stanley wears shirts that reveal his muscles and sweat; he drinks and smokes in a greedy fashion yet he possesses a grace in his personality. He is gentle in his own sense. Brando played this character in very realistic manner. He gave the character true raw emotions. His style in this movie is said to have influenced the Hollywood film industry so much that it inspired many artists such as Sean Penn, Jack Nicholson and James Dean. Before Brando’s performance in this movie, no matter how violent the emotions in acting may be, audience could always spot a hint of modesty in it. Brando left a mark on acting style that was adopted by Hollywood and embraced by the audience immediately. Brando portrayed more than just the violent nature of the character. Every single action of the Brando in this character feels as real as his anger outbursts. Moreover, Brando was able to pull off this role with such delicacy that he left a lot of fragments of Stanley’s personality for the audience to interpret. There are instances where the audience cannot easily interpret the actions of Stanley because there is no apparent cause for the way he behaves and this makes the audience wonder about the life of the character which ultimately leads to the development of sympathy towards characters. The character shows that it has much more than just his raw violent outbursts and callous behavior (Ebert). Brando sank in this character so well that the audience could not view Stanley and Brando as two different individuals. In fact, Brando himself became the character and was soon associated with Stanley. The charms of his acting can be measured by the fact that the audience started learning to develop sympathy for film characters after this movie. Brando presented Stanley to the audience in a manner that would distress them but this distress is accompanied by enticement. The audience fell in love with a loathsome character. The charm of the character overpowered them. Brando’s sexual appeal and charms superseded Stanley’s uncouth and rowdy behavior. If we take the audience out of picture, even then it would be hard to separate the two entities as they resolved well together. It seems that Brando did not make any effort playing this character. He was so at ease that it appears Stanley is a part of Brando’s personality. Such realistic acting comes from specific methodologies that involve the resolution of the character and the actor. Unlike the conventional acting of the rest of the cast of the movie, Brando’
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Conflict tends to draw us in, captivate us, and capture our attention. It’s why Survivor has higher ratings than the Home Shopping Network and it’s why stories are not just presentations of utopias in stasis. Stories revolve around conflict, and authors tend to choose one of two methods to create this conflict: establishing conflict between characters’ personalities and establishing conflict between characters and their environment.
The basic plot of the drama revolves around the personality clash between Blanche DuBois and Stanley Kowalski; the two major characters of the play. The play expresses the intense feelings of love and hate, sexuality and devotion, fantasies and hard realities that follow the lives of people with broken and scarred souls.
Introduction The film Streetcar Named Desire is a complex psychological and social film. The events triggered by the director of the film concern a vivid theme of alcoholism, unstable relations and violence. This film is remarkable for the audience, because there is a real perfect tandem of Marlon Brando and Vivien Leigh as actors, as well as characters performed by this perfect union.
This argument can be supported by the fact that despite the many challenges that the relationship finds in its way, it does not easily succumb to their negative force. It can therefore be said that the relationship is
Since Stanley, Blanche and Stella, who was Stanley’s wife, lived in the same house there were bound to be conflicts as they had different backgrounds.
The characteristics of Stanley and Blanche were poles apart. Blanche belonged to an
was conversion of the play from stage to screen 1951, whereby a film was made and it was directed by Kazan, but starred by Vivien Leigh and Marlon Brando (McCarthy, 2011). This was followed by another cinematic change that entailed a release of unedited and uncensored version in
According to the paper, the play is inspired by Williams’ own personal life. The setting or the backdrop of the play is the alienated 1940’s when there was an air of general tension among the masses for their fear of government and nuclear attacks had taught them well that they could no longer feel safe in traditional boundaries.
Her world seems to be growing small as her only sister gets married to Stanley, whom she has no love for him. Loneliness drives her to overprotection as a self-defense mechanism against the harsh reality that hits her on realizing
The author states that A Streetcar Named Desire is one of the most popular plays written by Tennessee William in 1947. This Pulitzer award-winning play again gained prominence four years later when Elia Kazan released its film adaptation. The brilliant performances by the film’s actors provided a unique image of the play in front of the audience.
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