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Critical Art : Allegory of Nature by Marten Van Heemskerck, 1567 - Essay Example

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Critical Art Essay Institution Affiliation: Date: Allegory of Nature by Marten Van Heemskerck, 1567 The panting by Heemskerck was done in the 16th Century, a time when artwork had become deeply rooted in the events that were going on around the world and the characteristic relationship between states and different societies of the world…
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Critical Art Essay: Allegory of Nature by Marten Van Heemskerck, 1567
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Critical Art : Allegory of Nature by Marten Van Heemskerck, 1567

Download file to see previous pages... The painting is predominantly oil on panel, and it is subsequently characterized by social diversity in terms of social representation that the painting makes. The first focus goes to the front left part of the artwork, followed by the entire painting in relation to noticing the scenes that Heemskerck presented in the painting. The painting presents a calm scene, characterized by human activity as the painting depicts. There are number of people in the painting, posing in action packed manner. In other words, their appearance depicts that they are a number of activities going on with the environment in which the painting is set. Use of color in the painting is critical to account for. Color used to point out to two racial or ethnic differences that can actually be identified from the painting. Use of light and dark color shows that there are two types of people presented in the painting. Light color differentiates the lighter skinned people from the darker skinned people, whose color appearance is darkened in the painting. As earlier mentioned, the environment within which the painting is set is calm, though characterized by some human activity. ...
Comparing the two types of people that Heemskerck presents in the painting, the dark colored people appear more like they are serving the light colored people. In other words, there is an aspect of servant-hood from the dark colored people towards the light skinned people in the painting. The front middle of the painting presents a captivating scenario. The darker colored people are enjoying a ride by a woman who is glued to a mirror admiring herself. On the same position of the painting, a dark skinned man maneuvers the boat carrying light skinned people who seem to be having a good time based on the way they are holding their food and drinks (Stokstad, 2005). The scenario on the painting also accounts for a certain kind of social relations between the darker skinned people and their fellow counterparts, and also between them and the lighter skinned people. The painting has an invariant scenery color. Plants in the painting are generally green, depicting health and favorable environment to thrive in. The only notable aspect of color change is from light green to dark green. On the same color scenery aspect of the painting, color and detail of the front part of the painting makes up a crucial point of focus than the back cityscape (Stokstad, 2005). People and ocean create the primary front detail of the painting. Masculinity of people comes out with color use, complemented by the calmness in the ocean and cool breeze of wind that pushes the sailing boat. The shading of the painting varying to outline specific aspects that are crucial to what the people in the painting are doing. Buildings are lightly highlighted, appearing inferior presence and painted in white to emphasize their absence of to appear like they are still under construction. Buildings are not a ...Download file to see next pagesRead More
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Marten Van Heemskerck
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