Adaptation of the Color Purple from Alice Walker and Speilberg's movie Alice Walker is a poet,author and activist of African American heritage.She is an acclaimed writer of both essays and fiction work, in which she talks candidly about gender and race…
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Her best known and most critically acclaimed novel is The Colour Purple, written in 1982, which earned her a Pulitzer Prize and a National Literature Award. The novel was adapted for screen-play by Steven Spielberg in 1985, in what was a significant departure from his summer blockbusters. The film follows the life of Celie, a young girl of African American heritage, and via her life captures the problems faced by African American women, including racism, poverty and sexism. While the movie garnered mainly positive critical response with prominent critics besting it for its sentimental, emotional and absolute truths about American history, there was also some stinging criticism. This paper attempts to ascertain whether or not the adaptation was successful, when compared to the great novel. After viewing the movie at its premier, Alice Walker didn’t become its big fan. However, after being the recipient of many positive reactions and letters, she came to the realization that, while the movie did not expressly show her vision, it did convey the correct message. She claimed that, while every fan might miss the best part, what was there would be its gift, and that she hoped they would accept the spirit with which it was given (LaGrone 50). She also quite often answers questions on whether she liked the film by saying that the book was not film and vice versa. She is right. This is the reason why Spielberg took the decision to differ slightly from this great novel. However, he stayed true to her message, especially on overcoming adversity. The screenplay creates a successful and faithful adaptation, via its capturing of the novel’s characters, plot, setting, themes and characters (LaGrone 51). Spielberg faithfully sticks to the central themes of the novel. In the novel, Celie is used by Walker as the protagonist, showing how asserting oneself aids an individual in resisting oppression. This comes out in her letters to Nettie, especially touching on Albert, her cruel husband (McBride 172). The movie also sheds light upon this theme. Spielberg, however, turns these letters into scenes full of power and vitality. In one standout scene during dinner, where Albert discovers that Celie is moving to Memphis with Shug and leaving him in the process, there is the use of direct quotes lifted from the book. Cellie shoots to her feet and calls him “lowdown dog”. In the novel, Celie writes that she is black, poor, ugly and could not cook, but at least she was there (McBride 172). However, during the film, Celie says this to Albert, straight to his face. Spielberg incorporates the same core characters into the movie, from the book. Whoopi Goldberg encapsulates what Walker intended, but breathes new life into Celie’s character, via her hidden smiles, sly winks and muffled laughter. While this is not evident in the novel, these differences aid the audience to see and hear Celie’s transformation from an invisible, passive woman into an independent and strong one (Lupack 101). The movie also closely portrays Shug’s character, just as in the book, where she changes Celie’s life via acting as a catalyst. The screen translation, however, has one flaw, as it contains scenes that show Shug as a vulnerable woman. The movie attempts to create conflict with her father who is a preacher and disapproves of her lifestyle. She is depicted trying to reconcile and impress her dad. In the book, however, she is a free from oppression rebel who is also quite unrepentant. The films characterization of Albert is also slightly off what can be gleaned from the book. At first, the movie portrays Albert accurately as a cold, domineering husband who wed Celie not for love but convenience. Later, it differs slightly from the book since Albert
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Alice Walker creates such a woman in her text The Color Purple, where Celie's journey of self-realization follows the hysteric's pattern of silence to liberated voice. In the opening lines of her text, Walker identifies the paradigm responsible for Celie's descent into her private dialogue with God, the paternal interdiction: "You better not never tell nobody but God.
The power of music is undeniable in the film for in the manufacture of effective cinema productions, directors harness music to invoke a mood, instill characters with certain feelings and foreshadow future events. Located in Georgia, a place peopled with many ex-slaves and their offspring, one observes the repercussion of Jim Crow’s segregational laws.
Another is the fact that crowds nowadays have people from other nations, making our communities, our cities, and our state seem like the world has gotten smaller. Pictures and descriptions of different kinds of people are not unheard of, and the influx of cultures is already an established norm.
These views are developed from individual personalities and influence of the society one is living in. Often the differences are usually the cause of cultural conflicts. The social aspect of humans is founded on the values and beliefs they hold. When a group of people do not share collective values, beliefs and norms they tend to conflict.
“Everyday Use” is a story about how Mama’s eldest child Dee undergoes a rebellious transformation to understand her own African American heritage. Her identity crisis has more to do with her family’s decision to send her away from the community to gain education.
Other basic needs such as education and healthcare were also hard to come by. In light of the person she is now, her achievements and failures, one can see a non-mistakable loom of the Jim Crow era in her life even in the present times. The sharecropper status her father held had a number of implications in relation to black families.
The physical and intellectual contrast between the sisters leads Mama to have an erroneous perception of her daughters; however, Dee’s so called awareness of her African heritage allows her mother to be conscious of Maggie’s value and Dee’s personality.
“The Color Purple,” is one of the sterling literary works of Alice Walker and a critically acclaimed book. It depicts the tough life of a young African-American woman in South America in the early part of the twentieth century. The novel explores the individual identity of African-American women.
Alice Walker: In the Pages of History. The artists are believed to be working in order to illustrate their unexpressed emotions and feelings. The artists without an emotional quotient are no artists at all. Alice Walker is an African American novelist, poet, short story writer and political activist.
In Alice Walker’s novel, blacks succeeded in transforming themselves to reach the threshold of happiness, in the latter part of their lives. Walker introduces a rejuvenated Celie’s concluding letter, finally reunited with her lost sister Nettie, Celies
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