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Analysis: Steven Soderberghs Psychos and Truffauts A Certain Tendency in French Cinema - Movie Review Example

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"Movie Analysis: Steven Soderbergh’s Psychos and Truffaut’s A Certain Tendency in French Cinema" paper examines the connection between Steven Soderbergh’s Psychos and Truffaut’s "A Certain Tendency in French" and the relationship between Killer of the sheep and How Fiction Works…
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Movie Analysis: Steven Soderberghs Psychos and Truffauts A Certain Tendency in French Cinema
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Movie analysis al Affiliation) Steven Soderbergh’s Psychos The movie is enjoyable as it is presented in a guilty pleasure way. The elements thrown in the movie, illicit lesbian affairs, murder, blackmail are the washed down with psychoanalysis. The movies is brought out in two different perspectives, there are the self-important ones and those who are playful. It begins in a way compared to the earlier one. In the movie, Emily aged 28 is played by Mara on her husband who had just been released from prison after serving in prison due to insider exchange. Emily through what has happened to her suffers depression where she had lost all her wealth, self-confidence and even status (Baker, 2011). The psychiatrist who looks after her prescribes to her drugs that have not been tested hence leading to strange side effects in her. The side effects include acting as if one is sleepy when walking and they cannot recollect what they had previously done. To bring out the effects that Emily was undergoing, the movie is presented in a dream like quality. The other factors that add s up to the success of the way the movie is brought out is the wonderful Thomas Newman’s score and the music played in the movie. All this adds up to the instance of the movie being strange. Steven brings out the movie with a difficulty to spot the influences in them. In the movie, acting is much towards the hammy. Jude in the move is in sneering and suspicious form as a psychiatrist from Britain who increasingly became suspicious himself. Rooney Mara is active, too, as the indolent and miserable woman who turns out to have secret depths. Meanwhile, Catherine Zeta-Jones acts as if she is off duty from a Coen brother’s comedy (Baker, 2011). The plot of the movie is so tangled making it difficult at times to realize the actual actions that take place. There are also so much shifting in the tone and also disconcerting. The difficulty in identification on activities that happen in the movies is brings it out to be a courtroom drama, a medical drama, a prison drama and a murder mystery. When watching the movie it sometimes get irritating as the comedy is very slippery. The film that started in a sober fashion turns out to the end to be a madly doubtful drama. Audience however may try not to mind about the very tangled plot and concentrate and try to understand the real happenings of the movie, they may find a lot in it that they can relish (Baker, 2011). Truffaut’s “A Certain Tendency in French Cinema According to the book, there are several annoying features of a movie and novel that makes them annoying. In the novel, what makes t annoying is that it has the famous process of equivalence where one is not aware nor certain on what the novel contain. This is due to the element that the novel or the film that is analyzed contains unfilmable films. In the novel, there is praising of Robert Bresson by Andre Bazin. The praise was due to adaptation that was made on the work. Those who had the knowledge of the movie would remember well the scenes that were admirable as they adapted to it. Before writing on the part, there was complain that the scene was not filmable. In the middle of the novel, the treatment and an imperceptive nonbeliever named Arsene are opposed in an argument on Faith. This argument ends with this line by Arsene stating that when one is dead, everything also is dead. In the version, this argument takes place on the very tomb of the cure, between Arsene and another cure, and terminates the film. This line, "When one is dead, everything is dead," carries, perhaps the only one retained by the public. Bernanos did not say, for conclusion, "When one is dead, everything is dead," but "What does it matter, all is grace. As per the view of one, this this is an instance of betrayal but not to everyone as the mix up in the scenes make people to have different points of view to the statement. From reading the novel, there are elements which are brought out. The stand outs include a deliberate and constant care to be unfaithful to the spirits involved and the letter. There is also bringing out of a very marked taste for profanation and blasphemy. Everything shows that Aurenche and Bost are the writers of honestly anti-clerical films, but, since movies about the cloth are stylish, authors have accepted themselves to agree to that style. But as it outfits them they think that they should not betray their beliefs, the theme of dissent and desecration, discourses with double meaning s brought out here and there to prove to me guys that they know the art of “cheating the producer," all the while giving him satisfaction, as well as that of cheating the "great public," which is equally satisfied. There are scarcely more than seven or eight scenarists working regularly for the first time in French cinema. Each one of these scenarists has but one story to tell, and, since each only aspires to the success of the "two greats," it is not exaggerating to say that the hundred-odd French films made each year tell the same story: its always a question of a victim, generally a cuckold. For the first time in French literature, an author adopted a distant, exterior attitude in relation to his subject, the subject becoming like an insect under the entomologists microscope. But if, when starting this enterprise, Flaubert could have said, "I will roll them all in the same mud - and be right. Connection between Steven Soderbergh’s Psychos and Truffaut’s “A Certain Tendency in French Cinema In both the literature works, there is the feature of not bringing out the plot and arranged scenes. In understanding both the works, one needs to get keen on the plots. In Psycho, the movie is brought out in a dream like way .All this adds up to the instance of the movie being strange. Steven brings out the movie with a difficulty to spot the influences in them. In A certain Tendency in French Cinema, the feature of lack of awareness of what is taking place in the novel is also brought out. In the novel the reader is not aware nor do certain on what the novel contain. This is due to the element that the novel or the film that is analyzed contains unfilmable films. Killer of the sheep The film is about a family living in in Watts. The film mainly brings out lives that are lived without opportunity but there with consideration of value. The lives according to the movie go nowhere making the movie to go nowhere hence it brings an instance of loss and sadness. The film mainly revolves around a worker of a slaughterhouse who after working tirelessly returns home to fix the sink and raising the kids. His wife is beautiful but always tired women who refreshers her makeups to welcome her husband home without the husband noting. Images that are used in the film, black and white and editing that is deliberately done to the movie creates about the sense of resignation (Bordwell & Thompson, 2011. It suggests that this is how things should be and that is how they are and shall ever be. Burnett wanted his film to be demonstration to the breath of music and also there was the focus of showing black Americans in the film. In the end of the film, there is a scene where Stan is dancing with his wife to a song which was by Dinah. Through this, he tries to show that it had to be Dinah Washington and not another person doing the song. In viewing the film, one has to be prepared and allow the events in the film to unfold since it does not easily come as many films do. There is following of one scene to another without a pattern. This is to reflect how the lives of the family combine routines which are endless with interruptions of events which are random (Bordwell & Thompson, 2011. In the day when everyone gets into the car for a race, a normal film would bring about loosing or winning but the film brings out a flat tire and no spare to replace the tire. In the film, the lives that the adults have are undercut with shots of their children as they play. Ina scene, there is showing of children playing darting from a plywood and the next scene bring out two groups of children throwing stones at each other. In the scene, a boy gets hit and starts to cry. How fiction works In the novel, there is bringing out of the study of magic of fiction. Analysis is also made on the elements and celebration of the lasting power. In the novel, one of the outstanding and prominent is the look into the machinery of storytelling and asking fundamental questions. The analysis helps in understanding other literature and visual works. There is bringing out of the meaning of a fiction character and how this constitute to a telling detail. There is also bringing out of a metaphor success and the facts about reality of realism (Bordwell & Thompson, 2011). The novel helps also in understanding visual and other literature works as n the novel, there is discussion of why some literature conventions remain fresh while others are outdated. The author explores several instances ranging from the bible. James wood brings about several factors in the novel regarding exploration of craft. Wood demonstrates how they do so in his examination of a paragraph obtained from Jamess What Maisie Knew or a particular inoffensive sentence from Woolfs The Waves. But before starting to analyse, he pauses to appreciate the texts on which he is about to perform surgery, as if saying loveliness before modeling the meat. His appreciation is recognized, as his cries testify. What a piece of writing that is! he says about his chosen slab of James. It is years since anyone in a university has been permitted to express such delight, which smacks, according to those starchy theorists, of a naively consumerist approach to books. The issue on how fiction works can be brought out in the book through consideration of the constituent of the world and how one can live in the world. Fiction techniques that are used in the novel intensify life. The novel is based on narrative method called indirect styles and through this there is ability to slip in and out of consciousness of others. In doing so, they disclose their inadequacy as human beings, since they lack the ability for discovery and surprise that novels seek to incite. Wood criticizes this refusal to learn through literature about other persons and states that to refuse character is to refuse the novel and through this, he suggests, is an artistic violation equal to denying God. Relationship between Killer of the sheep and How Fiction works In How Fiction Works, the novel brings out of the study of magic of fiction. Analysis is also made on the elements and celebration of the lasting power. In Killer of the Sheep, there are also instances of fiction. In Fiction Works, the novel is based on narrative method called indirect styles and through this there is ability to slip in and out of consciousness of others. In Killer of the Sheep fiction is brought through instances such as the lives that the adults have are undercut with shots of their children as they play. In a scene, there is showing of children playing darting from plywood and the next scene brings out two groups of children throwing stones at each other. References Baker, A. (2011). Steven Soderbergh. Urbana: University of Illinois Press. Bordwell, D., & Thompson, K. (2011). Minding movies. Chicago: The University of Chicago Press. Read More
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