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Communication and stereotypes in the film Crash - Essay Example

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This paper “Communication and stereotypes in the film Crash” discusses the film Crash (2004). The primary theme of the film is based on stereotype narratives that frame the racial experience within the United States, revealings a truth about  the public discourse…
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Communication and stereotypes in the film Crash
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Download file to see previous pages Using the example of the Johari Window model, the concepts within the film and the nature of the self can be examined. The Johari Window is based upon a four panel model in which the self is divided into the open, the hidden, the blind, and the unknown self. Each of these selves is manifested, but not all are understood by the perceived self or the public self. The window also changes as the relationship is defined between two people (West & Turner, 2011). An example of this can be seen in the character of the district attorney’s wife. On the one hand, her open self seemed very generous and warm. She presented to the world as someone who was lovely and with pure intentions. However, when examined in a different context, her hidden self was seen to be highly fearful of those of differing racial backgrounds. Her blind self most likely had no true understanding of this aspect of her personality, feeling justified when it slipped into her open self in relationship to how she communicated it to those with which she was intimate through the guise of a belief system that embraced stereotypical representations. Blind to her own feelings of prejudice, this was also unknown to anyone outside of her own internal self in regard to how deep these feelings were imbedded within her essential self. The district attorney was organizing a more blatant attempt in offering up spin scenarios that would preserve both the African American vote and the hard on crime vote.  ...
Using the example of the Johari Window model, the concepts within the film and the nature of the self can be examined. The Johari Window is based upon a four panel model in which the self is divided into the open, the hidden, the blind, and the unknown self. Each of these selves is manifested, but not all are understood by the perceived self or the public self. The window also changes as the relationship is defined between two people (West & Turner, 2011). An example of this can be seen in the character of the district attorney’s wife. On the one hand, her open self seemed very generous and warm. She presented to the world as someone who was lovely and with pure intentions. However, when examined in a different context, her hidden self was seen to be highly fearful of those of differing racial backgrounds. Her blind self most likely had no true understanding of this aspect of her personality, feeling justified when it slipped into her open self in relationship to how she communicated it to those with which she was intimate through the guise of a belief system that embraced stereotypical representations. Blind to her own feelings of prejudice, this was also unknown to anyone outside of her own internal self in regard to how deep these feelings were imbedded within her essential self. Much of what the district attorney’s wife was doing within the many roles that she had being the wife of a semi-public figure was to utilize impression management. She tried to manage the impression that she was exhibiting in front of the two young African American men who were approaching as she and her husband were walking down the ...Download file to see next pagesRead More
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