This essay presents the animated movie Howl’s Moving Castle directed by Hayao Miyazaki in 2004. The movie wraps up beautifully in a blissful moment that prevails over the lovely couple engaged in a kiss and the wicked witch turns into a harmless old woman…
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The researcher states that hyperrealism in digital media essentially refers to the magical element present in the characters in the way they act and do unrealistic things. The castle walks with its chicken legs across the mountain tops causing different hissing and groaning sounds. The castle appears like a strange living being, as it moves with clang of the engines, spin of the flywheel, creaks of the shifting towers and oddment and the “gun-turret iguana eyes and boat-like mouth riding in front”. Its stairs and the main entrance hang behind like a tail. This surely holds the fancy of the human mind. The values and textures assigned to the colors and light add to the element of hyperrealism. The director uses dark colors, moving walls, infringing swollen figures and half visible images to create the gloomy and dim ambience of the room. While depicting the war of the wizards, the beautiful landscapes are instantly bombed and turns into destruction. The interplay of bright lights and darkness adds on to the magical impact. The mystical sunsets, organic machineries and the characters flying through air add to the hyperealistic element. Despite the animated characters and matching voiceovers the story manages to keep the viewers engaged. Sophie manages to talk life into the characters around her including the scarecrow. The way the apparently inanimate objects begin to move and talk shows a magical component. The leap of the girl through time under the spell of the wicked witch, who transforms her into an old woman, is also a hyperrealistic concept.
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