The paper “The perception of women throughout paintings” gives detailed information about the concept of creating the woman from the painter’s philosophies as an object and belonging to the “other,” which was misunderstood in society. …
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The ideal was based on offering the same rights in terms of politics, welfare and with work. Women were known at this time to hold a secondary status to men. This was combined with the Victorian and Romantic ideologies, which held that social status depicted the outcome of individuals in society, both in terms of monetary resources, education and the connections one had to others in society. Women during this time were known to work as a secondary component to men, often being redirected away from education and the ability to work. The status of the women during this time began to be questioned, with the emergence of feminism making claims that women should have equal opportunities within society (Haan et al, 2006: 1). The concept of women as having a secondary status to men in society during the early 20th century also led to different symbols and ideals which were represented in the art. Women, in general, were noted as a commodity to men, specifically which were designated to remain in the home and care for children. The interests women had as well as the way in which their natures were represented continued with making them appear as a commodity or object in the private and public spheres. The boundaries which were drawn were not only based on the concept of the feminist object, but also continued with the depiction of the appearance of women that was often misunderstood. The concept of the other in women during this time....
The boundaries which were drawn were not only based on the concept of the feminist object, but also continued with the depiction of the appearance of women that was often misunderstood. The social stigma was followed by the representation of women in appearance, specifically which created boundaries with women as belonging to the ‘other.’ The social stigma and the interests of women created the belief that women belonged to an outside object of culture, making them as a specimen of artwork that could be used to create links to the other and to the object (Phillips, Steiner, 1999, pg. 3). The concept of the other in women during this time, as well as the conflict with the social status of women, led many artists to creating new approaches to the representation of women in the artworks. Perception and interpretation of the status of women as the other were the main concepts, specifically which were based on the challenges of the time. The changes which occurred were based on the idea of developing a sense of deformity of the women and showing them not only as aesthetic objects, but also ones which were represented as the other and which held a place in society which was second class and outside of the boundaries of others in society. This particular approach to deformity is one which also broke against the concepts of traditional artwork and was a part of the experimentation of the time. The physical appearance not being one of beauty, but instead representing a sense of distortion and an approach to the body as being a part of the other in society became the main ideology which was a part of the paintings during this time
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One thing that cannot be denied by anyone irrespective of the country, culture, religion, or social system is the importance of women in history. In fact, some historians argue that the society may not be complete without a woman. This can be traced back to the foundation of time, when God created Adam and Eve, with which Eve as a woman was created to provide companion to Adam (Bardsley, 2007).
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Since ancient times, women are portrayed as weaker sex through different forms of art like painting, literature, poems etc. As art is the mirror of the social thinking and construction, the misrepresentation of women in art has provoked many feminists world over to raise their voice against it and bring out the true image of women in the society.
The film tells the story of two siblings – a brother and a sister – who flee from their home country Guatemala to find happiness in the North. So they head for “El Norte”, their long-awaited land of happiness and equal opportunities. Unlike the majority of modern films that prefer to portray women through the secondary roles, in El Norte a Guatemalan girl of native (Mayan) origin is empowered to speak for herself and her actions.
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Northeast Asia roughly constitutes the parts of China, Korea and Japan. Comparing artwork between theses two extensively large areas is difficult since each has its distinctive niche and flavor. But what can be ascertained from these two broadly made distinctions are the primary differences in influence and the resultant aesthetic experience one can derive out of it.
This resulted in significant challenges for artists in archiving documents especially those who hailed from the same geographical location (Kleiner, 22).
Nicola Pisano was one of the earliest artists specializing in carving marble reliefs and
One may tend to perceive things in a way that it can relate to experiences or beliefs. The prime purpose of this report is to provide a vivid, detailed analysis of Berger’s views on the relationship between what we know
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