In the paper “Indian and Southeast Asian art” the author analyzes art and architecture in influencing South East Asian culture and architecture. Indian art has continuously evolved through time and is still evolving. It begun with rock painting, moving onto rock cut caves and temple architecture…
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Indian art is not to be studied from the time-based evolution perspective but rather from the region and period of its evolution perspective. (Mitter, 2001) Indian art has continuously evolved through time and is still evolving. It begun with rock painting, moving onto rock cut caves and temple architecture and then paintings and sculptures. Alongside these forms, India also showed progress in the tribal form of art as there were various cultural and social groups in India. However, it is worth mentioning that almost all art forms were inspired by the innumerous Gods and Goddesses that people believed in, who were transformed into contemporary forms and familiar images. Indian society has been very secular ever since ancient times and has encouraged different practices all along. This rich philosophy, both spiritual and rational, made its impact on Indian art and architecture. Temples and stupas were seen to incorporate symbolic languages based on important philosophical concepts. (Mitter, 2001). These included the Chakra or wheel of time, Padma or lotus, the symbol of creation, Swastika representing aspects of creation and motion, Mriga or deer the symbol of erotic desire and beauty and many such symbols. After the Mughals came to India, monumental architecture was introduced by them. The change in the architecture was reflected in most prominent landmarks like the city gateways and the designs of royal tombs and mosques. However, traditional Indian tastes did continue to influence the Islamic architecture. Throughout its history, religion has played an important role in shaping the country’s culture and beliefs. The major religions practiced in India are Hinduism, Buddhism, Jainism, Islam and Sikhism. Of these, Hinduism has been the foremost and most commonly...
Dance forms, puppetry and shadow plays were introduced to these countries by Indians in the early 7th century. Later though Chinese influence was observed along with Islamic influence. Indonesia, a very strong Islamic country, still retained forms of Hindu art and culture like Shadow Puppet and literature like the Ramayana. That is common for most Mainland SEA except Vietnam where Hindu gods and arts were infused into Thai, Khmer, Burmese and Lao cultures. Many SEA languages like Maley and Javanese contain words of Sanskrit of Dravidian origin and some languages like Thai are still written in some form of Indian derived scripts. Their concepts of kingship and social hierarchy were all adapted from ancient Hindu political theories. The Thai monarchy though follows Buddhism, requires the presence of Gour Brahmans for performing certain ceremonies. The images of Vishnu, lingas, Buddha and other Hindu cults are evidence of influence of Indian culture. Almost everywhere in SEA is a Buddha image showing influence of Guptas or Amravati’s. The cult of Devaraja or God King, a derivate from Indian terminology, of cosmological and political ideas which was evident in the temple of Angkor Thom. The concept of worshipping a god and making a place of worship was implemented first ever in this temple. With time, the interaction between India and regional evolution started producing many distinctive styles of Indianised SEA art and architecture.The other common factor between India and SEA was the worship of Lord Shiva.
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(Indian and Southeast Asian Art Research Paper Example | Topics and Well Written Essays - 2250 Words)
“Indian and Southeast Asian Art Research Paper Example | Topics and Well Written Essays - 2250 Words”, n.d. https://studentshare.org/visual-arts-film-studies/1408920-indian-and-southeast-asian-art.
India is a secular democratic country even though the majority of the population is Hindus. India consists of twenty eight states and six union territories. Culturally, most of the Indian states are different from other states. Even though Hindi is the official language in India, most of the Indian states have their own local languages.
Indians make offerings to these sculptures and treat them with utmost respect. Every sculpture has a distinct style and these styles differ from region to region and have changed over the years. Every posture, expression, ornamentation and gesture of the Indian sculptures is symbolic and represents either a quality or depicts a scene from the ancient tales.
Northeast Asia roughly constitutes the parts of China, Korea and Japan. Comparing artwork between theses two extensively large areas is difficult since each has its distinctive niche and flavor. But what can be ascertained from these two broadly made distinctions are the primary differences in influence and the resultant aesthetic experience one can derive out of it.
It is notable that this region's works of art are capable of telling stories through the use of gesture, iconography, and narrative style among others.
The Head of Buddha uses narrative style not only to enhance the image but also symbolizes his qualities, capabilities, and powers.
As a result of the unprecedented growth that India experienced, many financial firms including banks, insurance companies, consumer banking firm sprouted to serve the increasing needs of Indians in order to properly utilize their newly-earned wealth. (Lei, 2007)
As the paper stresses the Mughal emperor, Jahangir, had permitted the East India Company to trade in India in 1617. With the downfall of the Mughal Empire, the British started increasing their influences over the other rulers and slowly took control in terms of trading as well as the administration and running of the country.
However, due to external influence, they begun to be made in other forms such as bronze and were lidded. This paper mainly focuses on the lidded vessel (ding).
Most of the Bronze forms of the lidded ding originated during the Shang and Zhou dynasties in china around
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