Romanticism 1. The speakers define Romanticism as a movement that affected all forms of art and that involved putting human emotions into form. In essence, the speakers outline that Romanticism art was characterized by the demonstration of true emotions by giving the emotions substance that could be physically seen by other people…
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Romanticism is demonstrated through emotions of attachment and nostalgia. The second painting of the Sea of Ice by Casper David between 1823 and 1825 demonstrates emotions of renunciation and awe towards nature. The painting features the destructive aspect of nature and the hopelessness of man. The third painting Raft of Medusa by Theodore Gericault is of an actual event that took place and Gericault attempts to evoke feelings of empathy by bringing out the emotions that were felt by the people of the raft after they were abandoned by their ship in the middle of the sea. 3. The White Horse and the Sea of Ice deal with the same theme but from different perspectives. They capture different aspects of the theme of man and nature. The White Horse expresses man’s attachment to nature while the Sea of Ice expresses man’s inability to tame nature. The Raft of Medusa on the other hand deals with the theme of desperation caused by man upon his fellow beings. Becoming Modern 1. a) Capitalism created modern by ensuring that people specialize in what they can be able to produce best, and make money by selling the surplus so that they can use the money to buy what they do not produce. This is contrary to the classics period where people produced all they needed. b) Urban Culture created modern through the emergence of totally new ways of living. Towns grew bigger, people bought almost all of their needs, and the gap between the rich and the poor widened. c) Technological advances changed the way people lived and the way people perceived each other and in doing so created modern. d) Secularism creates modern by ensuring that people were less concerned with religious matter but were more concerned with their own emotions and feelings’ e) Optimism created modern by promoting even more change because people were able to perceive change positively. 2. The audience of art changed from the rich and learned to the middle class and learned but with different outlook. Artists were therefore more influenced to depict aspects such as landscape that would be understood by the new audience. These changes made modern more dynamic because people readily embraced and influenced change. 3. Avant Garde was modern artist’s movement that was daring and radical and steered away from the traditional art techniques and influences. A Burial at Ornans 1. The painting A Burial at Ornans by Gustave Courbet is antithetical to modernism beca 2. use it depicts a traditional aspect of burial with all the religious ceremony accompanying it. One of the characteristics of modernism is secularism. 3. Gustave chose the topic to bring about the aspect of realism away from the conventional expectations where artists painted on particular issues for instance politics. Gustave depicted a funeral where people went to mourn but he was also aiming at showing the individual’s contemplation of the aspect of mortality. Some people are mourning; others are distracted, while others like the children are oblivious of the events. However, all these people are brought together to show heroism of the deceased. 4. The art audience at the Paris Salon in 1850 was astounded at the painting because it totally contradicted their expectations. Gustave chose to represent the funeral as it was rather than engage in subjects such as politics or religion. Impressionism: Art and Modernity 1. The term impression had been coined by those
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(Art History Blog Assignment Example | Topics and Well Written Essays - 3250 Words)
“Art History Blog Assignment Example | Topics and Well Written Essays - 3250 Words”, n.d. https://studentshare.org/visual-arts-film-studies/1395924-art-history-blog.
1973 was technically a time when oppressive authority was being overthrown and discriminating against female artists was being taken down (Voss 51). For anyone who studied the history of art, prior to the surfacing of feminist artists in the 1960s, no woman artist was acclaimed for works that are considered crude, bold, or daring (Voss 48).
In an interview with John Van Hammersveld, Lauren Cullen for Examiner.com revealed that his poster “The Endless Summer” would be on display within the exhibition. In the interview, Hammersveld discussed the way in which the exhibit held a post-modern view on modern life, answering the questions he put forth by saying “What is Southern California but an ever-changing dreamscape backdrop for the postmodern ideal?
Even though we learn in school the technical aspects, art for me is still about the experience one goes through upon contact with it. The “connection” that you mentioned between places was something that I noticed too. It seems to speak a lot, that goes even beyond the connection of the place to our connection to everything else that we see in the exhibit.
The speakers define romanticism as a “broader group of arts and culture” with an “incredible sense of drama and emotion.” They said that it is “about putting human emotion to the fore.” The first painting discussed is John Constable's “White Horse,” which was done in 1819. It is considered as Romantic art because it evokes the “personal memory”.
hen very recently, I went to visit a community garden, and even though I know that art embraces a wide world of ideas and concepts, the thought has not hit me squarely in the face until after this. That is why I said it was an eye-opener. For all the time I lived in L.A., all I
It is similarly viewed as an object in an artist “body of work." The ‘term work of art’ is commonly used in art galleries, museums, and by the interested public.
I intend to visit Africa America museum located in Philadelphia to help me experience the work of art. This
“Third-Class Carriage” by Honore Daumier as an oil on canvas also used dramatization. There are overlapping characters and a dramatic use of color and intensity of light because it is such a darkly ‘lit’ painting. There is a dramatic contrast between what is light and dark in the painting.
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