The Cathedral Church of the Holy and Undivided Trinity of Ely - Term Paper Example

 Introduction Ely cathedral, formally known as The Cathedral Church of the Holy and Undivided Trinity of Ely is one of the largest churches in the United Kingdom. The church typifies effective utilization of space as a key display element. Built between 1083 and 1375, the cathedral is arguably the largest medieval display in the country exhuming elegant and an epitome of display in display. The display of the display considered fundamental features of the display such its capacity, usability over a long period as manifested in the display’s longevity and need to remain aesthetic despite the changing societies. The display remains steady and usable to date a feature that portrays the appropriateness off the display and subsequent renovations done to the facility that have sustained the position of the display thereby finding the display some relevance among the display and architectural accolades in the contemporary society as the essay below portrays. The portrayal of space comes naturally to the display of the church; the freestanding display has specific features that facilitate free movement of people, lighting, and aeration thereby facilitating its sustainability. The cathedral exemplifies effective consumption of space as it houses numerous offices of the diocese and the parish. From the large church with a naval height of twenty two meters and the numerous compartments throughout the floor that serve as offices to the dioceses, the cathedral is self-sustaining with the displayers ensuring that key features of the cathedral such as lighting, aeration and the management of the temperature remained self-sustained. The numerous compartments that extend to the heights of the towers do not obstruct the doors and windows. The church hall therefore extends to the walls all-round the display thereby perpetuating the free flow of light and air that keeps the church aerated throughout the service. Additionally, the displayers ensured that all the rooms and compartments in the cathedral remained easily accessible depending on their relevance to the main church. Choir of Ely Cathedral Display is a fundamental feature of the display that the displayers considered. The displayers ensured that the display remained elegant to date. Among the elements of display the cathedral exemplify include presentation. The freestanding cathedral enjoys glamorous ambience arising from the large and stylishly displayed laws to the strong tall towers that earns the cathedral its towering attribute in the neighborhood. As explained earlier, aeration, lighting and temperature regulation are among the important factors that the displayers considered in order developing the self-sustaining display. The cathedral has a naval height of twenty-one meters a feature that helps with the aeration (John, 2000). The displayers enshrined the tall naval height to help keep the temperature of the cathedral cool especially during services by adhering to the principle that hot air rises as cold air rushes in through the doors. Ely cathedral corroborates the architectural claim that display is political; the display is attractive owing to the strategic inclusion of particular display details. Furthermore, the display has remained an essential social, cultural, and religious feature of the society. The primary features of the display included the large space owing to the functionality of the cathedral. Located in Ely, Cambridge shire in England, the cathedral boasts a rich gothic style, which is some of the essential features that have contributed to the beauty of the display. The cathedral is not only beautiful but is also functional even in the modern day England by satisfying the needs of the modern day populace a feature that portrays the appropriateness of the display. The cultural display of the cathedral has fostered beauty and relevance of display to the contemporary English society. The displayer decorated the first three bays is style. The fall of the central tower forced the renovations that now applied the Norman bays. The six bays found on the eastern part appear in the traditional English Style. The church used the Octagon space as well as two bays on the eastern as sermon places. However, further renovations in the mid ninetieth century increased the sermon place by additional seven bays. It is noticeable that three of the seven bays remain incomplete. This leaves the retro-choir department to use two eastern bays. A big oaken screen sits at that entrance of the Choir and is a beautiful attraction for visitors. Analyses associate this to its skilful execution as well as the elegant display. It entails open work in its execution that includes among other things a center with gates made of brass. This opening is also the entrance to the Choir. It falls below a pointed archway but covered by quality tracery in a sharp gable. The cross at the centre of the tracery is elegant considering its foliate coating. Three smaller openings are on the sides of the cross. Examining the architecture of the six bays of the Choir gives a better insight into the display (Peter, & Nigel, 2003). The architecture constructed the three bays on the western subsequently after the six bays on the eastern wing. Other aspects include the monuments and reredos. The layout is exemplary giving a visitor or any analyst to examine the building from left to right or right to left. The onus remains with the concerned person. Any visitor sees skill supervision within the sample of the decorated style in the three first bays. It is easy to suspect that the elegance of the three bays surpassed any other anywhere within the Kingdom. The quality of the bays on the western wing is singular but beautiful. The arrangement harmonizes with the six arches on the eastern swing through elevation of its extensions. Two styles come into contact in this section to make sure that the building serves the purpose of housing the sermons as well as the choir members in addition to the tetra-choir. The Decorated and Early English Styles provide room for comparison and evaluation of beauty and elegance. Everything is in place for both the western and eastern wings with adequate illumination of the spaces. The Lady Chapel The Lady Chapel constitutes one of the most interesting parts of the Ely Cathedral. The Chapel sits on the northern part of the Cathedral. The Chapel is parallel with the Choir. The entrance is on the northeast side through the north transept (Peter, 2010). It display of the building represented the epitome of the Decorated style in the United Kingdom. The room was at first an executive storehouse of important documents as well as extensive works of the tabernacle. Evaluation of this section requires a different view apart from the modern methods. The display of the Lady Chapel considers the consumption of space as required of a similar facility. The large Lady Chapel can seat more than two thousand people a requirement that required the consideration of several fundamental architectural features of the display. The length of the Lady Chapel extends one hundred and sixty meters with a height of sixty-six meters. The humongous space therefore required effective management in order to develop an elegant and beautiful display that has remained relevant to date. The displayers therefore included several compartments in the cathedral. The Lady Chapel is a self-sustaining church, which houses the essential offices and officers relevant in the organization and the management of the parish. The congregation space is large, well lit and effectively aerated (Peter & Nigel, 2003). The height of the space of the ceiling facilitates the cooling of the space a feature that made the cathedral appropriate even in the medieval times when there were no air conditioners. Renovations in the mid sixtieth century led to the changes in the role where the Dean allowed inhabitants to live in that section. Today, the chapel hosts flower festivals where many people visit the Cathedral for four consecutive days in a year. The display of flowers during the flower festival in the Lady Chapel (Lynne, 2008) The Lady Chapel hosts choir music festivals in addition to the flower festivals. This program includes among other features hosting of orchestras such as the Cathedral Choristors. Representations of the sea, land, moon, and sun constitute part of the more than seventy-five displays in the chapel during the two festival performances. The display is in such a way that a thirty-four meter Stretch River of water forms the pride and joy around the focus of the display, which is the Nave of the Cathedral (Lynne, 2008). Consumption is an architectural concept that influenced the display of the chapel. As a diocese headquarters, the chapel anticipated massive visitors. Therefore, the displayers ensured that they provided the display with adequate space among other architectural features that helped portray the chapel’s elegance as the headquarters to the diocese. Therefore, the displayers of the chapel established better ways as strategic features of the chapel contributing to the effectiveness of the consumption of its space. From the spacious aisles, free pews and effective aeration, the chapel is self-sustaining. Using such among other essential features of the display, the cathedral has claimed its place even in the contemporary society. The displayers of the chapel considered the mundane technological developments at the time of display and therefore sought to exploit natural sources of light such as sun and the moon in case of night services. The numerous ventilations in the chapel facilitate the lighting thereby, contributing to the aesthetic appeal of display. However, through renovation and constant inclusions of the advancing technologies, the chapel currently, has efficient lighting and enjoys effective wiring (Janet, 2005). In retrospect, the Ely cathedral in England is an example of a display that portrays effective display and display. The gothic style of the display is a major contributor to its modern day fame as the display stands as one of the oldest displays in the country. Regardless of its age, the display of the cathedral provides answers to most of the contemporary space consumption issues thereby positioning the cathedral strategically as one of the most iconic and elegant displays in the world. References Janet, F. (2005). Liber Eliensis: A History of the Isle of Ely from the Seventh Century to the Twelfth Compiled by a Monk of Ely in the Twelfth Century. New York: Boydell Press. John, M. (2000). Ely Cathedral: Display and Meaning. Cambridge: Ely Cathedral Publications. Lynne, B. (2008). Interpreting Ely Cathedral. Cambridge: Ely Cathedral Publications. Peter, M. & Nigel, R. (2003). A History of Ely Cathedral. London: The Boydell Press. Peter, M. (2010). Ely: Bishops and Diocese, 1109–2009. New York: Boydell Press. Read More