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Friends - Gender Messages and Television Programming - Essay Example

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The paper "Friends - Gender Messages and Television Programming" promotes Phoebe, Rachel, Monica, Ross, Joey, and Chandler as an ensemble of characters that were emblems of a generation. Each of them was a brand to themselves, the nature of their plight revealing culture, gender, and social status…
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Friends - Gender Messages and Television Programming
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Extract of sample "Friends - Gender Messages and Television Programming"

While equality of value was managed between the gender, the associations between socioeconomic status, gender, and character were a clear message that provides an interesting commentary on the modern society of the period. 

The show friends ran between the years 1994 and 2004 (IMDB). The show was comprised of six characters, three of which were women and three of which were men. The traditional roles of males and females were maintained through a modern perspective throughout the show, with the women being both involved in the workplace and representing common female characteristics, as well as men who represented commonly held stereotypes of male gender characteristics. The characters were not only divided by gender, but through socio-economic status. Rachel, Ross, Monica, and Chandler came from affluent backgrounds, where Joey and Phoebe came from working-class backgrounds. Rachel, Phoebe, and Joey were in a lower economic class at the beginning of the show, where Monica, Ross, and Chandler were in a higher economic class, although their friendship placed them all within the same social class.

Phoebe, the free spirit of the group, is ethereal and strange sometimes, and her sexuality while present is also enigmatic as she never engages in a relationship with any of the other characters. Joey is the male counterpart to Phoebe, an inspiring actor who is also a sexual predator in the sense that he has no aspiration for more than a short-term relationship. Although not the kind of boy to bring home to your mom, he lacks the intelligence level to form bad intentions, which also serves to ‘explain’ his lack of monetary success. Chandler works in a corporate environment, but the nature of his job is never clarified which is a running joke on the show and also a commentary on modern corporate life as a ‘cog’ in the works. Ross is a professor at a college whose focus is on paleontology which comments on modern fascinations with dinosaurs, which often is connected to his child-like and ‘geek’ styled personality. Monica is a chef, a formerly obese woman who now rails thin but fights with her food issues. She has an intense case of OCD and this relates her to the traditional roles assigned to women in the domestic sphere, re-packaged for a modern audience as career and pathology. Rachel is a former modern ‘princess’, who enters the first episode in her wedding gown having run from her wedding in order to find independence. Her character development is more than likely the most evolutionary as she goes from a bad waitress in a coffee shop, her first job after leaving the comfort of being taken care of by her father and striking out on her own, to the point where she works her way up into the offices of a department store as a fashion expert.

The characters relate to one another within the context of modern interpretations of male and female. The women are independent but also engaged in traditional roles of women. The male and female roles are treated with unusual equality, a balanced cast with a balanced set of focal points as far as theme and plot are concerned. The advertisements tend to aim towards women, so it is likely that women are the target audience for the program. The program uses gender relationships in order to create the various aspects of the program including the conflicts, the resolutions to problems, and in creating intimate relationships.

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(“Gender messages presented on the television show...FRIENDS Essay”, n.d.)
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